| GoodSoundClub.com
Classical Music latest News |
|
»
29 January
|
Expanding Best Picture To More Than Five Nominees Was ‘One Of The Best Moves The Oscars Have Ever Made’
|
|
»
29 January
|
Vancouver Symphony Appoints New Executive Director
|
|
»
29 January
|
Arts Council England Says It Will Invest In Arts In Every Village And Town. Feasible?
|
|
»
29 January
|
Why We Should End Tourism. But We Won’t
|
|
»
29 January
|
Why Do We Define Success As Growth? Success Might Actually Mean “De-Growing”
|
|
»
29 January
|
Poetry Written By AI Is Getting Much Better (Stylistically)
|
|
»
29 January
|
Peter Handke’s Nobel Prize Shows Why Aesthetics Alone Should Not Be The Criterion
|
|
»
29 January
|
Seasoned Fundraising Leader Sought to Help Open World-Class New Orange County Museum of Art
|
|
»
28 January
|
Classical music news. January 2020 Newsletter
|
|
»
28 January
|
Classical music news. Obituary
|
|
»
28 January
|
Carnegie Hall’s New Season: Here’s What We Want to Hear
|
|
»
28 January
|
Time enough
|
|
»
28 January
|
Kosher Becomes Croissant
|
|
»
28 January
|
Joyce DiDonato, Nicola Benedetti, Jennifer Higdon, Caroline Shaw: Classical Grammy Awards 2020
|
|
»
28 January
|
For First Time, Graphic Novel Wins Newbery Medal; Caldecott Medal Goes To Picture Book About Great African-Americans
|
|
»
28 January
|
Smithsonian’s Hoped-For London Outpost Cut Back To A Two-Year V&A Show
|
|
»
28 January
|
Copy Of Columbus’s First Letter From The New World, Stolen In Venice, Is Recovered In Delaware
|
|
»
28 January
|
Michou, ‘Blue Prince Of Montmartre’ And Paris Nightlife Legend, Dead At 88
|
|
»
28 January
|
Tim Crowley Saved Marfa, Texas And Built It Into An International Destination. Is He Now Ruining It?
|
|
»
28 January
|
A ‘Slave Play’ Post-Mortem By The Cast And Creative Team
|
|
»
28 January
|
“American Dirt” – An Immigrant Story That Rings False To Immigrants
|
|
»
28 January
|
The Race To Create The Darkest-Ever Black Was Actually A Series Of Accidents
|
|
»
28 January
|
Will AI-Powered Avatars Replace Many Of Our Public Interactions?
|
|
»
28 January
|
England’s Business Tax To Be Cut 50% For Small Music Venues
|
|
»
28 January
|
Many Of China’s Arts Venues Shut Over Coronavirus Fears
|
|
»
28 January
|
Dancers Are Expected To Be More Flexible Than Ever — And That Can Be Dangerous
|
|
»
28 January
|
Using Fun And Games To Teach Professional Dancers
|
|
»
28 January
|
So What Is Grime Ballet?
|
|
»
28 January
|
America’s New Space Force Logo Seems To Have Been Modeled On Star Trek
|
|
»
28 January
|
Boycott Brexit Commemorative Medal Over Lack Of Oxford Comma?
|
|
»
28 January
|
Where Broadway’s Super-Fans Are: BroadwayCon
|
|
»
28 January
|
Gibney Company General Manager
|
|
»
28 January
|
Outcry Over “American Dirt” Shows What’s Wrong With The American Publishing Business
|
|
»
28 January
|
Association of Performing Arts Professionals Seeks President and CEO
|
|
»
28 January
|
10,000 Photos Of Alvin Ailey Company Are Now Online
|
|
»
28 January
|
Dean, Antoinette Westphal College of Media Arts & Design
|
|
»
27 January
|
A Grammy Sweep For 18-Year-Old Billie Eilish (And Here Are The Rest Of The Winners Too)
|
|
»
27 January
|
Dear Met: Please Create A Series Of Concert Performances
|
|
»
27 January
|
How Britain Could Rescue Its Arts, And Arts Funding, From ‘Perennial Elitism’
|
|
»
27 January
|
Sam Mendes Wins The Directors’ Guild Award For ‘1917’
|
|
»
27 January
|
With An Organization In Budget Trouble, A Theatre’s Artistic Director Cut Two Shows – And Then His Own Job Was Eliminated
|
|
»
27 January
|
How Can Australia Come To Terms With Its Past?
|
|
»
27 January
|
Is There Anything Steve McQueen – Turner Winner, Oscar Winner, Recent Knighthood Recipient – Can’t Do?
|
|
»
27 January
|
Netflix Holds Its First Fan Screening At The Theatre It Bought In New York
|
|
»
27 January
|
Thelma Schoonmaker – Martin Scorsese’s Longtime Editor And Collaborator – Says He Hates Eyebrows
|
|
»
27 January
|
The Best Opera For Newbies, And Other Opera Questions
|
|
»
27 January
|
Should Architects Work For Tyrants?
|
|
»
27 January
|
Alicia Keys Didn’t Just Host The Grammys, She Made A Clear Reference To Issues In The Industry
|
|
»
27 January
|
Right Place At The Right Time: Audience Member Steps In Save ‘Macbeth’
|
|
»
27 January
|
Fort Worth Opera’s General Director Walks Out
|
|
»
27 January
|
Australia Must Change Its Laws To Protect Aboriginal Artists From Artistic Carpetbagging
|
|
»
27 January
|
A History Of The Evolution Of MoMA’s Homes
|
|
»
27 January
|
How Artificial Intelligence Is Taking Over Music
|
|
»
27 January
|
Paris Opera Dancers End Strike
|
|
»
27 January
|
Book Publishing Seems To Be Improving. Or Is It
|
|
»
27 January
|
Georgia Now Ranks 49th In Arts Funding. Here’s What That Looks Like
|
|
»
27 January
|
The Dark Cloud Hanging Over The Grammys
|
|
»
27 January
|
“American Dirt” Was Supposed To Be A Monster Hit. So What Happened?
|
|
»
27 January
|
Bond Over Beethoven Led to Kobe Bryant’s Oscar for ‘Dear Basketball’
|
|
»
27 January
|
Are The Grammys Irrelevant?
|
|
»
27 January
|
Salma Hayek Apologizes For Praising ‘American Dirt’
|
|
»
27 January
|
Amazon Has Now Restricted Reviews Of ‘American Dirt’ To Those Who Buy The Book On Amazon
|
|
»
26 January
|
What If Stephen King Were Treated Like A Latinx Writer?
|
|
»
26 January
|
The Oregon Shakespeare Festival Hires A Full-Time Intimacy Director
|
|
»
26 January
|
Deborah Duggan, On The Eve Of The Grammys, Says She Had To Push Back
|
|
»
26 January
|
What’s The Deal With Country Music’s Bizarre, Ahistorical Lack Of Diversity? [VIDEO]
|
|
»
26 January
|
After Only A Year, The Staatsballett Berlin’s Co-Leaders Are Stepping Away
|
|
»
26 January
|
How Can We Look At Monet While Our Planet Burns?
|
|
»
26 January
|
The Conductor Of Countless Harry Potter Symphony Match-Ups Explains Why He Does It
|
|
»
26 January
|
Next Week, The World’s First ‘Grime Ballet’ Premieres
|
|
»
26 January
|
A Fire Tears Through New York’s Museum Of Chinese In America, Destroying 85,000 Irreplaceable Works
|
|
»
26 January
|
A New Revenge Movie Perfect For – But Not About – The MeToo Era, Written And Directed By A Star Of ‘The Crown’
|
|
»
26 January
|
Margo Lion, Proudly Independent Producer Of ‘Hairspray’ And Others On Broadway, Has Died At 75
|
|
»
26 January
|
One Massive Problem With Blockbuster Art Shows
|
|
»
26 January
|
The Game-Changing Documentary ‘Honeyland’
|
|
»
26 January
|
When Fast Food Picks Up Larger Society’s Civil Rights Slack
|
|
»
26 January
|
Netflix Is Betting On First-Time Filmmakers In The Streaming Wars
|
|
»
26 January
|
The Paris Opera Opens Again (Perhaps Briefly) After Weeks Of Strikes
|
|
»
26 January
|
Have 21st Century Writers Fallen Out Of Love With Marriage?
|
|
»
25 January
|
Classical music news. Obituary
|
|
»
25 January
|
The Difficulty Of Being A Cultural Ambassador For The US In The Time Of Trump
|
|
»
25 January
|
As Robots Take Over There’s An Opening For People
|
|
»
25 January
|
Research: How New York City’s Arts Work Force Diversity Compares To The Rest Of The City
|
|
»
25 January
|
So Much For The Grammys’ New Era
|
|
»
25 January
|
When Classical Music Was Central
|
|
»
25 January
|
Disruptive Innovation Thinker Clayton Christensen, 67
|
|
»
24 January
|
Review: Gustavo Dudamel Excels, Yet Again, at the New York Philharmonic
|
|
»
24 January
|
Musicians Love the Conductor Kirill Petrenko. It Shows.
|
|
»
24 January
|
PBS News Anchor Jim Lehrer Dead At 85
|
|
»
24 January
|
NEA Releases Results Of Latest Survey Of Public Participation In The Arts
|
|
»
24 January
|
Knopf Names Sonny Mehta’s Successor As Publisher
|
|
»
24 January
|
How A Pair Of English Policemen Helped Jump-Start The Movement To Repatriate The Benin Bronzes
|
|
»
24 January
|
MA PROGRAMME PUPPETRY IN FOUR CENTRAL EUROPEAN ACADEMIES
|
|
»
24 January
|
Could The Dirt-Poor Alabama Hamlet Famous For Its Quilts Become An Art Destination Like Marfa?
|
|
»
24 January
|
Opera And Classical Young Artist Programs Are Big Business — For Everyone But The Young Artists
|
|
»
24 January
|
Smart Caption Glasses, A New Way To Make Theatre Accessible To Hearing-Impaired Audiences
|
|
»
24 January
|
Top Galleries Blast Art Basel In Letter Over Hong Kong Fair
|
|
»
24 January
|
Examining The Arguments Over Jeanine Cummins’s ‘American Dirt’
|
|
»
24 January
|
Oregon Bach Festival Announces Three Finalists To Lead It
|
|
»
24 January
|
Saying That Conditions Had Become ‘Impossible’, China’s Last Independent Film Festival Shuts Down
|
|
»
24 January
|
Thomas Campbell’s Challenges At San Francisco’s Fine Arts Museums
|
|
»
24 January
|
What’s The Most Physically Demanding Job In America? According To Insurers, It’s Dancer
|
|
»
24 January
|
The Virtue Of Being Able To Say Hard Things In Print… Have We Lost It?
|
|
»
24 January
|
There’s A Wave Of Forgeries Coming To The Print Market, Warn Art Experts
|
|
»
24 January
|
Classical music news. Music and Spirit: An Unconference
|
|
»
24 January
|
6 Classical Music Concerts to See in N.Y.C. This Weekend
|
|
»
24 January
|
How Ice-T was a mensch
|
|
»
24 January
|
One Of The Last Full-Length Interviews Of Monty Python’s Terry Jones
|
|
»
24 January
|
A New Museum That’s Betting You’ll Pay For A More “Experience” Experience
|
|
»
24 January
|
Stories Are An Oral Tradition. They Work Differently When You Don’t Hear Them
|
|
»
24 January
|
An Extraordinary Boots-On-The-Ground Arts Philanthropist In Atlanta
|
|
»
24 January
|
Klimt Thief: “We Have Given A Gift To The City”
|
|
»
24 January
|
Smithsonian To Send Popular Obama Portraits On A National Tour
|
|
»
24 January
|
Does Russia’s New Minister Of Culture Hate Culture?
|
|
»
23 January
|
Review: The Philharmonic and a Conductor Get Reacquainted
|
|
»
23 January
|
The Making of ‘2001: A Space Odyssey’ Was as Far Out as the Movie
|
|
»
23 January
|
Sasha Waltz And Johannes Öhman To Leave Staatsballett Berlin
|
|
»
23 January
|
Detroit Symphony Chooses Its Next Music Director (It Was Love At First Sight)
|
|
»
23 January
|
How Rotten Tomatoes Actually Works
|
|
»
23 January
|
One Of New York’s Most Storied Experimental Venues Is Letting Artists Run It For A Year
|
|
»
23 January
|
Charlotte Symphony Orchestra seeks President & CEO
|
|
»
23 January
|
Applications now open for an exciting MA Directing degree in Prague!
|
|
»
23 January
|
Italy’s Carabinieri Art Squad, Catching Thieves, Looters, And Traffickers For 50 Years
|
|
»
23 January
|
How Two Belgian Avant-Gardists Rebuilt ‘West Side Story’ From Top To Bottom
|
|
»
23 January
|
Gypsy Rose Lee’s Son Remembers Life On The Road With Mother
|
|
»
23 January
|
The Case Of The Non-Review Book Review And What It Says About Us
|
|
»
23 January
|
What Professional Book Critics Think About Amateur Reviewers And Academics
|
|
»
23 January
|
Survival Of The Fittest? Turns Out Collaboration Might Be More Important
|
|
»
23 January
|
Were Egyptian Hieroglyphs Basically Ancient Emoji?
|
|
»
23 January
|
Frank Gehry And His Favorite Buildings, And How He Thinks About Buildings
|
|
»
23 January
|
I Began Studying Ballet At Age 62
|
|
»
23 January
|
Our Conception Of Time As A Process Has Evolved
|
|
»
23 January
|
6 Classical Music Concerts to See in N.Y.C. This Weekend
|
|
»
23 January
|
The Man Behind the Boston Symphony’s Quiet Success Will Retire
|
|
»
23 January
|
Recent Listening In Brief: Yelena Eckemoff
|
|
»
23 January
|
Shows That Won’t Let You Back In If You Leave Make It Hard For Physically Challenged People
|
|
»
23 January
|
San Jose Opera’s New Direction
|
|
»
23 January
|
How Self-Help Books Have Influenced Literature
|
|
»
23 January
|
Remembering Fellini On His 100th Birthday
|
|
»
23 January
|
For The First Time Netflix Reveals How Many Watched “The Queen”
|
|
»
23 January
|
Longtime Boston Symphony CEO Mark Volpe Announces Retirement
|
|
»
22 January
|
Garth Greenwell Comes Clean
|
|
»
22 January
|
The Detroit Symphony Needed a Fill-In. It Found a Music Director.
|
|
»
22 January
|
Allan Bloom, Identity Politics, and “Closed Minds”
|
|
»
22 January
|
Beware Arrogance
|
|
»
22 January
|
Feds Reject Ancient Rock Art Sites In Utah For National Register Of Historic Places
|
|
»
22 January
|
‘Indiana Jones Of Art World’ Locates Stolen 15th-Century Persian Manuscript Worth €1 Million
|
|
»
22 January
|
Why There’s A Campaign To Boo Ballet Star Amar Ramasar In Broadway’s ‘West Side Story’
|
|
»
22 January
|
Case Of Ousted Recording Academy CEO Gets Uglier As Each Sides’ Explosive Allegations Mount
|
|
»
22 January
|
Why, Exactly, Is The Paris Opera Ballet On Strike? Here’s An Explainer
|
|
»
22 January
|
Restaurant Noise Is Good! Says The New York Times’ Restaurant Critic
|
|
»
22 January
|
Terry Jones Of ‘Monty Python’ Dead At 77
|
|
»
22 January
|
Enrollment In Art History Programs Down 28 Percent In UK
|
|
»
22 January
|
The State Of Gay Art In Beijing: Delicate And Discreet
|
|
»
22 January
|
Why Do We Fetishize Books As Physical Objects?
|
|
»
22 January
|
Nancy Pelosi Said That ‘America Will Heal Through The Arts.’ Don’t We Wish …
|
|
»
22 January
|
Social Media Influencers Are Changing The Face Of Dance
|
|
»
22 January
|
The Man Who Invented The Laser Printer, Gary Starkweather, Dead At 81
|
|
»
22 January
|
When Your Body Art Gets In The Way Of Life… Take It Off
|
|
»
22 January
|
New Crop Of Plays Treats History Of Blacks In Britain
|
|
»
22 January
|
The Quicksand Of Cultural Politics In Russia: The Case Of Kirill Serebrennikov
|
|
»
22 January
|
The Fatal Flaws Of Roger Scruton
|
|
»
22 January
|
Study Shows Women Making Small Parity Gains In Grammys
|
|
»
22 January
|
The Very Controversial Start Of Asian-American Literature Studies
|
|
»
22 January
|
How Margaret Mead’s Reputation Eroded
|
|
»
22 January
|
Netflix Greenlights Bradley Cooper’s Leonard Bernstein Movie With All-Star Producers
|
|
»
22 January
|
Can Hip Hop Dance Show Hold A Whole Evening Off-Broadway?
|
|
»
22 January
|
Call for Applications to Parrsboro International Plein Air Festival 2020
|
|
»
21 January
|
Brazil’s Culture Secretary Fired After Quoting Goebbels In Video Speech
|
|
»
21 January
|
Van Gogh’s Weirdest Self-Portrait, Long Considered By Some A Forgery, Is Genuine
|
|
»
21 January
|
Special Multi-Company Auditions Offer Too-Rare Opportunity For Nonwhite Ballet Dancers
|
|
»
21 January
|
The Social Justice Wars Come To The Quilting Community
|
|
»
21 January
|
This Woman Was One Of The Very First Pioneers Of Cinema — Why Has She Been Almost Forgotten?
|
|
»
21 January
|
They’re Building A Pushkin Theme Park In St. Petersburg
|
|
»
21 January
|
Linda Shaver-Gleason, The Internet’s Favorite Musicologist, ‘Assassinated By Cancer’ At 36
|
|
»
21 January
|
Artificial Intelligence Is About To Transform Video
|
|
»
21 January
|
Keeping Indonesia’s Traditional Drag Dance Alive
|
|
»
21 January
|
What Is Going On In Gwyneth Paltrow’s Netflix Show?
|
|
»
21 January
|
How The Franco Regime Ruined Zarzuela And Flamenco Music For Many Spaniards
|
|
»
21 January
|
What Has Happened To Audiences? Have They Forgotten How To Behave In Theatres?
|
|
»
21 January
|
The Hot-Button Issue In ‘Slave Play’ That People Aren’t Talking About
|
|
»
21 January
|
Controversial Art Is Good For Us. Don’t Cancel It
|
|
»
21 January
|
A dip into Mexico City street music and avant-garde
|
|
»
21 January
|
Not just subconscious, but DNA deep
|
|
»
21 January
|
Podcasts are Wildly Popular Right Now. Do We Care If They’re Accurate?
|
|
»
21 January
|
Small Talk And The Jockeying For Status
|
|
»
21 January
|
Alan Turing And The Shaping Of Artificial Intelligence
|
|
»
21 January
|
Tony Hall To Step Down From Running The BBC At Critical Moment
|
|
»
21 January
|
Study: Pop Culture And Nature Seem To Evolve At The Same Rate
|
|
»
21 January
|
Computer Can Tell It’s You By The Way You Dance
|
|
»
20 January
|
Movie Theatres With Shaking Seats Are Gimmicky – And Also A Good Education In Filmmaking
|
|
»
20 January
|
To Research How To Make A Better Museum, Ask Kids
|
|
»
20 January
|
Edith Kunhardt Davis, Author Of ‘Pat The Bunny’ Sequels, Has Died At 82
|
|
»
20 January
|
All Of The Winners Of The SAG Awards
|
|
»
20 January
|
Did Streaming (Or Millennials) Kill The Music Chart?
|
|
»
20 January
|
Vladimir Ashkenazy Retires Suddenly
|
|
»
20 January
|
An Israeli Museum Cancelled An Artist’s Talk Because He Identifies As Palestinian
|
|
»
20 January
|
This Author Says This Moment Isn’t As New As We Like To Think
|
|
»
20 January
|
Singer-Songwriter David Olney Says ‘I’m Sorry,’ Closes His Eyes, Drops His Head, And Dies Onstage
|
|
»
20 January
|
The European Union Is Considering Banning Facial Recognition Technology For Five Years
|
|
»
20 January
|
Not Telling The Same Old Story Again And Again And Again And Again And Again
|
|
»
20 January
|
When The Washington Post Talked About The Top Book Trends Of The Last Decade, They Went Kinda Easy On A Big (Sometimes Bad) Player
|
|
»
20 January
|
Wait, ‘1917,’ It Might Be The Year Of ‘Parasite’
|
|
»
20 January
|
At Sundance This Year, One-Fourth Of The Documentaries Come From A New Company
|
|
»
20 January
|
How Did The Grammys Go From ‘Step Up’ To This CEO Implosion?
|
|
»
20 January
|
Jazz Saxophonist Jimmy Heath, 93
|
|
»
20 January
|
A Group Of Musicians Relocate To A Failing Town To Create A New Culture. Townspeople Resist
|
|
»
20 January
|
National Archives Blurs Anti-Trump Protest Signs Of 2017 Women’s March In Exhibition
|
|
»
20 January
|
Reconsidering Alan Bloom’s “Closed Minds”
|
|
»
20 January
|
How Ubiquitous Public Surveillance Is Changing Our Understanding Of Human Behavior
|
|
»
20 January
|
Canada’s “Prairie Castles” Are Disappearing
|
|
»
20 January
|
Is Amazon About To Take Over The Bestseller Book Business?
|
|
»
20 January
|
The Quality Versus Opportunity Debate – A Predictable Oscars Ritual
|
|
»
20 January
|
This Austrian Village, Overrun By ‘Frozen’ Tourists, Wants Them To Go To The Salt Mines
|
|
»
20 January
|
We’re Losing Any Sense Of Place Because Now Everywhere Feels The Same
|
|
»
20 January
|
Life As A Young, Award-Winning Cellist
|
|
»
19 January
|
Classical music news. Obituary
|
|
»
19 January
|
Protesters Shut Down The Louvre
|
|
»
19 January
|
Peter Larkin, Broadway Designer And Creator Of The Parliament-Funkadelic Mothership, Has Died At 93
|
|
»
19 January
|
The National Archives Blurred A Historic, And Historical, Photograph Of The Women’s March To Blur Anti-Trump Signs
|
|
»
19 January
|
Hollywood Preps For A Writers’ Strike, But The Landscape Has Dramatically Changed Since The Last One
|
|
»
19 January
|
Why Did The Public Shut Down A Climate Activist’s Play Early?
|
|
»
19 January
|
Writing About War, But, You Know, With Women
|
|
»
19 January
|
Norma Tanega, Whose Hit Single Was Covered By Nearly Everyone, Has Died At 80
|
|
»
19 January
|
Stephen King’s Twitter Comment About The Oscars Gets At One Of The Academy’s Deepest Problems
|
|
»
19 January
|
Spanish Billionaire Fined $58 Million, Sent To Jail For Trying To Smuggle A Picasso Out Of Spain To Auction
|
|
»
19 January
|
Hank Azaria Says He Will Stop Voicing Apu On The Simpsons
|
|
»
19 January
|
Though They’re ‘Chronically Underfunded,’ Libraries Are Vital Parts Of Their Communities
|
|
»
19 January
|
After Producers Guild Win, Looks Like ‘1917’ Is Becoming An Oscar Fave
|
|
»
19 January
|
Portraits Of Its People Rattle Some In A Georgia Town
|
|
»
19 January
|
What Did Happiness Used To Look Like?
|
|
»
19 January
|
A Royal Ballet Dancer Says It’s On Dancers (And Companies) To Make Sure Ballet Doesn’t Look Elitist
|
|
»
19 January
|
What A ‘Narrative Performance’ Is – And What It Can Do For An Audience
|
|
»
19 January
|
Barry Tuckwell, French Horn Virtuoso, Is Dead at 88
|
|
»
18 January
|
Monhegan Island Watercolor Workshop
|
|
»
18 January
|
MoMA & the Nouvel Kid on the Block: Revenge of American Folk Art Museum’s Demolished Building?
|
|
»
18 January
|
Fifty Black Dance Companies Are Converging On Philadelphia This Weekend
|
|
»
18 January
|
Saving Face: China’s New Surveillance System Upends A Moral Order
|
|
»
18 January
|
Today’s Theme Parks Are More Immersive, Interactive
|
|
»
18 January
|
Klimt Painting Stolen 23 Years Ago Found In Wall Of Museum
|
|
»
18 January
|
Disney Drops “Fox” From 20th Century Fox Name
|
|
»
18 January
|
TikTok Is Killing The Radio Song-writer
|
|
»
17 January
|
Juilliard Celebrates 32 Female Composers of the 20th Century
|
|
»
17 January
|
Why Don’t Audiences Know More About Composer Mark Walker’s Music?
|
|
»
17 January
|
Barry Tuckwell, Perhaps The World’s Most Prominent French Horn Player, Dead At 88
|
|
»
17 January
|
Maryland Governor Blocks Legislature’s $1.6 Million Grant To Baltimore Symphony (Again)
|
|
»
17 January
|
Just Days Before Grammy Awards, Recording Academy’s New CEO Suspended
|
|
»
17 January
|
Christopher Tolkien, JRR’s Son And Collaborator, Dead At 95
|
|
»
17 January
|
Large Incan Idol That Pizarro Claimed He Destroyed Has Survived
|
|
»
17 January
|
So What Is This ‘Festival Of Brexit’ Going To Be, Anyway? Here’s What Its Director Says
|
|
»
17 January
|
UK Funding Cuts Are Hurting Organizations’ Basic Operations, Warns Arts Council
|
|
»
17 January
|
100-Year-Old Bookstore With No Customers Sends Mournful Tweet And Customers Respond
|
|
»
17 January
|
These Musicians Moved To A Dying Village, Hoping To Revive It. They Got Caught In The Culture Wars Instead.
|
|
»
17 January
|
James Wood: Technique Versus Effect In Literary Criticism
|
|
»
17 January
|
Nobel Committee Fought Tooth And Nail Over Whether To Give Prize To Samuel Beckett
|
|
»
17 January
|
Hysterical Critics, Public Writing, And Making Sense Of Things
|
|
»
17 January
|
Hollywood Is Turning To AI To Decide What Movies To Make
|
|
»
17 January
|
Artists Add Value? Here’s a List Of Practical Ways During The Australian Fires
|
|
»
17 January
|
6 Classical Music Concerts to See in N.Y.C. This Weekend
|
|
»
17 January
|
How To Save The Oscars From The Academy
|
|
»
17 January
|
Hollywood Talent Agencies Face Uncertain Times
|
|
»
17 January
|
Study: It Takes Decades (4), But Liberal Arts College Degree Pays Off
|
|
»
17 January
|
Alan Gilbert Appointed Director Of The Royal Swedish Opera
|
|
»
17 January
|
Want A Job? Increasingly You’ll Have To Get By The AI Algorithms First
|
|
»
17 January
|
Missouri Debates Jailing Librarians For Lending “Age-Inappropriate” Books
|
|
»
17 January
|
Austrian State Prize for Thomas Larcher
|
|
»
17 January
|
Gaudeamus Award 2019 to Kelley Sheehan
|
|
»
17 January
|
Joan Tower elected Composer of the Year
|
|
»
16 January
|
Yes, We Need (Yet) Another Rachmaninoff Recording
|
|
»
16 January
|
Review: Gustavo Dudamel Jolts the ‘New World’ Symphony to Life
|
|
»
16 January
|
Gustavo Dudamel Renews With Los Angeles Philharmonic Through 2025-26
|
|
»
16 January
|
Carnegie Library’s Ex-Archivist And His Fence Plead Guilty To Stealing And Selling Rare Books
|
|
»
16 January
|
Jewels Stolen From Dresden’s Green Vault Are Turning Up On The Dark Web
|
|
»
16 January
|
San Antonio Arts Presenter Abruptly Shuts Down
|
|
»
16 January
|
Is Boris Johnson Going To Disband Or Downsize UK’s Culture And Media Department?
|
|
»
16 January
|
Public Library Systems Are Beginning To Lend Musical Instruments
|
|
»
16 January
|
Betty Pat Gatliff, Who Pioneered Practice Of Forensic Sculpture, Dead At 89
|
|
»
16 January
|
Bird Killers – Our Glass Buildings
|
|
»
16 January
|
Audible And Publishers Settle Lawsuit Over Captioning
|
|
»
16 January
|
Putin Enlists Major Cultural Leaders To Rewrite Russian Constitution
|
|
»
16 January
|
Podcasts Are Getting Book-Group-Like Fan Clubs — And, Like Book Groups, They’re About More Than Just The Material
|
|
»
16 January
|
Idea Factory: What Makes Malcolm Gladwell Tick
|
|
»
16 January
|
Choreographer Gregory Maqoma Turns Traditional South African Movement Into Contemporary Western Concert Dance
|
|
»
16 January
|
The Very Complicated Culture Of Reviewing Books
|
|
»
16 January
|
When Neurodiverse Actors Make A Play Better
|
|
»
16 January
|
Chilly Gonzales - Solo Piano II
|
|
»
16 January
|
Ernest Bloch - Voice in the Wilderness, Schelomo, From Jewish Life; Kol Nidrei (cello: Natalie Clein; BBC Scottish Symphony Orchestra; conductor: Ilan Volkov)
|
|
»
16 January
|
Josef Suk - Prague / A Summer’s Tale (BBC Symphony Orchestra; conductor: Jirí Belohlávek)
|
|
»
16 January
|
Hector Berlioz - Symphonie Fantastique (Scottish Chamber Orchestra; conductor: Robin Ticciati)
|
|
»
16 January
|
Carl Nielsen - Symphonies Nos. 2 & 3 (New York Philharmonic; conductor: Alan Gilbert)
|
|
»
16 January
|
Wolfgang Amadeus Mozart - La Finta Giardiniera (Freiburger Barockorchester; Rene Jacobs)
|
|
»
16 January
|
Johann Sebastian Bach - Harpsichord Concertos (Retrospect Ensemble; harpsichord/director: Matthew Halls)
|
|
»
16 January
|
Felix Mendelssohn - Violin Concertos / The Hebrides (violin: Alina Ibragimova; Orchestra of the Age of Enlightenment; conductor: Vladimir Jurowski)
|
|
»
16 January
|
Wolfgang Amadeus Mozart - Piano Concertos Nos. 9 & 21 (feat. piano: Mitsuko Uchida; The Cleveland Orchestra)
|
|
»
16 January
|
Ludwig van Beethoven - The Beethoven Journey: Piano Concertos Nos. 1 & 3 (feat. piano: Leif Ove Andsnes; Mahler Chamber Orchestra)
|
|
»
16 January
|
Leonardo Vinci - Artaserse (Philippe Jaroussky; Max Emanuel Cencic; Coro della Radiotelevisione svizzera; Concerto Koln; conductor: Diego Fasolis)
|
|
»
16 January
|
Nils Frahm - Screws
|
|
»
16 January
|
Wolfgang Amadeus Mozart - Don Giovanni (Ildebrando D'Arcangelo; Mahler Chamber Orchestra; conductor: Yannick Nezet-Seguin)
|
|
»
16 January
|
Johann Sebastian Bach - Das Wohltemperierte Clavier (Books I and II) (feat. piano: András Schiff)
|
|
»
16 January
|
Johann Sebastian Bach - Cantatas vol. 51 (Bach Collegium Japan; conductor: Masaaki Suzuki)
|
|
»
16 January
|
Benjamin Britten - The Rape of Lucretia (conductor: Oliver Knussen; Aldeburgh Festival Ensemble)
|