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» Why I do not like La-hor»
» (Hopefully short) headph»
» Wilsons, EMM, Ozawa, Sa»
» National Youth Orchestra»
» TX-103s...
» Kevin Brooks Acoustic Sy»
» What is better then Wagn»
» Zander's new Masterclass
» Bermuda Triangles of Aud»
» An ultimate transformer »
» Help FM Broadcast
» Future of high-end audio
» Dick Burwens "low c»
» Hässler sonata: Gra»
» Macondo listening experi»
» The Rafael Kubelík'»
» Additive capacitance: mi»
» Sandisk Sansa Clip +
» Archimago's Musings talk»
» “FM live” file exchange »
» The best audio system: m»
» Dynamic viscose stabiliz»
» Building a new music room
» Tchaikovsky’ Death
» Music in the Sound: a mo»
» The Engström & »
» The contemporary pressin»
» Magico: Robert Harley’s »
» The FM Stereo and Multi»
» New bottlehead dac
» Commentary on Joe's »
» Eventually I’ve seen a l»
» When the stars aligned.
» Some thoughts about Milq»
» About moronity of DIY Au»
» What drives your musical»
» Emmerich Kalman (1882-19»
» Bravo Brahms, Bravo Wand»
Bookmarked are red
George Szell discography
Delta Entertainment
OperaGlass
Perer Gulmann's Classica»
Cedille Chicago
Greg Sando’s Site
Altec divers/horns
Tempo-Electric - Arthur »
Vintage Audio Trader
Rachmaninoff Photos
Duke Classical
Audio Perfectionist
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 1 Zlata Chochieva, pia»
APR 1 Boston Conservatory »
APR 3 Dima Slobodeniouk, c»
APR 3 Lindsey Chapel Serie»
APR 4 Dima Slobodeniouk, c»
APR 4 Carousel in Boston o»
APR 4 Artistry in Action: »
APR 4 Les Arts Florissants»
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‘the lost pianos of siberi»
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Stainer, Sir John (6 June »
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ESS AMT-1A Heil Air Mot»
Stage Acompany SA8535 d»
Micro-Seiki Arm Board
Mid-range tantrix round»
Micro-Seiki MAX-282 To»
SME M2 - 12" Tonearm wi»
Vitavox AK-15/40 15" ba»
LF Transformer for 6C33C
Altec 515B bass drivers
Sansui TU-X1 Tuner
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