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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Beware of the monophonic»
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» Brahms PC #1, Philharmon»
» My reading for a “smalle»
» Upperbass horns – tone v»
» Audio treasure find
» Micro Seiki MAX 282 User»
» To Milq builders: correc»
» Johannes Brahms - Sympho»
» The contra-ridicules sol»
» How to play Mahler 7 at »
» LF Amplifier in biamping.
» Micro Seiki DD30 Headshe»
» Best of the HE2006!!!
» Audio Covid and some hom»
» The FM Stereo and Multi»
» The Hand Clapping by Fra»
» Reviewing preamps by imb»
» VITAVOX - Current Lineup»
» The Occult Timothy Leary»
» Emmerich Kalman (1882-19»
» Bruckner 9 live in 30 mi»
» Where the FM quality com»
» Who has best sound in Hi»
» De-stress not decompress»
» Melquiades: too early fo»
» About EAR 834P Modificat»
» Any good sounding AES/EB»
» Audiophiles are Happy or»
» Discovered a great chora»
» DSET phoned home?
» Horn-Kultur 5-Way from G»
» The crossovering Messiah»
» Berlin Philharmonic Dire»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7159 
Selfdenial as Audio Tower of Babble? 7156 
Musical Messages 7156 
The Sound of Music by and for musicians 7156 
The Original Sound 7155 
Audio, visual art and Cesar salad. 7155 
Relative Contrast 7155 
aura of art 7155 
Why, why Abstract Audio? 7155 
Re: Relative Contrast 7155 
"Differences" versus "contrast" 7155 
I would shade some light about “abstract audio” 7154 
Color Theory 101 7154 
a healthy divide 7153 
Further musings on JD's ideas above. 7153 
not to be too picky, but it might be important 7150 
Let's put a positive, festive note to this 7150 
Sure why not! + optical ideas 7149 
Color hearing and foreign languages... 7149 
what's the problem. 7134 
one itsy bitsy clarification 7134 
Feline's consciousness.... 7134 
so 7134 
Repeatability is a key difference for music and SOUND 1946 
Changes With Consistency as a Backdrop 1946 
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