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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
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End of Life Phonostage
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» S3 on tractrix 260 graph.
» The period DHT tubes and»
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» An Afternoon with Gary K»
» Melquiades (D-Set) parts»
» Kalinnikov’s First Symph»
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» A quantum CD?
» If I start High-End Audi»
» Friedrich Kuhlau and his»
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» The ultimate buffer – li»
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» Thomas Mayer’s Triamp
» The Second stereo arm pr»
» Balanchine’s “Pathetique”
» Shi-Yeon Sung and BSO
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Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7168 
Selfdenial as Audio Tower of Babble? 7165 
Musical Messages 7165 
The Sound of Music by and for musicians 7165 
The Original Sound 7164 
Audio, visual art and Cesar salad. 7164 
Relative Contrast 7164 
aura of art 7164 
Why, why Abstract Audio? 7164 
Re: Relative Contrast 7164 
"Differences" versus "contrast" 7164 
I would shade some light about “abstract audio” 7163 
Color Theory 101 7163 
a healthy divide 7162 
Further musings on JD's ideas above. 7162 
not to be too picky, but it might be important 7159 
Let's put a positive, festive note to this 7159 
Sure why not! + optical ideas 7158 
Color hearing and foreign languages... 7158 
what's the problem. 7143 
one itsy bitsy clarification 7143 
Feline's consciousness.... 7143 
so 7143 
Repeatability is a key difference for music and SOUND 1955 
Changes With Consistency as a Backdrop 1955 
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