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» Bose audio and industry »
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» Making of a Steinway.
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» A Plasma Tweeter made in»
» Reflections pattern in C»
» Cmpare them
» My playback’s sound vs. »
» The commercial music ser»
» Playback evaluations mad»
» Low output MC?
» DSET phoned home?
» 3012, 312, M2-12 or ... ?
» The CES 2005
» High-End Audio Bass: wha»
» About the DAW playback s»
» Dannoy 2021 Loudspeakers
» A datacenter at home and»
» JMLC horns profile?
» World's First Concrete R»
» About Wilson Audio Louds»
» Beware of "Higher F»
» How to sell high-end aud»
» Haliaetus: Dick Cheney’s»
» Engineering over Art
» “Harmonic Speed”- friend»
» Bruckner 9, Transcriptio»
» Thoughs about “My Playba»
» Analogue to digital conv»
» Tchaikovsky’s “Evgeny On»
» John Curl’s new phonosta»
» Matching Playback Method»
» It looks like Brits will»
» Does horn surface porosi»
» Altec A2
» Better DAW by a “second”»
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Decca Classical discogra»
Duntech Audio loudspeake»
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Retro hi-fi blog
Rottenburger Museen
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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