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» Help with Math needed.
» More about the EdgarHorn»
» Exceptional loudspeakers»
» Help with RF loop
» Weber’s "Andante e »
» Bruckner Ninth and the W»
» Amplification and Consci»
» Rejection of non-natural»
» My today’s views on LP c»
» Living Voice Loudspeaker
» Transition : Driver to t»
» Expensive Audiophilism a»
» How to run MM-type cartr»
» “A” sound from “B” syste»
» Aimez-vous Bartók?
» Large La or Tratrix horn»
» Denon 103: myths and the»
» Tritium Turntables
» Silicone gel damping?
» Antenna Cable Connection
» Any recommendations?... »
» Music and Arts' Spring.»
» Not new, but VERY intere»
» How to organize files wi»
» Brahms Double Concerto
» Digital crossovers self-»
» What, no Mahler?
» JBL Project Array
» 60hz, GPA-515-8ghp horn.»
» JBL 2446
» The one-stage Melquiades.
» Mid-bass Hornresp (V51.3»
» Verify that you sources »
» The ferrofluiding of com»
» The nature of "soun»
» A quest for a better SET.
» BBC broadcasting radio e»
» Universal VTA adjustment.
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Input Choke & Resonant C»
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Higherfi.com
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Art Songs and Librettos
Elliott Sound Products
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Lamm ML-2 Single-Ended »
Micro-Seiki Arm Board
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