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» About dymick sparkling.
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» I built this device
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» Danley's Hyperion
» Kalinnikov’s First Symph»
» THE book on intonation
» Is anybody live in Austr»
» A full-range quality-tri»
» Sony Blu-spec CD audio f»
» Red Violin Concerto
» Resonating hi from overs»
» The most complicated que»
» A quote from a Japanese »
» I'm omnivorous... am I i»
» What I am doing?
» Kharma Speakers as pH-in»
» Mitigating Undesired Hig»
» Minusk: a new Vibraplan?
» Write your own ploy of t»
» Forward in the past with»
» Get, or made up a tube t»
» Musique Concrete horns
» 1st Guitar Thread
» Analog: a reduction of s»
» It is about timbres, stu»
» I need some advice and d»
» It is time for you to de»
» Horns with contra-profil»
» The jump-start of loudsp»
» An idea of “Rain Wake-Up»
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» 6C33C socket types, wher»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7108 
Selfdenial as Audio Tower of Babble? 7105 
Musical Messages 7105 
The Sound of Music by and for musicians 7105 
The Original Sound 7104 
Audio, visual art and Cesar salad. 7104 
Relative Contrast 7104 
aura of art 7104 
Why, why Abstract Audio? 7104 
Re: Relative Contrast 7104 
"Differences" versus "contrast" 7104 
I would shade some light about “abstract audio” 7103 
Color Theory 101 7103 
a healthy divide 7102 
Further musings on JD's ideas above. 7102 
not to be too picky, but it might be important 7099 
Let's put a positive, festive note to this 7099 
Sure why not! + optical ideas 7098 
Color hearing and foreign languages... 7098 
what's the problem. 7083 
one itsy bitsy clarification 7083 
Feline's consciousness.... 7083 
so 7083 
Repeatability is a key difference for music and SOUND 1895 
Changes With Consistency as a Backdrop 1895 
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