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» New Lynx A/D and D/A pro»
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» A Strange Thread (skip b»
» I can't wait to read the»
» Mahler 3 and BPO.
» Radio Stations Harmonize»
» Truly a new use of high-»
» Lutoslawski’s Concerto f»
» There is Bruckner and th»
» Single Ended Triode dist»
» The stunning “The Magic »
» The global live televisi»
» About the tweeters phase»
» John Curl’s new phonosta»
» BPO's virtual concert ha»
» French Horns/drivers sho»
» About the (secret) rules»
» Micro Seiki DD30 Headshe»
» Lampizator horn
» Where are our good phono»
» Experimental horn
» Ravel Piano Concerto No2
» Idler Drive - Rumbling I»
» The best practices for D»
» It’s mad, mad, mad... e»
» RMAF 2008 observations, »
» Full range Melquiades im»
» Yep, Bach would do it….
» Super Melquiades, Macond»
» Ultimate Turntable?
» How Piazzolla should sou»
» Vitavox 12 cell Horns + »
» I built this device
» Relief from micro-arcing»
» VITAVOX - Current Lineup»
» Vinyl Ceremonies: Repeat»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7116 
Selfdenial as Audio Tower of Babble? 7113 
Musical Messages 7113 
The Sound of Music by and for musicians 7113 
The Original Sound 7112 
Audio, visual art and Cesar salad. 7112 
Relative Contrast 7112 
aura of art 7112 
Why, why Abstract Audio? 7112 
Re: Relative Contrast 7112 
"Differences" versus "contrast" 7112 
I would shade some light about “abstract audio” 7111 
Color Theory 101 7111 
a healthy divide 7110 
Further musings on JD's ideas above. 7110 
not to be too picky, but it might be important 7107 
Let's put a positive, festive note to this 7107 
Sure why not! + optical ideas 7106 
Color hearing and foreign languages... 7106 
what's the problem. 7091 
one itsy bitsy clarification 7091 
Feline's consciousness.... 7091 
so 7091 
Repeatability is a key difference for music and SOUND 1903 
Changes With Consistency as a Backdrop 1903 
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