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» The “Implied Sound” in A»
» Tightening to loosening »
» A resistor between scree»
» Upperbass horns – tone v»
» Acoustic Treatments That»
» Harmonies for Bosch’s Ga»
» Music in the Sound: a mo»
» San Francisco in Februar»
» Basic guide to advanced »
» The New York Philharmoni»
» It looks like Brits will»
» Macondo – Super Melquiad»
» How to manage the digita»
» Natural Remedies for Sic»
» The New sound of London »
» About destiny of “High-E»
» In defense of Mikhail Pl»
» How many channels does a»
» Micro Seiki SZ-1T
» Yarlung Records at 24 bi»
» About digital files and »
» Achingly Beautiful Arias
» Volti Audio's Vittora
» Stupid SME question abou»
» A complex Audio Question
» Summer Refreshment; the »
» MillionDollarStereos.com
» What drives your musical»
» Floor reflections
» Not new, but VERY intere»
» Soprano Sally Matthews.
» Do curved corners help???
» Some Observations about »
» Make your own horns?
» Ophelie Gaillard renders»
» Shelter 901 on SME 309 t»
» Pro Audio: JBL SR-4735X
» Happy birthday Johann Se»
Bookmarked are red
Soviet Composers
BachTrack
The Soul of Sound
The Well Tempered Comput»
Perer Gulmann's Classica»
OperaGlass
Qualiton
Jogis Röhrenbude's Site
Direct Drive TT
Unofficial Vitavox Site
GedLee loudspeakers
Jong Woo's Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 17 In Search of New Wor»
APR 19 In Search of New Wor»
APR 24 Re-Imaginings in Che»
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APR 25 Songs for Peace in D»
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Lamm L2 Reference pream»
Vitavox S2/S3 diaphragms
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Musatex’s Bidat Model "»
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