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» Who owns what in FM
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» Winter storm & Casals
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» His Master Voice’s Shade»
» “Why horns”, years later.
» Tomorrow in Boston: Yout»
» The 5th horns in stack o»
» Large Polystyrene Caps
» Nothing to read.
» A primer on high-end mar»
» Recommendation Bruckner »
» New Lynx A/D and D/A pro»
» The “theories” about the»
» The Expressive Technolog»
» DBT - a signature of lis»
» Headphone amplifiers. Ba»
» "O Vitavox, Vitavox»
» Vitavox and Goodmans Bas»
» A passive but elegant pr»
» Bye-bye Studer…
» The Absolute Sound of Au»
» Horns and digital crosso»
» An ultimate horn profile?
» Make your own horns?
» A sort of DPOLs
» Commentary on Joe's »
» Copper Mat on a Micro Se»
» The bogusness of the coa»
» Some analysis of the Joe»
» What is the difference b»
» Null-set dipole butterfl»
» A datacenter at home and»
» It is time for you to de»
» Time Alignment : Live Pe»
» Magico: Robert Harley’s »
» Bahnsen Horns + some fre»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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c.p.e. bach: mercurial dive»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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classical music news. diab»
another trump blunder»
from concerts to cartoons:»
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how to diversify orchestra»
ethel smyth, a composer lo»
classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
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Sansui TU-X1 Tuner
Vitavox S2/S3 diaphragms
“Tree Blind Mice” colle»
Altec 515B bass drivers
Micro-Seiki Arm Board
CEC TL-0 MK2 transport
REL Precedent 646C tuner
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Purist Audio Design Pro»
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