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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
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End of Life Phonostage
Audio Demoronizator AD-1
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» Open letter to WGBH.
» Avantgarde Trio G3 Louds»
» Explain TAD ET-703 drive»
» The global live televisi»
» Boston Vinyl Stores?
» Trading cable elevators »
» Micro Seiki RX-5000 Reco»
» Remote control, problems»
» VoES
» New Motor for an Old Sot»
» The New sound of London »
» Beware of PurePower Part»
» Multiple Tracks, Each On»
» Gould's Goldberg Variati»
» State Symphony of Russia»
» Artificial Phases Random»
» PCM63 DAC with Transform»
» Upperbass horns – tone v»
» About Harry Pearson lega»
» I do not know what else »
» Russian Orthodox liturgy»
» The "mystery&am»
» Van Cliburn Moscow 1958
» A horny newcomer: Pink F»
» A CD player of today… 20»
» The cut or not to cut, t»
» Goodbye to EMI?
» The “theories” about the»
» 6E6P-DR in triode mode
» Hi-Fi Mini Systems
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7162 
Selfdenial as Audio Tower of Babble? 7159 
Musical Messages 7159 
The Sound of Music by and for musicians 7159 
The Original Sound 7158 
Audio, visual art and Cesar salad. 7158 
Relative Contrast 7158 
aura of art 7158 
Why, why Abstract Audio? 7158 
Re: Relative Contrast 7158 
"Differences" versus "contrast" 7158 
I would shade some light about “abstract audio” 7157 
Color Theory 101 7157 
a healthy divide 7156 
Further musings on JD's ideas above. 7156 
not to be too picky, but it might be important 7153 
Let's put a positive, festive note to this 7153 
Sure why not! + optical ideas 7152 
Color hearing and foreign languages... 7152 
what's the problem. 7137 
one itsy bitsy clarification 7137 
Feline's consciousness.... 7137 
so 7137 
Repeatability is a key difference for music and SOUND 1949 
Changes With Consistency as a Backdrop 1949 
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