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» Horns with contra-profil»
» Building “Zarathustra II»
» Kharma Speakers as pH-in»
» A perfect "High-End»
» Vitavox and Goodmans Bas»
» The Supernatural Josef H»
» Brahms Double Concerto
» AMR PH-77: just another »
» Bruce Edgar dies
» Altec Model 19 in Boston.
» "Consensus in audio»
» Internet and electricity
» Charles Schlueter’s inte»
» Dannoy 2021 Loudspeakers
» High-End Audio and..... »
» UHF capable tweeters and»
» Bye-Bye Reel
» RMAF 2008 observations, »
» The funny Internet audio»
» How to sell high-end aud»
» Thoughts from Clark John»
» EnABL: Just a note to aw»
» Suggested target curves »
» What drives good sound?
» Bruckner 9 live in 30 mi»
» Schimmel's Voxativ Ampeg»
» The new “little things” »
» Hammond?
» Today: Rachmaninoff in A»
» My recent FM mystery
» Magico Model 6 loudspeak»
» Beware of PurePower Part»
» The Ralf Stegmueller’s h»
» RIP Pauline Oliveros
» Anyone experimented with»
» A passive but elegant pr»
» Trinnov amplitude and im»
» In Praise of Infidelity »
Bookmarked are red
Boston Philharmonic Orch»
Classic Artc Showcase
Twogoodears' Blog
The Music Parlour.
GEMM catalog
THL Audio
Glenn Gould Audio Archiv»
Hughs Ominous Tubes
Classic Records UK
Scriabin's Sonatas
Virtuosos Discographies
Furtwängler's conserts
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Korvet “Egg” Tonearm
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Kenwood L-02T FM Tuner
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