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» Understanding Line Array»
» Dynamic viscose stabiliz»
» I built this device
» The Supernatural Josef H»
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» The crossovering Messiah»
» Mozart Concertos; Clarin»
» CDs: good tendencies.
» SPUnisation of Macondo: »
» Does tube preamplifier V»
» DHT driver & input
» About cost of electromag»
» Bruckner, me and the Sev»
» Bose audio and industry »
» MF on AF2, and (perhaps)»
» Does high-sensitivity sp»
» Ultimate Tonearm
» The DSET perspective exa»
» Milq: Starting the proje»
» The evil of low sensitiv»
» First Order on Bass chan»
» The industry-embraced au»
» Antenna attenuator – you»
» “Get Better Sound” by Ji»
» The last phonocorrector:»
» Live memories of Live br»
» New sample 24/96 downloa»
» Make your own horns?
» T.H.E. Show, Newport, 20»
» Push pull compound compr»
» Submerging deeper into A»
» Custom enclosure?
» Don’t "use" VTA
» Buying a last cartridge.
» THE Show, 2016
» Performers
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Classical events in Boston
APR 27 Boston University Sy»
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NPR Classical Programs
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Composer's Anniversaries
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Thalberg, Sigismond (8 Jan»
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Scriabin, Alexander (6 Jan»
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My Audio Leftovers
Vitavox S2/S3 diaphragms
Lamm Industries M1.1 Mo»
Vitavox AK151 15" bass »
LF Transformer for 6C33C
Mid-range tantrix round»
ESS AMT-1A Heil Air Mot»
Hillock TV-2 tube tester
Purist Audio Design Pro»
Korvet “Egg” Tonearm
Lamm L2 Reference pream»
Electro-Voice T350 twee»
More Leftovers »»