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» The irony of playback ph»
» Borbely Audio Take on 6C»
» Oliver Sacks' "Musi»
» About the Playbacks’ Thi»
» Loit Eagle Player – the »
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» Exceptional loudspeakers»
» That is not 1812 and the»
» Looking for different So»
» My playback can’t play l»
» About the pre-warming of»
» The 68 dipoles imitation»
» 6C33C socket types, wher»
» Orphean horns / BMS driv»
» An Afternoon with Gary K»
» Abbado + Lucerne Festiva»
» Balance
» Benjamin Grosvenor is co»
» Claude Perrier and his t»
» Tchaikovsky’ Death
» Dick Burwens "low c»
» The new CEC TL1 transpor»
» Digital Equalization
» CES – constant but fortu»
» Weber’s "Andante e »
» Vertical Axis Midbass Ho»
» My trip to the Stereophi»
» A passive but elegant pr»
» Playback journeys and Mu»
» The Kato-san's Goto »
» A new film about Karajan
» John Curl’s new phonosta»
» Stunning Resurrection in»
» Don't evaluate audio by »
» Flac 16bit/48Khz streami»
» The DSET perspective exa»
» Superior electric bindin»
» John Cage about silence »
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Classical events in Boston
APR 27 Boston University Sy»
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My Audio Leftovers
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“Tree Blind Mice” colle»
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Micro-Seiki air-suspend»
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