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» What, no Mahler?
» My first audio show. Hmm»
» Aporia - Silbatone Acous»
» Some evidence for the ch»
» Berkeley Audio Design's »
» Bach's performing space.
» SS Amplification for Com»
» The “Implied Sound” in A»
» Stravinsky and Headphone»
» Be careful: Imaging vs. »
» Aries Cerat Contendo - t»
» Nothing Is Perfect
» Miniumum sample rate for»
» Bruckner 8, the document»
» Assemble it yourself?
» Many Mani's options: My »
» The BSO and Digital Musi»
» Introduction to “Melquia»
» Yamaha B-2 V-FET amplifi»
» My feelings about new ex»
» It takes balls to shop (»
» Auro, reverb injection, »
» The unintended consequen»
» Try something unusual an»
» About the audio Sources.
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» Time Alignment : Live Pe»
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» Coral x-viii
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7140 
Selfdenial as Audio Tower of Babble? 7137 
Musical Messages 7137 
The Sound of Music by and for musicians 7137 
The Original Sound 7136 
Audio, visual art and Cesar salad. 7136 
Relative Contrast 7136 
aura of art 7136 
Why, why Abstract Audio? 7136 
Re: Relative Contrast 7136 
"Differences" versus "contrast" 7136 
I would shade some light about “abstract audio” 7135 
Color Theory 101 7135 
a healthy divide 7134 
Further musings on JD's ideas above. 7134 
not to be too picky, but it might be important 7131 
Let's put a positive, festive note to this 7131 
Sure why not! + optical ideas 7130 
Color hearing and foreign languages... 7130 
what's the problem. 7115 
one itsy bitsy clarification 7115 
Feline's consciousness.... 7115 
so 7115 
Repeatability is a key difference for music and SOUND 1927 
Changes With Consistency as a Backdrop 1927 
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