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» I need a “second-type” p»
» To Milq builders: correc»
» Driver Alignment, and Wh»
» Wanted Vitavox S2 Origin»
» Puccini: Tosca
» In appreciation of Koshka
» Basic guide to advanced »
» Infinite Baffle Implemen»
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» Remembering Sound…
» The concrete midbass hor»
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» Shelter 901 on SME 309 t»
» The last message of audi»
» Smetana's Piano Trio
» Van den Hul famous FAQ c»
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» Denon 103: myths and the»
» Dedicated horn loaded mi»
» What drives your musical»
» The 'Beethoven Test' of »
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» Beware of the Arkive Mus»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7118 
Selfdenial as Audio Tower of Babble? 7115 
Musical Messages 7115 
The Sound of Music by and for musicians 7115 
The Original Sound 7114 
Audio, visual art and Cesar salad. 7114 
Relative Contrast 7114 
aura of art 7114 
Why, why Abstract Audio? 7114 
Re: Relative Contrast 7114 
"Differences" versus "contrast" 7114 
I would shade some light about “abstract audio” 7113 
Color Theory 101 7113 
a healthy divide 7112 
Further musings on JD's ideas above. 7112 
not to be too picky, but it might be important 7109 
Let's put a positive, festive note to this 7109 
Sure why not! + optical ideas 7108 
Color hearing and foreign languages... 7108 
what's the problem. 7093 
one itsy bitsy clarification 7093 
Feline's consciousness.... 7093 
so 7093 
Repeatability is a key difference for music and SOUND 1905 
Changes With Consistency as a Backdrop 1905 
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