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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
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» Rachmaninoff, PC 3; Kond»
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» A longer CD-Rom cable.
» Shelter 901iii or 90c ca»
» Rubinstein at Carnegie H»
» Micro SX8000I: noisy pum»
» Think Denk and op.106
» RMAF06 Show Report
» Stands for Super Melquia»
» Observations and Thought»
» Mid Bass horns help with»
» The Deutsches Requiem of»
» My trip to the Stereophi»
» The SACD and the Windows»
» The Silence of the Lamms!
» The "NEW T.H.E Show»
» Callas and Tebaldi Compa»
» Stunning Resurrection in»
» Mozart: "Cosi Fun T»
» It takes balls to shop (»
» Joseph Haydn, Six Esterh»
» The Evolution (or Anti-E»
» Bad, bad, bad 1812 Overt»
» EMI rollercoaster across»
» SET amplifiers
» Help to identify the LF »
» Hans Zenders’ orchestrat»
» Is it the time to change»
» HELP: I’m a line-level l»
» Avid Listener --- Stereo»
» How to start Classical M»
» Rudolf Barshai conducts »
» My Multi-way Horns
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7151 
Selfdenial as Audio Tower of Babble? 7148 
Musical Messages 7148 
The Sound of Music by and for musicians 7148 
The Original Sound 7147 
Audio, visual art and Cesar salad. 7147 
Relative Contrast 7147 
aura of art 7147 
Why, why Abstract Audio? 7147 
Re: Relative Contrast 7147 
"Differences" versus "contrast" 7147 
I would shade some light about “abstract audio” 7146 
Color Theory 101 7146 
a healthy divide 7145 
Further musings on JD's ideas above. 7145 
not to be too picky, but it might be important 7142 
Let's put a positive, festive note to this 7142 
Sure why not! + optical ideas 7141 
Color hearing and foreign languages... 7141 
what's the problem. 7126 
one itsy bitsy clarification 7126 
Feline's consciousness.... 7126 
so 7126 
Repeatability is a key difference for music and SOUND 1938 
Changes With Consistency as a Backdrop 1938 
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