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» The irony of playback ph»
» RIP Pauline Oliveros
» About playback and messa»
» Horns and digital crosso»
» Midbass Horns and Real E»
» German Odeon horns.
» Disregard the industry p»
» What to read in audio?
» Critique audio performan»
» Direct radiation in the »
» Power Supplym for driver»
» A new kid in the block: »
» Magico new 5 ways idea. »
» New, Transparent Speaker»
» How to record FM broadca»
» A datacenter at home and»
» Think how a playback com»
» Better organization/desi»
» Recording options: Pacif»
» Janine Jansen
» Help FM Broadcast
» How Mussorgsky should so»
» Flac 16bit/48Khz streami»
» 2+3 surround sound??
» Not all audio equipment »
» Thoughts on midbass horn»
» CEC TL0-X: by no means a»
» Staxquiades project
» Single-stage Melquiades »
» Prokofiev Classical Symp»
» My old Fi-Hi gear associ»
» Greek Arcadian Audio new»
» Horns and digital crosso»
» The Museatex Bidat pages.
» Polish Autotech steps up»
» Use absolute polarity as»
» Apple helped kill FM...a»
» Suggestion on my introdu»
Bookmarked are red
High-Tech Hi-Fi
Bruce Edgar's Edgarhorn »
Adnan Arduman's site.
GS Tube
Aria Database
Eugene Ormandy Pages
Audio Perfectionist
Linkwitz's "Laboratory"
Martha Argerich Site
JPC CD Store
Random Classics
Furtwängler's conserts
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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it’s (almost) business as »
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Micro-Seiki MAX-282 To»
Electro-Voice T350 twee»
Micro Seiki RX-5000
Kenwood L-02T FM Tuner
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Purist Audio Design Pro»
Altec 808A compression »
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Sansui TU-X1 Tuner
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