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» A fundamentally faulty J»
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» Gould's Goldberg Variati»
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» SME M2-12 tonearm
» Sound from behind a wind»
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» The WHRB’s Rimsky-Korsak»
» Learning to interpret RTA
» Analogue to digital conv»
» Tanglewood's 75th annive»
» Macondo: new horizons. A»
» A strange urge.
» Bach Cello Suites
» You Can Play the Record,»
» Where are our good phono»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7135 
Selfdenial as Audio Tower of Babble? 7132 
Musical Messages 7132 
The Sound of Music by and for musicians 7132 
The Original Sound 7131 
Audio, visual art and Cesar salad. 7131 
Relative Contrast 7131 
aura of art 7131 
Why, why Abstract Audio? 7131 
Re: Relative Contrast 7131 
"Differences" versus "contrast" 7131 
I would shade some light about “abstract audio” 7130 
Color Theory 101 7130 
a healthy divide 7129 
Further musings on JD's ideas above. 7129 
not to be too picky, but it might be important 7126 
Let's put a positive, festive note to this 7126 
Sure why not! + optical ideas 7125 
Color hearing and foreign languages... 7125 
what's the problem. 7110 
one itsy bitsy clarification 7110 
Feline's consciousness.... 7110 
so 7110 
Repeatability is a key difference for music and SOUND 1922 
Changes With Consistency as a Backdrop 1922 
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