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» Placido Domingo... condu»
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» The nature of "soun»
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» "Not So Sweet Spot&»
» Audio Covid and some hom»
» If you are in Bruckner: »
» Critique audio performan»
» An educational Eugenie’s»
» Constructing LF modules »
» Roger Waters' Ça Ir»
» A need for Resolution /S»
» JBL2440 on a round 300Hz»
» Micro Seiki Armboards: I»
» Hans Zenders’ orchestrat»
» The remarkable moments i»
» What is the best or rule»
» Chostakovich: Concerto »
» Liszt’s symphonic poems.
» A slightly crazy idea fo»
» THE book on intonation
» Vintage JBL products lin»
» Denon 103: myths and the»
» Not all audio equipment »
» CEC TL0-X: by no means a»
» A stunning Beethoven’s “»
» The absolutely “best” ma»
» How to train respect aud»
» Not new, but VERY intere»
» Tannoy Red 1960s: some s»
» De-stress not decompress»
» Beauty as I See It - Mus»
» To be or not to be.
» Push pull compound compr»
» Don Quixote BSO Live tod»
» Credibility of digital i»
» Arsenic bacteria & G»
» Bach Cello Suites
Bookmarked are red
Scriabin's Sonatas
Appian Publications & Re»
Sibelius Academy music l»
Audio Spot Kamani
WGBH's “Keeping Score”
Hughs Ominous Tubes
MusicWeb
RAAL ribbons
MusicStack
Input Choke & Resonant C»
Pjay's Speaker building »
Soviet Composers
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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AUG 1 Chamber Music in Bru»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
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AUG 3 Chamber Music in Bru»
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