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The audio preview of the audio part of my Book

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End of Life Phonostage
Audio Demoronizator AD-1
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» Avantgarde Trio, Roy Gre»
» Idler Drive - Rumbling I»
» Vasily Petrenko in Bosto»
» What is better then Wagn»
» The nature of "soun»
» CD horn and JBL: Crossov»
» A fresh take on 9th by t»
» Tonearms criterias??
» Attempt of a playback sy»
» Adding one more spherica»
» The Hannes Kastner’ Tocc»
» Electrovoice t350 repair»
» Need A audio connector &»
» How High-End Audio can b»
» Tedeska Cartridges.
» Greek Arcadian Audio new»
» Tidal’s Music Streaming »
» Where the FM quality com»
» Audio critique – open yo»
» Schimmel's Voxativ Ampeg»
» Use absolute polarity as»
» Modifying TAD 2404
» The best practices for D»
» The great pianist Earl W»
» For one day only
» What a week in Boston!
» Macondo – Super Melquiad»
» Show Report PiS Fest
» Pikovaya Dama / Queen of»
» Multicellular horns
» Abbado + Lucerne Festiva»
» Conductor Herbert Kegel
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7158 
Selfdenial as Audio Tower of Babble? 7155 
Musical Messages 7155 
The Sound of Music by and for musicians 7155 
The Original Sound 7154 
Audio, visual art and Cesar salad. 7154 
Relative Contrast 7154 
aura of art 7154 
Why, why Abstract Audio? 7154 
Re: Relative Contrast 7154 
"Differences" versus "contrast" 7154 
I would shade some light about “abstract audio” 7153 
Color Theory 101 7153 
a healthy divide 7152 
Further musings on JD's ideas above. 7152 
not to be too picky, but it might be important 7149 
Let's put a positive, festive note to this 7149 
Sure why not! + optical ideas 7148 
Color hearing and foreign languages... 7148 
what's the problem. 7133 
one itsy bitsy clarification 7133 
Feline's consciousness.... 7133 
so 7133 
Repeatability is a key difference for music and SOUND 1945 
Changes With Consistency as a Backdrop 1945 
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