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» Do not over-damped your »
» I need a “second-type” p»
» Friedrich Kuhlau and his»
» The EdgarHorns: the new »
» French Horns/drivers sho»
» The “Inverted High End A»
» Wet/Dry ™ configuration »
» Zander, BPO, George Li a»
» Fostex tweeters, Lowther»
» Remedies the Beauty
» A primer on high-end mar»
» Trinnov amplitude and im»
» Be careful: Imaging vs. »
» The mystery of reversed »
» Don Quixote BSO Live tod»
» Records Box Stuffing
» Living Voice Loudspeaker
» Cleaning my PP2000
» The great Corus performa»
» Music & Arts' Stokow»
» How to make musicians to»
» FM and … cables…
» Cooperation for the comm»
» Orchestra of 32 Loudspea»
» Tannoy Red 1960s: some s»
» Mr. Kleen Stylus cleaner
» The ultimate cancer of a»
» Live vs. Recorded transc»
» Scientific vs. audio act»
» Midbass impedance bumps »
» Bach by Ormandy’s Philad»
» Non-MDF horns
» Who the hell is this int»
» Tchaikovsky’s “Evgeny On»
» Bruckner 3rd
» Book "High Quality »
» Paul McGowan. tubes in p»
» Open letter to WGBH.
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Hughs Ominous Tubes
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George Szell discography
Lied and Art Songs
Martha Argerich Site
Unofficial Vitavox Site
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Olson Acoustical Book
Greg Sando’s Site
Valves Collection
Classical Music Streams
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APR 11 Benjamin Zander, con»
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Vitavox AK-15/40 15" ba»
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