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Romy the Cat's
personal site dedicated to advanced audio and evolved music reproduction
techniques
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This edition, 26 CDs box-set, compiled and commented in detail by Juergen Kesting, presents recordings from Maria Callas in glory days, the first decade of her career from 1947 to 1956. This collection is structured on themes and roles. Mar...
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But aren't the vented ports out of phase with the horns? Or is there some way to mechanically cross them over with time alignment? Or maybe it just doesn't matter at those frequencies.jh...
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As far as I know the Matacic discography never was made available. A few weeks ago a fellow at other (more amorphous) forum – Mr. Makopolus - published his list that I find worth to be preserved and publicized. So he is it: the Matacic discogra...
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I love much of the classic La Scala performance archive, and some of it is well recorded, too; just not as well as the Mercury Rigoletto. Interestingly, it seems like if performers are not simply scared shitless at La Scala, then they may well ...
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Pandora's Magic BoxRestoration of the music's dynamic range in historical recordings by: Pierre A. Paquin
We are now able to enjoy great recording of the distant past, thanks to the efforts of several successful and dedicated engineers who have had...
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The only “contemporary “stereo records that I love in past was by Rafael Kubelik with Fischer-Dieskau, Giacomotti and Bergonzi. The orchestral part of that La Scala play is amassing. Still, in my view it is not the best Rigoletto and mono recor...
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Higher sensitivity of loudspeaker leads to higher dynamic range but most of audio people mistakably feel that it should lead to ability of loudspeaker to play loud. Tom Brennan, from the AA sewers, mentioning the advantaged of Klipsch La Scala stated...
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A DOCUMENTARY HISTORY OF EMI CLASSICS Narrated by THOMAS HAMPSON
1 MENDELSSOHN: Spring Song/Adolf Umbach (clarinet) 2'17" 2 TCHAIKOVSKY: Forgive me (The Queen of Spades)/Nikolai Figner (tenor) 2'54" &n...
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[quote user="Romy the Cat"]Now, a few predictions. Next year, if the Silbatone folks are no fool. then will discard the stupid Aporia and will come up with a new loudspeaker.
The caT[/quote]A half of the circular baffle proposed by Manger would fit ...
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Hi Romy,Thanks a lot for your reply! Very helpful but there is some misunderstanding...I personally have a WE91A 300b Clone, no ambition to build something with the tb3-2000....There is a guy building one though... ( I would if i could!)My problem i...
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thanks for the good infoactually we are developing a full horn-loaded speaker the bass-bin is just inspired by Klipsch La Scala (just like Volti speaker) with curved sides. the mid-range consists of TAD 4001/Beryllium in Edgar wooden Tractrix horn an...
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[quote user="Paul S"]By far the most promising planar speakers I've heard have been the giant Sound Lab models. These use an assortment of variously-sized "tuned" planes comprising one larger, "curved" plane. However, ...
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I`ve had many small ribbons in my system over the years and I don`t like them. True, they are without competiton above a few Khz, but how to find a decent partnering midrange? They represent unnecessary fragmenting of the musical spectrum (a typical ...
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Sorry, I should have said by now that my (15" Audax PR380M) bass units are FLAT to 38 Hz, and then they roll off naturally at 24 dB below that, meaning if I have 38 Hz @ 100 dB, then ~30 Hz is still >88 dB, and obviously 20 Hz is still p...
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Lovro von Matacic was one of the great conductors who preserved the authentic late-Romantic tradition into the late-Romantic age.
He was a member of the Vienna Boys' Choir, then studied at the Vienna Hochschule für Musik. There he studied piano, org...
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Ok, so I'm not really going to talk about the show itself, but more of some interesting things I learned. Yes, I did have a room, but that's not the point. I was able to borrow some speakers from Azzolina. They are of the unusual Lo...
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It is imposable do not love Giacomo Puccini. Would it be possible do not be in awe of Tosca? Among the numerous performances of this opera that I have on my shelves there are many great. The De Sabata’s La Scala performance from 1953 with Callas, Di ...
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Adrian, although I find plenty of "mono" recordings that sound better to me in "mono", I will always take good stereo over good mono, other factors being equal. Sure, some "stereo" is so poorly done that it just does not work as stereo.&nb...
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I have tried a lot of tape recorders and different tapes of different quality, thanks to a few close friends. There is the Tape Project tapes which quality is always very good, and although the selection of music is very good they have a limited cata...
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I do not mean to set up a discussion about apriori categories, etc. Rather, I mean to drag the notion of differences back to audio and some of my original observations. I am thinking of systems I have heard that seemed to heighten on...
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Nope is it now what extraterrestrials would love but rather we would be able to offer to them to demonstrate what our Earth Classical Music (let say Western music) is all about.
When in 1977 Voyager was sent into deep space then the golden phonograp...
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I have admitted that I have some freakish affection to lover mirage “moments” in sound and the cellos concertos are my “specially” beloved concertos:
http://www.goodsoundclub.com/Forums/ShowPost.aspx?PostID=2630
The very same goes with voices. The ...
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Conchita Supervia (1895-1936)By Professor Stanley Henig
“A magnetic personality, as well as a great singer…. the kind of artist around whose name legends gather”(Desmond Shawe-Taylor)
“Her gaiety, good temper, sympathy, and charm cloaked a k...
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I was listening today the Bolshoy 1948 production on LYS twice. What the beauty. As the tribute to this performance I am posting articles about the singers who did the “Boris Godunov” with Golovanov in 1948. The Articles are courtesy to writing staff...
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[quote user="Romy the Cat"]It would be more complicated then that… as they do better or worth under the different conditions… I will be posting my further comments into this thread… Stand by….[/quote]A few words about the measurements above. When I m...
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I remember when I built Melquiades I detected that quietly of wire that feeds the grid of output stage with bias, quality of soldering or any other minute detail on this wire was very auditable. I also detected that the proximity of this wire t...
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Music and Arts Programs of America, Inc. www.musicandarts.com info@musicandarts.com Tel 510-525-4583 or Fax 510-524-2111CD-1063(2) IN MEMORIAM HANS HOTTER (1909-2003). A selection of Lieder from the Raucheisen project of the German Radio Sy...
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