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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» The Avicenna's failure i»
» Melquiades For Dummies™ »
» What is wrong with the A»
» Conductor Herbert Kegel
» Thank you, Sir! May I ha»
» Too damn loud?
» Gould's Goldberg Variati»
» Lutoslawski’s Concerto f»
» MartinLogan Montis Speak»
» Better chassis design fo»
» Prokofiev's cantata
» Midrange driver suggesti»
» The 3rd music revolution»
» The Edgarhorn RTA respon»
» The "NEW T.H.E Show»
» Orphean horns of bd desi»
» Parts As Facilitators or»
» The commercial music ser»
» Bill Gaw: over 50 years »
» Amplification and Consci»
» The Macondo’s Upper Bass»
» How to get a LOT of SET »
» SPUnisation of Macondo: »
» A datacenter at home and»
» Fire and Music
» The crossovering Messiah»
» High-End Audio "sec»
» I can't wait to read the»
» Digital Volume Control s»
» Ultimate HF output trans»
» Stunning Resurrection in»
» My CES
» Simpson Microphones thre»
» My horn speakers system.»
» Rudolf Barshai conducts »
» The concrete midbass hor»
» Curiosity about others. »
» The “new” ways for initi»
Bookmarked are red
WGBH's “Keeping Score”
Willem Mengelberg discog»
Austria's Musical Exiles
JE Labs
Martha Argerich Site
Exponential/Hyperbolic C»
Phil Mundi Audio Pro Med»
RAAL ribbons
Lied and Art Songs
Audiofederation's Blog
Delta Entertainment
Twogoodears' Blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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