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The audio preview of the audio part of my Book

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» Seven phases in the life»
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» Position your speakers a»
» Antenna solutions for FM
» A need for Resolution /S»
» If I start High-End Audi»
» Just Hi.. and my audio b»
» Conchita Supervia
» About bass horns by Joha»
» Liszt Piano Sonata &»
» Looking for something di»
» Alicia De Larrocha, Bach»
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» Top Recordings of All Ti»
» Julia Fischer in Boston »
» Zander, BPO, George Li a»
» Small spaces
» A contemporary great CD »
» Amplification and Consci»
» The Daniel Hertz M1 ultr»
» The objectives of Einste»
» A playback and wrong not»
» SME M2-12 tonearm
» Full range Melquiades im»
» Beethoven IX and Fü»
» Yamaha tuners
» Soundsmith’s analog idea»
» RDH20 Frame double horn »
» Melquiadising other amp?
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» R22
» Haliaetus: Dick Cheney’s»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7155 
Selfdenial as Audio Tower of Babble? 7152 
Musical Messages 7152 
The Sound of Music by and for musicians 7152 
The Original Sound 7151 
Audio, visual art and Cesar salad. 7151 
Relative Contrast 7151 
aura of art 7151 
Why, why Abstract Audio? 7151 
Re: Relative Contrast 7151 
"Differences" versus "contrast" 7151 
I would shade some light about “abstract audio” 7150 
Color Theory 101 7150 
a healthy divide 7149 
Further musings on JD's ideas above. 7149 
not to be too picky, but it might be important 7146 
Let's put a positive, festive note to this 7146 
Sure why not! + optical ideas 7145 
Color hearing and foreign languages... 7145 
what's the problem. 7130 
one itsy bitsy clarification 7130 
Feline's consciousness.... 7130 
so 7130 
Repeatability is a key difference for music and SOUND 1942 
Changes With Consistency as a Backdrop 1942 
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