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 » 29 June A Life of Toscanini, Maestro With Passion and Principles
 » 29 June The Creator of ‘Radiolab,’ a Lapsed Composer, Returns to Music
 » 28 June Songs and Visions of Joy
 » 26 June Artemyev receives Shostakovich Prize
 » 25 June Jacques Charpentier (1933-2017)
 » 25 June Ludger Rémy (1949-2017)
 » 23 June Alan Gilbert to Lead NDR Elbphilharmonie Orchestra in Hamburg
 » 23 June Classical Music in NYC This Week
 » 21 June Hear the New ‘Singer of the World’ Winner
 » 21 June Paul Zukofsky, Prodigy Who Became, Uneasily, a Virtuoso Violinist, Dies at 73
 » 20 June 150 Psalms, 150 Composers at Lincoln Center’s White Light Festival
 » 20 June Review: Operas Within Operas Within Operas: A Baroque Explosion in Boston
 » 20 June German Film Music Prize for Harold Faltermeyer
 » 18 June Clara Iannotta
 » 18 June Trondheim Chamber Music
 » 17 June Listen to Three Hours of Music, From a Single Note
 » 17 June Paul Zukofsky (1943-2017)
 » 17 June Philip Gossett (1941-2017)
 » 17 June Cossotto Competition
 » 17 June Mahler, Transformed: This Week’s 8 Best Classical Music Moments
 » 16 June Women’s Voices of Afghanistan Rise in Gemma Peacocke’s Song Cycle
 » 16 June Review: Alan Gilbert Leads One Last Dance in Central Park
 » 16 June Classical Music in NYC This Week
 » 15 June The Los Angeles Philharmonic Lost Its Leader. Can It Stay on Top?
 » 12 June South Korean Pianist Wins the Van Cliburn Competition
 » 11 June Warner Music
 » 11 June John McCabe
 » 11 June Malcolm Lipkin (1932-2017)
 » 10 June Demon Fiddling: This Week’s 8 Best Classical Music Moments
 » 9 June How a Somber Symphony Sold More Than a Million Records
 » 9 June Review: Alan Gilbert Leaves the Philharmonic, Violin in Hand
 » 9 June Classical Music in NYC This Week
 » 8 June Alan Gilbert and the New York Philharmonic Tour the Parks
 » 8 June Watch 5 Moments When Classical Music Met Politics
 » 8 June A Frenchman Is Named Next Conductor of the St. Louis Symphony
 » 7 June The Met Orchestra Aids and Abets Operatic Dabblers
 » 6 June Jeffrey Tate, Conductor Whose Life Was a Worldwide Whirlwind, Dies at 74
 » 5 June Uncompromising Music Survives on the Brooklyn Waterfront
 » 5 June Kathleen Ferrier
 » 4 June Elisabeth Chojnacka (1939-2017)
 » 4 June David Lewiston (1929-2017)
 » 4 June Jeffrey Tate (1943-2017)
 » 3 June Review: New York’s Early-Music Scene Is Having a Moment
 » 3 June An Ice Cream Truck at Carnegie Hall: This Week’s 8 Best Classical Music Moments
 » 2 June Barbara Smith Conrad (1937-2017)
 » 2 June June 2017 Newsletter
 » 2 June Jirí Belohlávek (1946-2017)
 » 2 June Review: Esa-Pekka Salonen Brings Mahler to Carnegie, Ever So Coolly
 » 2 June Classical Music in NYC This Week
 » 2 June Jiri Belohlavek, Czech Conductor, Dies at 71
 » 2 June Ekaterina Bakanova, an Opera Sensation Also Touched by Luck
 » 2 June Why Salzburg Is a Must-Visit for Classical Music
 » 2 June At Salzburg Whitsun, a Travesty Is a Good Thing
 » 31 May Alan Gilbert Made the New York Philharmonic ‘a Bigger Box’
 » 31 May Alan Gilbert Wanted to Save the New York Philharmonic. What Happened?
 » 30 May For the Vienna Philharmonic, Summer Means Schönbrunn
 » 27 May Review: A Fast-Rising Czech Conductor Leads the Philharmonic
 » 27 May Bluesy Incantation: This Week’s 8 Best Classical Music Moments
 » 26 May Trump Has Changed a Night at the Opera, Too
 » 26 May Classical Music in NYC This Week
 » 24 May A Mahler Focus for the Met Orchestra and Esa-Pekka Salonen
 » 23 May Emotional Richness in Minor Keys From 2 Revered Pianists
 » 23 May Sébastien Daucé
 » 23 May Natalia Shakhovskaya (1935-2017)
 » 22 May Juan Pablo Contreras receives Presser Music Award
 » 22 May Review: Squeezing Music Made for One Hall Into the Geffen
 » 21 May Robert Gutter (1938-2017)
 » 20 May Intoned Absurdity: This Week’s 8 Best Classical Music Moments
 » 19 May Maurizio Pollini to Play Chopin at Carnegie Hall
 » 19 May Listen to a ‘Twin Peaks’ Fantasy for String Quartet
 » 19 May Review: A Quartet With Sunny Energy and Grunge-Band Grit
 » 19 May 10 Spring and Summer Classical Festivals
 » 19 May Classical Music in NYC This Week
 » 18 May ASCAP Founders Award for Stephen Schwartz
 » 18 May Review: 56 Years Presenting the Best of Young Artists
 » 16 May Review: Decades Later, a Classic Concert Gets a Redo
 » 15 May Ben Nevis?
 » 15 May Norma Procter (1928-2017)
 » 15 May Review: Elgar’s ‘The Apostles’ Is Rescued From Being Overlooked
 » 13 May A Valiant Return to the Met Opera: This Week’s 8 Best Classical Music Moments
 » 13 May How Brahms’s ‘A German Requiem’ Became an Anthem for Our Time
 » 12 May Immortal Fingertips: Music Teachers Live On Through Their Students
 » 12 May Classical Music in NYC This Week
 » 12 May Jerry Goldsmith on Hollywood Walk of Fame
 » 11 May Review: Can a Busy Yannick Nézet-Séguin Do It All?
 » 11 May The Music Next Door
 » 10 May Calidore String Quartet Comes to New York
 » 10 May A Rare Performance of Elgar’s ‘Gigantic Work’
 » 9 May Six Composers Are Ready for Their Miller Theater Portraits
 » 9 May Charles Hoffer (1929-2017)
 » 9 May The Other Israel
 » 9 May Organs and Organists
 » 6 May Moonlit Handel: This Week’s 8 Best Classical Music Moments
 » 5 May Grigori Zhislin (1945-2017)
 » 5 May Review: An ‘Ode to Joy’ Troubled by Holocaust Memories
 » 5 May Classical Music in NYC This Week
 » 4 May Gustavo Dudamel Tells Venezuelan Government ‘Enough Is Enough’
 » 3 May A Busy Week for Yannick Nézet-Séguin
 » 3 May How a Brush With Death Changed the Next Conductor of St. Luke’s
 » 2 May May 2017 Newsletter
 » 1 May The Trojans
 » 1 May Northern Lights
 » 1 May Music and Flow
 » 1 May Review: Stravinsky’s ‘Rite’ as a Piano Duo Captivates Carnegie Hall
 » 30 April Blumental Festival
 » 29 April Quatuor Arod
 » 29 April Heard of Giacomo Meyerbeer? He’s on the Cusp of a Musical Renaissance
 » 29 April Review: An Old Stravinsky ‘Funeral Song’ Rumbles Anew
 » 29 April 5 Sublime Minutes by a Maverick: This Week’s 8 Best Classical Music Moments
 » 28 April Review: Natalie Dessay, After Opera Left Her
 » 28 April Classical Music in NYC This Week
 » 27 April Manfred Jung (1940-2017)
 » 27 April Gordon Langford (1930-2017)
 » 27 April Dance of the Violin
 » 26 April Getting Inside the Mind of Bach
 » 25 April Dance, Off the Wall, Coming Next Season to the Met Museum
 » 24 April She Was the Orchestra’s Only Black Musician, Until She Formed Her Own
 » 22 April Review: Beethoven Gets a Sequel at the New York Philharmonic
 » 22 April Blind Listening: This Week’s 8 Best Classical Music Moments
 » 21 April Classical Music in NYC This Week
 » 20 April María Luisa Ozaita (1939-2017)
 » 20 April David Angel (1954-2017)
 » 19 April Marc-André Hamelin and Leif Ove Andsnes Accept a Stravinsky Challenge
 » 19 April This Summer Brings Mostly Mozart, With a Side of Schubert
 » 19 April Los Angeles Has America’s Most Important Orchestra. Period.
 » 19 April Transylvania Twist
 » 18 April Concerts Celebrate Isang Yun, a Musical Bridge Between Asia and Europe
 » 18 April ‘It Demands Everything of You’: Alisa Weilerstein on Bach
 » 15 April With Politics as Backdrop, Hamburg’s New Hall Looks to America
 » 15 April Bach’s ‘St. John Passion’ Has More Humanity Than Anti-Semitism
 » 15 April Mozart, Made New: This Week’s 8 Best Classical Music Moments
 » 14 April BMI Icon Award for Alan Silvestri
 » 14 April Classical Music in NYC This Week
 » 12 April Anne Schwanewilms Performs Wolf and Strauss at Lincoln Center
 » 12 April 2017 Guggenheim Fellowships awarded
 » 12 April Pulitzer Prize for Du Yun's `Angel's Bone´
 » 11 April Review: Lars Vogt Offers His Intensely Probing Take on Bach
 » 10 April Garsington shortlisted
 » 8 April Bach Breathing Free: This Week’s 8 Best Classical Music Moments
 » 7 April Review: A Pianist Brings American Rage to a Church Crypt
 » 7 April Johnny Mercer Award for Alan Menken
 » 7 April Call for works for two violoncellos
 » 7 April Classical Music in NYC This Week
 » 7 April Review: Valery Gergiev Galumphs Through Schubert
 » 5 April Lincoln Center Has an Eclectic Week of Music in Store
 » 3 April April 2017 Newsletter
 » 3 April Review: Diving Into the Lake for a Respighi Rarity at City Opera
 » 3 April Review: John Adams’s ‘Gospel’ Displays an Orchestral Wizard’s Tuneful Ear
 » 2 April Peak Performances Devotes Season to Works by Women
 » 1 April Nico Muhly on Why Choral Music Is Slow Food for the Soul
 » 1 April Louis Frémaux (1921-2017)
 » 1 April The Shift Festival: A Reincarnation, With Cherry Blossoms
 » 1 April A Conductor’s Falsetto: This Week’s 8 Best Classical Music Moments
 » 31 March Yannick Nézet-Séguin Will Shake Things Up at the Met Opera
 » 31 March Classical Music in NYC This Week
 » 31 March One Pianist’s Variations on Tales From the Crypt
 » 28 March Finally Returning Bernstein’s Overdue Mahler
 » 28 March The Pianist Rafal Blechacz in Exciting, if Blaring, Form
 » 27 March Review: An American Composers Orchestra Concert Pays a Bracing Tribute
 » 27 March Conducting an Eerie, Political ‘Gospel’
 » 25 March A Met Opera Star is Born: This Week’s 8 Best Classical Music Moments
 » 24 March Review: A Soprano’s Sudden Solo Act
 » 24 March Classical Music in NYC This Week
 » 23 March Francis Thorne (1922-2017)
 » 23 March Gido Kokars (1921-2017)
 » 22 March Vlastimir Trajkovic (1924-2017)
 » 22 March Géori Boué (1918-2017)
 » 22 March Anton Nanut (1932-2017)
 » 22 March Mitsuko Uchida at Carnegie Hall Is a Start to a Big Week
 » 22 March Review: Mahan Esfahani, a Harpsichordist With a Chip on His Keyboard
 » 18 March Cloning Yo-Yo Ma: This Week’s 8 Best Classical Moments
 » 17 March where have classical music’s uppercase letters gone?
 » 17 March New Concerto, New Leader: A Big Day at the New York Philharmonic
 » 17 March Classical Music in NYC This Week
 » 15 March International Street Cannibals, Feasting on Schoenberg
 » 15 March A New York Philharmonic Coup: Deborah Borda Is Named the New Leader
 » 14 March Review: Two Concerts Explore Schubert, Before He Took His Leave
 » 14 March Review: The Hazy Mysteries of Love at Lincoln Center
 » 13 March Write Me a Concerto: Yo-Yo Ma and Esa-Pekka Salonen on Their New Work
 » 13 March After Five Years of Bach, Trinity Church Takes On Handel
 » 11 March White-Hot Aria, Engulfing Bass: This Week’s 8 Best Classical Moments
 » 10 March Julia Bullock and Sarah Connolly Offer Enchantments New and Old
 » 10 March Review: John Adams Wrestles the Ghosts of His Musical Fathers
 » 10 March Review: ‘Aging Magician,’ a Fable Complete With Complexities
 » 10 March Classical Music in NYC This Week
 » 9 March Alberto Zedda (1928-2017)
 » 9 March Kurt Moll (1938-2017)
 » 9 March Review: Yannick Nézet-Séguin Offers a Glimpse of the Met Opera’s Future
 » 6 March Pianists Dominate Next Season at the 92nd Street Y
 » 4 March Review: The Boston Symphony’s Radiant Precision
 » 4 March A Sputtering Violin: The 8 Best Classical Music Moments This Week
 » 3 March A Philharmonic Farewell, With Musicians from Nations Trump Sought to Ban
 » 3 March Quaff a Brew and Chill to the Violin With Miranda Cuckson
 » 3 March The Stone, an Influential Music Space, to Move to the New School
 » 3 March Boston-Leipzig Exchange: Andris Nelsons’ Orchestras Collaborate
 » 3 March Review: The New York Philharmonic Plays a Piece Inspired by Night
 » 3 March Classical Music in NYC This Week
 » 3 March Frank Gehry and Daniel Barenboim on Their New Concert Hall in Berlin
 » 2 March March 2017 Newsletter
 » 2 March Rihm wins European Church Music Prize
 » 1 March Anthony Goldstone (1944-2017)
 » 1 March Georges Prêtre (1924-2017)
 » 1 March Antonio Lauzurika wins Premio Reina Sofía
 » 1 March Jórunn Viðar (1918-2017)
 » 1 March New Music From Silence for the New York Philharmonic
 » 1 March Review: London Philharmonic Boldly Reinterprets Mahler and Other Staples
 » 1 March Review: The Vienna Philharmonic Adds New Work, and Women
 » 28 February San Francisco Symphony Replaces Canceled North Carolina Concerts With a Pride Benefit
 » 28 February Chopin Is the Focus of Bard’s Summer Music Festival
 » 28 February Lincoln Center’s 11 Arts Groups in Harmony: Save the N.E.A.
 » 27 February Stanislaw Skrowaczewski (1923-2017)
 » 27 February Stanislaw Skrowaczewski, Conductor Who Fled Poland, Dies at 93
 » 25 February Review: A Look at ‘Léonore’ Before Beethoven, and Others, Got to It
 » 25 February Battle of the Bands: At 175, New York and Vienna Face Off
 » 24 February A Fearless, Ferocious Violinist Takes New York
 » 24 February Breathlessly Spiraling Bach: The 8 Best Classical Music Moments This Week
 » 24 February Classical Music in NYC This Week
 » 23 February Lincoln Center Turns Away Woman Wearing Anti-Trump Sign
 » 23 February A Musical Handshake Spanning Centuries: Venice in New York
 » 22 February Hear How ‘Moonlight’ Got Its Sound: Violins, Chopped and Screwed
 » 22 February Tanglewood Plans New Buildings and More Trees
 » 21 February This Maestro Is Turning 90. He’s Also Conducting Over 90 Concerts This Year.
 » 20 February Looking Back on Haydn’s Legacy at the Chamber Music Society
 » 20 February In the Land of Opera, a Choir for the Tone Deaf
 » 19 February In the Land of Opera, a Choir for the Tone Deaf
 » 18 February Limited to Prewar Music, Bulgarian Station Thrives
 » 18 February A Chord Vanishing Into Eternity: The 8 Best Classical Music Moments This Week
 » 17 February Classical Music in NYC This Week
 » 17 February An Early-Music Ensemble Gives a Handel Opera a Period Punch
 » 16 February Korean composition prize to Andys Skordis
 » 16 February Benjamin Scheuer wins 2017 Busoni Composition Prize
 » 15 February The Vienna Philharmonic Remembers Schubert
 » 13 February Classical Music in NYC This Week
 » 13 February At 100, a Conductor, Like the Music, Keeps Going
 » 13 February Surprise! You’re About to Conduct the New York Philharmonic
 » 13 February A Piano Rang Out Like Gunfire: The 8 Best Classical Music Moments This Week
 » 13 February How Should a Musician Make a Debut? Try Going Low-Key
 » 13 February A Pianist’s Warsaw: ‘Fascination and Pain’
 » 13 February Review: Igor Levit, a Pianist for Polarizing Times
 » 13 February Hindemith Prize for 2017 to Samy Moussa
 » 13 February Trump-et Bias
 » 12 February Gervase de Peyer (1926-2017)
 » 9 February Beethoven’s Insane Beauty, According to a Star Pianist
 » 9 February An Orchestra Triumphs Over Trump’s Travel Ban
 » 9 February Henry-Louis de La Grange, Mahler Authority, Is Dead at 92
 » 8 February New York Philharmonic Announces New Season as It Faces Upheaval
 » 8 February Classical Works From the Winter of Life, at Carnegie Hall
 » 7 February Revisiting ‘The Fairy’s Kiss,’ a Ballet About an Artist’s Destiny
 » 6 February Beethoven Prize to Fazil Say
 » 5 February Miriam Pirazzini (1918-2016)
 » 5 February Bernard Zaslav (1926-2016)
 » 5 February Ealing Music and Film
 » 5 February Andrew Norman
 » 5 February January 2017 Newsletter
 » 5 February love: Handel Festival
 » 5 February Veljo Tormis (1930-2017)
 » 5 February Dore Ashton, Chronicler Of The Abstract Expressionists And So Much More, Has Died At 88
 » 5 February No, British People, European Plays Aren't 'Infecting' Your Precious Theatre
 » 5 February The World Has Gotten Exponentially Scarier, So Take Refuge In Abstract Art
 » 5 February Ten Longform Literary Essays About That Most Unliterary Of Sports, Football
 » 5 February The James Bond Movie Director Who Actually Was A Spy
 » 5 February Streaming Is Really Killing Sony (Or Is It A Few Big Flops?)
 » 5 February Marta Becket, Dancer Who Built An Opera And Ballet Theatre In Death Valley, Dead At 92
 » 5 February Living On The 81st Floor Is A Little Bit Noisy (Plus, The Building Sways)
 » 5 February MoMA Joins The Resistance, Hangs Art From 'Travel Ban' Countries
 » 5 February Next Steps For Middle Eastern Theatre In The U.S.
 » 5 February What Happens When A Big Break Leads To Exactly Nothing Else?
 » 5 February Is Great Britain Too Depressed For Museums Now?
 » 5 February Suddenly, We Have Tons Of British Historical Dramas Again, But Why?
 » 5 February Why Can't Hollywood Get Boston Right?
 » 5 February What The Saga Of Avocados Reveals About Politics - And Human Interactions
 » 5 February Walter Hautzig, Pianist Whose Talent Helped Him Flee Nazis, Dies at 95
 » 4 February Valery Khalilov (1952-2016)
 » 4 February What Baroque Venice Can Teach Us About Modern Politics
 » 4 February Alexander Chancellor, 77, Editor Who Transformed The Spectator (And Had A Disastrous Year At The New Yorker)
 » 4 February Kids Ask A Lot Of Questions. Here Is The Way To Answer Them
 » 4 February How Psychologists Can Tell If A Defendant Is Faking Insanity
 » 4 February Shakespeare Audio Pronunciation App
 » 4 February Assistant Director of Institutional Marketing and Outreach, Lincoln Center
 » 4 February A Short History Of Think Tanks
 » 4 February Talk Of Canceling This Year's Oscars
 » 4 February Some Interesting Theories ABout What Sleep Does For Us
 » 4 February Ten Percent Of UK Teachers Polled Say Arts Education Has Been Cut In Their Schools
 » 4 February UK City Says Cutting All Its Art Funding Will "Help" Arts Groups
 » 3 February At Carnegie Hall, Political Jewels From Old Venice That Still Shine
 » 3 February Top Posts From AJBlogs 02.02.17
 » 3 February Inside The Stained Glass Workshop At Jerusalem's Al-Aqsa Mosque
 » 3 February See The Shimmering Walls Of Iran's 'Emerald Mosque'
 » 3 February Composer Michael Hersch Wins $250,000 Award From Johns Hopkins
 » 3 February Verona's Ancient Roman Amphitheatre To Get Retractable Roof
 » 3 February Uffizi Gallery In Florence Begins Long-Term Project To Show More Female Artists From History
 » 3 February Fired Director Of Shakespeare's Globe Talks About Her Sacking - And Why She's Still There
 » 3 February Classical Composers Aren't Exactly Celebrities In America - So How Did Philip Glass Become A Household Name?
 » 3 February Revolving Auditorium To Be Part Of New Creative District In Liverpool
 » 3 February One Of Broadway's Oldest Surviving Theaters Is Now Its Youngest
 » 3 February Bolshoi Prima Ballerina On How It Feels To Dance The Dual Lead In 'Swan Lake'
 » 3 February Want To Reach New Audiences For Your Contemporary Dance? Stop Using Arty, Abstruse Titles
 » 3 February You Think 'Alternative Facts' Are Like Science Fiction? Ursula Le Guin Would Like A Word With You
 » 3 February Director, Arts Management/Term Assistant Professor
 » 3 February Amadeus - First It Was A Play, Then A Movie, Now A Play/Movie...
 » 3 February 'The Father Of Science Fiction'? Who *Was* Hugo Of The Hugo Awards?
   
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