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» The cut or not to cut, t»
» Shaky tubes, echo testing
» The irony of playback ph»
» A big room with good aco»
» Think how a playback com»
» Great Cello Concertos
» Reinforced live sound in»
» Audio and the “Alzheimer»
» Antenna solutions for FM
» Despicable me
» What is the difference b»
» Better chassis design fo»
» 47 Lab new turntable and»
» About audio Crashes.
» My playback can’t play l»
» My Audio Philosophy
» How Piazzolla should sou»
» JBL 2446
» How to listen High-End A»
» Foundation Standarts for»
» PlayClassics TRT v2.0 ma»
» Streophile show 2007 and»
» Audio Quality Matters in»
» Discovered a great chora»
» The best musical event o»
» Brahms, "Liebeslied»
» RIP Henryk Mikolaj G»
» Big room vs small room
» The Rafael Kubelík'»
» Monophonic bass: myth an»
» How High-End Audio can b»
» Zeus 6C33C Triode SE Pre»
» Chostakovich: Concerto »
» Russian Orthodox liturgy»
» Jessie Dazzle Project
» Middle step (non ultimat»
» Rhapsody for Tape Record»
» Looking for the most vin»
Bookmarked are red
Audio Perfectionist
Greg Sando’s Site
All Tube Testers
Wolds Opera Broadcasts
Value of Records Tool
Duntech Audio loudspeake»
Dan Lavry's Forum
Rachmaninoff Society
The Victor Victrola Page
Eugene Ormandy Pages
George Szell discography
The Cartridge Database
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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REL Precedent 646C tuner
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