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» Boxed in horns
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» Kevin Puts, American Com»
» Another light for the LS»
» Think ahead how to measu»
» Building “Zarathustra II»
» Beware of the monophonic»
» EnABL: Just a note to aw»
» The “better speakers” to»
» The Trout - Perlman, Ba»
» A different breed of 6C3»
» Why people still sell co»
» Midbass injection channel
» The Tenor amplifier and »
» Passive transformer base»
» Beware of PurePower Part»
» The stunning “The Magic »
» Turntable speed analysis.
» Macondo – Super Melquiad»
» Danley's optimised paral»
» Transition : Driver to t»
» Listening rooms and comp»
» Ah, Michelangeli...
» Electrostatic Sub Horn
» We don’t necessarily kno»
» Crane Radio CCE2
» Justification of Buying »
» Brahms, "Liebeslied»
» The tales of two phonost»
» To Milq builders: correc»
» Bruckner Ninth and the W»
» Steinway and Lyngdorf lo»
» Listening Pipe Organ Mus»
» How to play Bruckner Sou»
» The pianist Yuja Wang … »
» My current conductor obs»
» Electro-Voice Tweeter an»
» The absolutely “best” ma»
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Silent Running Audio
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WGBH's “Keeping Score”
Koussevitzky & BSO
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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