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End of Life Phonostage
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» Why I hate HornResp.
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» Do the Filament Transfor»
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» Lamm L1 vs. L2 preamp
» Lutoslawski’s Concerto f»
» If you've never heard th»
» Horn length/expansion/gr»
» New, Transparent Speaker»
» Etheraudio's some BS….
» The strings period: the »
» What, no Mahler?
» Furtwangler War Years Re»
» Playback and operation o»
» About the undeveloped au»
» Conductor Herbert Kegel
» The Deutsches Requiem of»
» The 'Side's End Ceremony»
» So, What's the Story on »
» Time Alignment : Live Pe»
» Music in the Sound: a mo»
» Le Poeme Harmonique
» Aries Cerat Contendo - t»
» A[nother] Cautionary Tal»
» The DSET perspective exa»
» 6C41C – the journey to n»
» The “Implied Sound” in A»
» The industry-embraced au»
» Don't evaluate audio by »
» Boulez' LF-Injected Vers»
» Bliss
» Putin or Medvedev?
» The Best Of Wiener Philh»
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Koussevitzky & BSO
Audio Anthology
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Polish GM70 Poject
Austria's Musical Exiles
Russian Records
Holger Klein's Soundpage»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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AUG 1 Chamber Music in Bru»
AUG 1 Sustaining Our Beaut»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 2 Mahler’s Symphony No»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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Micro-Seiki air-suspend»
CEC TL-0 MK2 transport
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Rohde & Schwarz MSDC Mu»
Pacific Microsonics Mod»
Electro-Voice T350 twee»
Conscience of audio rev»
Korvet “Egg” Tonearm
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