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» Hildegard von Bingen on »
» Vertical Axis Midbass Ho»
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» Rudolf Barshai conducts »
» Liszt Piano Sonata &»
» Things to look out for w»
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» Recapping RX5000
» A new 'chic' foolishness»
» Kalinnikov’s First Symph»
» A great article from Pet»
» Brahms' Magelone Songs
» America, version 2004
» Multiple Tracks, Each On»
» Ways to use audio method»
» The beauty of Cannibalis»
» NESPA Optical Disc Final»
» Red Violin Concerto
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» And a Bruckner 8 the day»
» A request to all posters»
» Dpols?
» BBC broadcasting radio e»
» DIY LCR phono
» Monitors: Wishful thinki»
» In defense of Mikhail Pl»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7061 
Selfdenial as Audio Tower of Babble? 7058 
Musical Messages 7058 
The Sound of Music by and for musicians 7058 
The Original Sound 7057 
Audio, visual art and Cesar salad. 7057 
Relative Contrast 7057 
aura of art 7057 
Why, why Abstract Audio? 7057 
Re: Relative Contrast 7057 
"Differences" versus "contrast" 7057 
I would shade some light about “abstract audio” 7056 
Color Theory 101 7056 
a healthy divide 7055 
Further musings on JD's ideas above. 7055 
not to be too picky, but it might be important 7052 
Let's put a positive, festive note to this 7052 
Sure why not! + optical ideas 7051 
Color hearing and foreign languages... 7051 
what's the problem. 7036 
one itsy bitsy clarification 7036 
Feline's consciousness.... 7036 
so 7036 
Repeatability is a key difference for music and SOUND 1848 
Changes With Consistency as a Backdrop 1848 
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My Audio Leftovers
Vitavox S2/S3 diaphragms
Micro Seiki RX-5000
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Lamm Industries M1.1 Mo»
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Altec 515B bass drivers
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