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» Time alignment of drivers
» Closer to the musicians »
» Bruce Edgar dies
» About the tweeters phase»
» Hans Deutsch active acou»
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» Any recommendations?... »
» Problems with horns: twe»
» The "mystery&am»
» Minusk: a new Vibraplan?
» WE15a plans
» Ale horns on ebay possib»
» A very slow monolog abou»
» Graphene for Audio
» Tedeska Cartridges.
» Digital Equalization
» Audio Enigma Variation
» Vitavox S2 driver made i»
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» Mid-bass Hornresp (V51.3»
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» About the audio Sources.
» NESPA Optical Disc Final»
» Mozart Concertos; Clarin»
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» High End Audio and music»
» Ravel's Piano Trio; Rubi»
» Making of a Steinway.
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» A Simple Question (or 3)»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7015 
Selfdenial as Audio Tower of Babble? 7012 
Musical Messages 7012 
The Sound of Music by and for musicians 7012 
The Original Sound 7011 
Audio, visual art and Cesar salad. 7011 
Relative Contrast 7011 
aura of art 7011 
Why, why Abstract Audio? 7011 
Re: Relative Contrast 7011 
"Differences" versus "contrast" 7011 
I would shade some light about “abstract audio” 7010 
Color Theory 101 7010 
a healthy divide 7009 
Further musings on JD's ideas above. 7009 
not to be too picky, but it might be important 7006 
Let's put a positive, festive note to this 7006 
Sure why not! + optical ideas 7005 
Color hearing and foreign languages... 7005 
what's the problem. 6990 
one itsy bitsy clarification 6990 
Feline's consciousness.... 6990 
so 6990 
Repeatability is a key difference for music and SOUND 1802 
Changes With Consistency as a Backdrop 1802 
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