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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
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» Dukane 5A540 Compression»
» It is time for you to de»
» GM70 vs. 6C33C
» Does tube preamplifier V»
» About playback and messa»
» The tapped horns: cons, »
» Okada’s installation.
» Interview with Daniel We»
» Moscode, Morecode, Moron»
» “Tool” for Morons ™: Bla»
» “Hearing Modernity” at H»
» SCAM! Horn - Academy Phi»
» Compression drivers and »
» Kristian Zimerman BBC in»
» Vitavox corner horn
» To Rip or not to Rip.
» Some Horns propaganda
» Bye-bye Studer…
» Le C'leach horn rear cha»
» The Truly High-End Ampli»
» Shostakovich’s 100th bir»
» The iHorn - a passive a»
» Medici TV, interesting…
» Basic guide to advanced »
» About DSET-driven multi-»
» Baltimore Symphony Appoi»
» A horny newcomer: Pink F»
» The great pianist Earl W»
» The DHOFT topology? Do n»
» A great article from Pet»
» Compression drivers saga
» Is it the time to change»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7150 
Selfdenial as Audio Tower of Babble? 7147 
Musical Messages 7147 
The Sound of Music by and for musicians 7147 
The Original Sound 7146 
Audio, visual art and Cesar salad. 7146 
Relative Contrast 7146 
aura of art 7146 
Why, why Abstract Audio? 7146 
Re: Relative Contrast 7146 
"Differences" versus "contrast" 7146 
I would shade some light about “abstract audio” 7145 
Color Theory 101 7145 
a healthy divide 7144 
Further musings on JD's ideas above. 7144 
not to be too picky, but it might be important 7141 
Let's put a positive, festive note to this 7141 
Sure why not! + optical ideas 7140 
Color hearing and foreign languages... 7140 
what's the problem. 7125 
one itsy bitsy clarification 7125 
Feline's consciousness.... 7125 
so 7125 
Repeatability is a key difference for music and SOUND 1937 
Changes With Consistency as a Backdrop 1937 
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