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The audio preview of the audio part of my Book

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End of Life Phonostage
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» How to insert pictures i»
» 3 ways how I listen to m»
» The Lavry Gold DA924 ++
» hello cats...meow.
» Sauna and Audio
» SPUnisation of Macondo: »
» Hungarian folded horn
» Ophelie Gaillard renders»
» Flac 16bit/48Khz streami»
» Sound of Ehernet cables?
» Here is my new tonearm.
» A new film about Karajan
» The Loudspeaker (Troels »
» (monitor vs hifi speaker»
» New paradigm - what an &»
» Graphene for Audio
» Stop having a fear of ho»
» High Pass Inductors
» High-End Audio. The thir»
» The high-end audio, as i»
» Why David Robertson does»
» Dream Hi-Eff Speakers fo»
» The LCR RIAA correctors
» What is wrong there and »
» Auro, reverb injection, »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7149 
Selfdenial as Audio Tower of Babble? 7146 
Musical Messages 7146 
The Sound of Music by and for musicians 7146 
The Original Sound 7145 
Audio, visual art and Cesar salad. 7145 
Relative Contrast 7145 
aura of art 7145 
Why, why Abstract Audio? 7145 
Re: Relative Contrast 7145 
"Differences" versus "contrast" 7145 
I would shade some light about “abstract audio” 7144 
Color Theory 101 7144 
a healthy divide 7143 
Further musings on JD's ideas above. 7143 
not to be too picky, but it might be important 7140 
Let's put a positive, festive note to this 7140 
Sure why not! + optical ideas 7139 
Color hearing and foreign languages... 7139 
what's the problem. 7124 
one itsy bitsy clarification 7124 
Feline's consciousness.... 7124 
so 7124 
Repeatability is a key difference for music and SOUND 1936 
Changes With Consistency as a Backdrop 1936 
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