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» The foolishness of multi»
» THE Stargazer
» The one-stage Melquiades.
» Tannoy Red or Gold monit»
» Vitavox and Goodmans Bas»
» Do not touch that used t»
» Rendezvous Mit Richard T»
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» BSO and 192kps
» The A=432 Hz Frequency
» Brahms, "Liebeslied»
» Horns and digital crosso»
» 2011 Brucknerathon
» Active Tonearm Monitorin»
» Munich High End 2011
» A different breed of 6C3»
» How Piazzolla should sou»
» How to build the best au»
» How to record FM broadca»
» How to start Classical M»
» Neat reminiscences from »
» Beethoven IX and Fü»
» Making it sing...
» LeCleach vs. tratrix and»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7134 
Selfdenial as Audio Tower of Babble? 7131 
Musical Messages 7131 
The Sound of Music by and for musicians 7131 
The Original Sound 7130 
Audio, visual art and Cesar salad. 7130 
Relative Contrast 7130 
aura of art 7130 
Why, why Abstract Audio? 7130 
Re: Relative Contrast 7130 
"Differences" versus "contrast" 7130 
I would shade some light about “abstract audio” 7129 
Color Theory 101 7129 
a healthy divide 7128 
Further musings on JD's ideas above. 7128 
not to be too picky, but it might be important 7125 
Let's put a positive, festive note to this 7125 
Sure why not! + optical ideas 7124 
Color hearing and foreign languages... 7124 
what's the problem. 7109 
one itsy bitsy clarification 7109 
Feline's consciousness.... 7109 
so 7109 
Repeatability is a key difference for music and SOUND 1921 
Changes With Consistency as a Backdrop 1921 
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