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 » 23 February A Renaissance for an Instrument of Melancholy Magic
 » 23 February Luigi Nono’s Harsh Music Inspires Reflection and Action
 » 23 February 7 Classical Music Concerts to See in NYC This Weekend
 » 21 February A Lullaby, a Caress: Yo-Yo Ma, Ax and Kavakos on Brahms
 » 21 February How Jonny Greenwood Wove the ‘Phantom Thread’ Score
 » 21 February Juan Durán wins Premio Reina Sofía
 » 19 February Watch Ping-Pong Make Its New York Philharmonic Debut
 » 18 February Hear How ‘Mozart in the Jungle’ Became a New-Music Showcase
 » 17 February An Opera Star’s Song Cycle Conjures a Black Man’s Life in America
 » 16 February 8 Classical Music Concerts to See in NYC This Weekend
 » 14 February The New York Philharmonic’s Fresh Start: A Season Spent at Home
 » 12 February Review: Chicago Symphony Displays Out-of-Character Modesty at Carnegie
 » 9 February Welcoming a Black Female Composer Into the Canon. Finally.
 » 9 February Review: A Bold Pianist Rescues an Overlooked Concerto
 » 9 February Classical Music in NYC This Week
 » 8 February Winner of 2018 Azrieli Prize is Avner Dorman
 » 8 February Hans Abrahamsen wins 2019 Sonning Award
 » 7 February Review: Unlikely Pairing Turns to Intense Affinity at Carnegie
 » 6 February Nico Muhly on the ‘Ecstatic Disruption’ of Philip Glass’s Music
 » 5 February It’s ‘Carmen.’ But Not Like You’ve Ever Seen It.
 » 5 February The Caramoor Festival Takes a Contemporary Turn
 » 2 February 5 Hours of Glenn Gould Outtakes. Why? Listen and Find Out.
 » 2 February Classical Music in NYC This Week
 » 1 February Is It Classical, or Pop? Nils Frahm Is Worried, but Not About That
 » 1 February Jakub Józef Orlinski
 » 1 February The Flick 2018
 » 1 February Barlow Prize 2018
 » 1 February A McCabe Garland
 » 31 January Review: Cool and Subdued, a Pianist Saves Debussy From Cliché
 » 30 January Keeping Score of Who’s in Charge of America’s Orchestras
 » 30 January Lincoln Center’s Next Season: Salonen, Pittsburgh, ‘The Creation’
 » 30 January Europe’s ‘Rising Star’ Musicians Give as Much as They Get
 » 28 January Review: At Juilliard Festival, the Stunning Sounds of China Today
 » 27 January She Tackled Aristotle in an Opera. Next Up: Medieval French Couplets.
 » 26 January Classical Music in NYC This Week
 » 26 January Jane Birkin on Love, Life and Serge Gainsbourg’s Classical Roots
 » 26 January Huck Hodge wins $200,000 prize
 » 25 January Carnegie Hall’s Season Will Focus on M.T.T., Yuja Wang and Chris Thile
 » 25 January Watch Unearthed Footage of One of Leonard Bernstein’s Last Rehearsals
 » 24 January Robert Spano Will Leave the Atlanta Symphony After 20 Years
 » 23 January The Tortured History Behind Prokofiev’s ‘Romeo and Juliet’
 » 23 January Golden Globe for best soundtrack to Desplat
 » 23 January Premio “Francisco de Javier” for Iturralde
 » 22 January At 100, the Cleveland Orchestra May (Quietly) Be America’s Best
 » 21 January Review: The Elusive Jonas Kaufmann Finally Returns to New York
 » 20 January Can Classical Music Take a Joke? A Violinist is Shredded.
 » 19 January Classical Music in NYC This Week
 » 19 January Meet the New Generation Leading Berlin’s Classical Scene
 » 19 January Review: Concertgebouw Orchestra Shows Off Its Legacy at Carnegie
 » 19 January Haydn in Plain Sight
 » 18 January Can Philippe Jaroussky Help Fix Classical Music’s Diversity Problem?
 » 18 January Philippe Jaroussky réussira-t-il à ouvrir la musique classique à la diversité?
 » 18 January After 50 Years, Israel Philharmonic Names a New Conductor
 » 15 January What a Hologram of Maria Callas Can Teach Us About Opera
 » 13 January Review: Roomful of Teeth Stretches for a Piano Premiere
 » 12 January Review: A Conductor’s Exciting Return to the New York Philharmonic
 » 12 January Classical Music in NYC This Week
 » 11 January Review: The Philharmonic Focuses on Female Composers
 » 10 January Charles Dutoit, Conductor Accused of Sexual Assault, Leaves Royal Philharmonic
 » 6 January Debussy: The Complete Works
 » 5 January Classical Music in NYC This Week
 » 5 January Review: A Nostalgia Trip at the New York Philharmonic
 » 3 January The Pianist of the Resistance Captures a Surprise Award
 » 2 January Robert Mann, a Founder of the Juilliard Quartet, Dies at 97
 » 2 January Bantock Letters
 » 2 January January 2018 Newsletter
 » 2 January Roberto Sierra
 » 31 December Charles Dutoit Replaced at New York Philharmonic Concerts After Assault Allegations
 » 31 December Review: Ending the Year With a Pair of Early-Music Ensembles
 » 29 December Your Week in Culture: Cardi B’s New Year’s Eve, ‘9-1-1,’ Louise Bourgeois
 » 29 December Review: New York Philharmonic’s Summer Host Beats the Cold
 » 28 December Classical Music in NYC This Week
 » 26 December Under City Ballet’s ‘Nutcracker’ Tree, Dancers Find New Roles
 » 22 December Classical Music in NYC This Week
 » 22 December Charles Dutoit, Noted Conductor, Accused of Sexual Assault
 » 21 December Roberto Sierra awarded Tomás Luis de Victoria Prize
 » 17 December The Composer Who Owns Christmas
 » 15 December Classical Music in NYC This Week
 » 14 December The 25 Best Classical Music Recordings of 2017
 » 13 December Review: Philharmonic Replies to $50 Million With ‘Hallelujah’
 » 12 December The Philharmonic, Under New Management, Raises $50 Million — Fast
 » 11 December Review: Philip Glass, Easy to Mimic but Hard to Match
 » 9 December James Levine Will Not Face Criminal Charges in Illinois
 » 8 December Review: The Radiant Modesty of Janine Jansen at Carnegie Hall
 » 8 December Cobbling Together a Christmas Music Marathon
 » 8 December Berlin’s State Opera Has Served Kings, Presidents and Dictators. Now What?
 » 8 December The Last Civic Remnant of Authentic Spirituality at Christmastime
 » 8 December Classical Music in NYC This Week
 » 7 December British Composer Award for Kenneth Hesketh
 » 7 December The Best Classical Music Performances of 2017
 » 7 December Finding ‘Hallelujah’: How to Navigate the ‘Messiah’ Landscape
 » 5 December Should I Put Away My James Levine Recordings?
 » 5 December Review: Revisiting a Luxuriously Gonzo Side of John Cage
 » 5 December Exhausted by Harmony, Schoenberg Found Atonality
 » 4 December Jerry Springer and Mozart: Guggenheim Unveils Works and Process Season
 » 4 December Three String Quartets in a Week. One of Them Is Trying New Things.
 » 3 December William Mayer, Wide-Ranging Composer, Is Dead at 91
 » 3 December Met Opera to Investigate James Levine Over Sexual Abuse Accusation
 » 2 December Clotilde Rosa (1946-2017)
 » 2 December December 2017 Newsletter
 » 2 December Stravinsky's Funeral Song
 » 1 December A Violinist as Riveting in Silence as in Sound
 » 1 December Review: A Stirring Premiere at the Philharmonic, With Perfect Timing
 » 1 December Carol Neblett (1946-2017)
 » 1 December Classical Music in NYC This Week
 » 30 November A Winter Guide to Music, Opera and Ballet Around the Globe
 » 29 November Bent Sørensen wins Grawemeyer award
 » 29 November Geneva Composition Prize for Choi Jae-hyuck
 » 29 November Kate More receives Matthijs Vermeulen Prize
 » 28 November Hear the Piece That Won One of Music’s Biggest Prizes
 » 26 November Dmitri Hvorostovsky (1962-2017)
 » 25 November R Murray Schafer
 » 24 November Classical Music in NYC This Week
 » 24 November John Adams awarded San Francisco Opera Medal
 » 23 November 500 Years Later, the Reformation Is Still Creating Music
 » 23 November Review: Gianandrea Noseda Returns to a New York Philharmonic in Transition
 » 20 November Review: The Quietly Cosmic Sound of Desert Stillness
 » 20 November Barbara Hannigan: The Legend Grows in an Intimate Setting
 » 18 November Mark Andre wins German Catholic Culture Prize
 » 18 November Simon Steen-Andersen wins Mauricio Kagel Prize
 » 18 November Lost Holst manuscripts found in New Zealand
 » 18 November Arvo Pärt wins Ratzinger Award
 » 18 November Unknown Shostakovich compostion found
 » 18 November Unsuk Chin wins Sibelius Prize
 » 18 November Andrés Gaos Prize for Manuel Martínez Burgos
 » 18 November Klaus Ospald receives Würzburg culture prize
 » 18 November Janet Wheeler wins 2017 Hendrix Candlelight Carol Competition
 » 18 November Honorary degree for Penderecki
 » 18 November Taming Prokofiev: The Week’s 8 Best Classical Music Moments on YouTube
 » 17 November With Change Coming to the Ojai Festival, Watch What Makes it Unusual
 » 17 November Bernstein in the Berkshires: Tanglewood to Celebrate a Local Hero
 » 17 November Review: A Virtuoso Pianist Is a Virtuoso Composer, Too
 » 17 November Classical Music in NYC This Week
 » 16 November Los Angeles Philharmonic Finds Its Next Leader in Seattle
 » 15 November The Soprano Barbara Hannigan on Girl Craziness and ‘Lulu’
 » 15 November Janet Wheeler wins 2017 Hendrix Candlelight Carol Competition
 » 15 November Honorary degree for Penderecki
 » 15 November Lincoln Center to End Its Namesake Summer Festival
 » 10 November Three Composers on the Necessity and Pitfalls of Political Music
 » 10 November Review: Son Confronts Father to End a Leonard Bernstein Festival
 » 10 November Classical Music in NYC This Week
 » 10 November L.A. Phil’s Youth Orchestra to Get a New, Frank Gehry-Designed Home
 » 8 November Henze’s ‘The Bassarids’ Will Return to the Salzburg Festival
 » 8 November Review: Celebrating 40 Years of Championing American Composers
 » 7 November At the Met Opera, a Note So High, It’s Never Been Sung Before
 » 6 November Chopin’s Heart, Pickled in a Jar, Offers Clues to His Death
 » 5 November Ladislav Kubík (1946-2017)
 » 3 November Classical Music in NYC This Week
 » 2 November November 2017 Newsletter
 » 1 November Ingvar Lidholm (1921-2017)
 » 1 November Heather Slade-Lipkin (1947-2017)
 » 1 November John Manduell (1928-2017)
 » 1 November Odes and Elegies
 » 1 November After 25 Years, Michael Tilson Thomas Will Leave San Francisco Symphony
 » 30 October Review: A Russian Pianist Who Doesn’t Play It Safe (Even With Chopin)
 » 27 October Remembering Jacqueline du Pré, an Icon of the Cello
 » 27 October Review: If You See One Opera This Year, Make It ‘The Exterminating Angel’
 » 27 October Contemplating a Mystically Charged Two-Hour Piano Epic
 » 27 October Klaus Ospald receives Würzburg culture prize
 » 27 October Classical Music in NYC This Week
 » 26 October Review: Bernstein Brings Alan Gilbert Back to the Philharmonic
 » 24 October Hear the Surreal Instruments of the Met’s New Opera
 » 24 October German Film Music Prize for Harold Faltermeyer
 » 24 October Artemyev receives Shostakovich Prize
 » 24 October László Lajtha on a coin
 » 24 October Mark Andre wins German Catholic Culture Prize
 » 24 October Simon Steen-Andersen wins Mauricio Kagel Prize
 » 24 October Lost Holst manuscripts found in New Zealand
 » 24 October Arvo Pärt wins Ratzinger Award
 » 24 October Unknown Shostakovich compostion found
 » 24 October Unsuk Chin wins Sibelius Prize
 » 24 October Andrés Gaos Prize for Manuel Martínez Burgos
 » 23 October Siegfried Köhler (1923-2017)
 » 23 October Missa Charles Darwin
 » 23 October Brenda Lewis (1921-2017)
 » 23 October Cosima Soulez-Larivière
 » 23 October Tsisana Tatishvili (1937-2017)
 » 23 October Winter Legends
 » 23 October Caesar Giovannini (1925-2017)
 » 23 October Zuzana Ruzickova (1927-2017)
 » 23 October October 2017 Newsletter
 » 23 October Dmitry Smolsky (1937-2017)
 » 23 October Klaus Huber (1924-2017)
 » 23 October Set Your Heart on Books
 » 23 October Coriún Aharonián (1940-2017)
 » 23 October Vincent La Selva (1929-2017)
 » 23 October Les Troyens
 » 23 October The Pioneering Modernist Who Wrote an Audacious String Quartet
 » 23 October Who’s Afraid of ‘Goldberg Variations’? Not This Choreographer.
 » 23 October Review: Leif Ove Andsnes Blazes Out a Rachmaninoff Rarity
 » 23 October Listen to Bach, Transformed for String Quartet
 » 23 October Hear the Martha Argerich Recordings That Inspired 8 Young Pianists
 » 23 October Classical Music in NYC This Week
 » 23 October Review: A Montreal Orchestra Brings Back Bartok’s Strangeness
 » 23 October Not Just ‘West Side Story’: Celebrating Bernstein’s Symphonies
 » 23 October Review: After a Decade, Martha Argerich Returns to Carnegie Hall
 » 23 October Forced Out By Flooding, Houston’s Opera Gets On With the Show
   
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