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» “Why horns”, years later.
» An ultimate transformer »
» What’s up with these gia»
» Sub-woofer integration w»
» Focal-Jmlab – the Utopia»
» Some kinky goodies from »
» Equalizer? Hm…
» Aesthetix Rhea Signature»
» Macondo vs Dannoy = Esse»
» Class “D” – the industry»
» ... and some Bruckner bu»
» Constant directivity = c»
» A response to David Hurv»
» Who builds horns?
» Single-stage Melquiades »
» Kalinnikov’s First Symph»
» 7788 tube mic pre design
» What are the effects of »
» Explain TAD ET-703 drive»
» Educate yourself WHY you»
» Sound is like a proverbi»
» Hungarian folded horn
» The last phonocorrector:»
» Eat your heart out, Mr. »
» Macondo's Axioms: Horn-l»
» Macondo – Super Melquiad»
» Any South/Latin American»
» Lower cost horn loaded a»
» More about Vienna Philha»
» A quantum CD?
» The beauty of Cannibalis»
» Choice of Fireware Inter»
» The Berlin Philharmonic »
» The best practices for D»
» A sad day in Greece.
» High-End Audio, how to »
» GoodSoundClub – one year»
» Sound from behind a wind»
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AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
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