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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Building Melquiades: Chr»
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» The best Third Movement »
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» Building horn onto power»
» The best speaker in the »
» Romy The Cat's new Liste»
» Digital Volume Control s»
» Idler Drive - Rumbling I»
» Amplification and Consci»
» Choice of Fireware Inter»
» Bill Gaw: over 50 years »
» Modifying TAD 2404
» Another 2005 CES standou»
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» Forward in the past with»
» 1st Guitar Thread
» Magico Mini or Jonathan »
» Playing American Music o»
» New audiophile download »
» Phono stages with SU-1
» A complex Audio Question
» Vitavox and Goodmans Bas»
» A great production of th»
» BPO's virtual concert ha»
» "It" Thread
» Steve Leung, Cartridge W»
» Audio Shopping vs. Piano»
» I wonder when Chinese be»
» Why Horn loaded systems?!
» The realty of UHF and LF»
» About EAR 834P Modificat»
» (Whose) classical music.»
» Write your own ploy of t»
» Bid Midbass Asian Horns
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7164 
Selfdenial as Audio Tower of Babble? 7161 
Musical Messages 7161 
The Sound of Music by and for musicians 7161 
The Original Sound 7160 
Audio, visual art and Cesar salad. 7160 
Relative Contrast 7160 
aura of art 7160 
Why, why Abstract Audio? 7160 
Re: Relative Contrast 7160 
"Differences" versus "contrast" 7160 
I would shade some light about “abstract audio” 7159 
Color Theory 101 7159 
a healthy divide 7158 
Further musings on JD's ideas above. 7158 
not to be too picky, but it might be important 7155 
Let's put a positive, festive note to this 7155 
Sure why not! + optical ideas 7154 
Color hearing and foreign languages... 7154 
what's the problem. 7139 
one itsy bitsy clarification 7139 
Feline's consciousness.... 7139 
so 7139 
Repeatability is a key difference for music and SOUND 1951 
Changes With Consistency as a Backdrop 1951 
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