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» Introduction to “Melquia»
» Patricia Kopatchinskaja »
» Playlists and patience
» From Newton to Einstein
» Boulez' LF-Injected Vers»
» Contact-free volume cont»
» Macondo copying: Horns t»
» Time Alignment : Live Pe»
» Looking for the most vin»
» The one-stage Melquiades.
» The "non-winner&quo»
» Help: Building a Melquia»
» 3012, 312, M2-12 or ... ?
» The sound of Concert Hal»
» Problems with horns: twe»
» Single-stage Melquiades »
» Dedicated horn loaded mi»
» Stands for Super Melquia»
» Beware of the monophonic»
» Tannoy's Flagship by Jef»
» Suggestion on my introdu»
» A DSET is better then an»
» Mahler VI - Barbirolli w»
» Audio treasure find
» Not new, but VERY intere»
» It is about timbres, stu»
» God bless WDR Symphony O»
» New bottlehead dac
» Thoughs about “My Playba»
» Tweeter for Vitavox S2. »
» Stupid SME question abou»
» High-end audio: Absolute»
» Remedies the Beauty
» About moronity of DIY Au»
» Incorporating active cro»
» Macondo System Suggestio»
» Watching conductors of t»
» Baseline measurements an»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7075 
Selfdenial as Audio Tower of Babble? 7072 
Musical Messages 7072 
The Sound of Music by and for musicians 7072 
The Original Sound 7071 
Audio, visual art and Cesar salad. 7071 
Relative Contrast 7071 
aura of art 7071 
Why, why Abstract Audio? 7071 
Re: Relative Contrast 7071 
"Differences" versus "contrast" 7071 
I would shade some light about “abstract audio” 7070 
Color Theory 101 7070 
a healthy divide 7069 
Further musings on JD's ideas above. 7069 
not to be too picky, but it might be important 7066 
Let's put a positive, festive note to this 7066 
Sure why not! + optical ideas 7065 
Color hearing and foreign languages... 7065 
what's the problem. 7050 
one itsy bitsy clarification 7050 
Feline's consciousness.... 7050 
so 7050 
Repeatability is a key difference for music and SOUND 1862 
Changes With Consistency as a Backdrop 1862 
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