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» “A” sound from “B” syste»
» Tchaikovsky's Nutcracker»
» Steinway and Lyngdorf lo»
» Opera “Boris Godunov”
» JBL 2490 mid-range driver
» Transparent horns
» Use absolute polarity as»
» Vitavox ak151 in klipsch»
» Trash your “full-rage”, »
» Open cell foam in horns »
» Michael Fremer Continuum»
» The Church of Denon 103C
» Small SET’s bass, beside»
» EnABL: Just a note to aw»
» “How audio might sound”
» Elgar conducts Elgar.
» Srajan Ebaen and Juicy-C»
» The single-ended pretens»
» Avantgarde method of cap»
» Stay home with Bruckner
» Turntable Design
» About audio hoarding
» Klipsch Jubilee horn
» Shelter 901 on SME 309 t»
» Sounds of Science
» High-End Audio "sec»
» If you play a guitar…
» Barn Conversion - James'»
» An objective tool to tra»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7132 
Selfdenial as Audio Tower of Babble? 7129 
Musical Messages 7129 
The Sound of Music by and for musicians 7129 
The Original Sound 7128 
Audio, visual art and Cesar salad. 7128 
Relative Contrast 7128 
aura of art 7128 
Why, why Abstract Audio? 7128 
Re: Relative Contrast 7128 
"Differences" versus "contrast" 7128 
I would shade some light about “abstract audio” 7127 
Color Theory 101 7127 
a healthy divide 7126 
Further musings on JD's ideas above. 7126 
not to be too picky, but it might be important 7123 
Let's put a positive, festive note to this 7123 
Sure why not! + optical ideas 7122 
Color hearing and foreign languages... 7122 
what's the problem. 7107 
one itsy bitsy clarification 7107 
Feline's consciousness.... 7107 
so 7107 
Repeatability is a key difference for music and SOUND 1919 
Changes With Consistency as a Backdrop 1919 
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