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Audio Knowledge Tree ™
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Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» A longer CD-Rom cable.
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» The foolishness of multi»
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» Mstislav Rostropovich Di»
» Wagner and loudness.
» Large Polystyrene Caps
» How to test 6C33C?
» How playing an instrumen»
» Internet and electricity
» Help with RF loop
» The Evolution of Honk.
» Rach’s Prelude in C-shar»
» De-stress not decompress»
» "Zaratustra II"»
» VMPS RM V60 – kill me, b»
» The BEST bass cable?
» Le C'leach horn rear cha»
» 6C33C loading in Super M»
» What drives your musical»
» How do you position your»
» Thoughts on midbass horn»
» Evaluation of tractrix c»
» Best DRM audio converter»
» A turntable platter as a»
» Aesthetix Rhea Signature»
» Belar fms-2 Vs. r&»
» Don’t "use" VTA
» EdgarHorn Speaker Project
» RAAL “Water Drop” tweete»
» Really Expensive DACs?
» “How audio might sound”
» Solid state revisited
» EnABL: Just a note to aw»
» Classical Music for the »
» Loudspeaker: Sound repro»
Bookmarked are red
Russian Records
Tchaikovsky's Compositio»
The Soul of Sound
Boom's Dungeon
GS Tube
Exponential/Hyperbolic C»
Eugene Ormandy Pages
Arbiter Records
Vladimir Lamm Site
Input Choke Calculator
Higherfi.com
BostonSymphony's Channel
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

“It was then that she understood the vicious circle of Colonel Aureliano Buendia’s little gold fishes.”

Gabriel Garcia Marquez


This site came to live because of multiple reasons:

  • As a software engineer I enjoy and in many cases I find it practical to have a community-based content-filled site where I might play with off-the-wall solutions, which I might not, necessarily might utilize with my clients. Therefore this site is a convenient technical playground.

  • I appreciate music and value music reproduction; I appreciatively spend substantial amount of effort and time on them. I feel that I possess some critical mass of realization on the subject that might be presented or exchanged at public domain. Also, I do enjoy the process of collaboration and swapping, not to mention - the thinking - about the audio/music related subjects. Therefore, this site is a wonderful source for those dual-explorative opportunities.

  • Over the course of the last few years I spent some time socializing with various audio people on-line. It reveals to me that unfortunately the dominating majority of them were remarkable idiots. Furthermore, those on-line individuals , for whatever reasons drived them, found necessary to spread lie and deception about me. Therefore, this site is my statement who I am and what I think, without me being edited, impersonated or censored by the frighten and fraudulent audio human waste.

In other words this site is sort of a public diary about my own and perhaps others journey among the jungles of Music and Music reproduction. This is the place where I might share some thoughts, objectives, methods and ideas with whoever comes alone or across.

Neither this site nor I, thank God, are associated with any audio or music industry entities. I’m on my own and I have no other agendas besides:

  • My pure and natural interest to the subjects of music and music reproduction
  • Opportunity to tease my corrupted ego
  • Opportunity to mock the Audio Morons™, illusory ideas and mistaken concepts that deserve to be ridiculed
  • Opportunity to learn and to teach
  • Opportunity to have a entertainment while I’m engaged in less-exciting projects

Anyhow,

I welcome you at Roman Bessnow's GoodSoundClub.com – the Internet home of Romy the Cat


All context of this site except the Forum's posts Copyright © Roman Bessnow 2004-2019
All messages within the Site’s Forum Copyright © by authors of the posts
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