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» The “theories” about the»
» Corresponding With Carlo»
» A[nother] Cautionary Tal»
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» “They either adore me or»
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» Tokyo (Akihabra) Audio a»
» S3 on tractrix 260 graph.
» Equalizer? Hm…
» Mozart: "Cosi Fun T»
» The Truly High-End Ampli»
» About speakers Imbedded »
» The List: Let age public»
» Beware of the "dipo»
» Bill Gaw: over 50 years »
» The Eduardo Chibas and B»
» Basic guide to advanced »
» The 'nature' of said rea»
» Opera “Boris Godunov”
» The corrupted listening »
» The Mozart’s Dorabella a»
» Reflections pattern in C»
» Planning my DSET
» 6C33C socket types, wher»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7122 
Selfdenial as Audio Tower of Babble? 7119 
Musical Messages 7119 
The Sound of Music by and for musicians 7119 
The Original Sound 7118 
Audio, visual art and Cesar salad. 7118 
Relative Contrast 7118 
aura of art 7118 
Why, why Abstract Audio? 7118 
Re: Relative Contrast 7118 
"Differences" versus "contrast" 7118 
I would shade some light about “abstract audio” 7117 
Color Theory 101 7117 
a healthy divide 7116 
Further musings on JD's ideas above. 7116 
not to be too picky, but it might be important 7113 
Let's put a positive, festive note to this 7113 
Sure why not! + optical ideas 7112 
Color hearing and foreign languages... 7112 
what's the problem. 7097 
one itsy bitsy clarification 7097 
Feline's consciousness.... 7097 
so 7097 
Repeatability is a key difference for music and SOUND 1909 
Changes With Consistency as a Backdrop 1909 
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