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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» The period DHT tubes and»
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» A different type of uppe»
» A contemporary AD1 Triod»
» Sometimes surface noise »
» My new favorite "Ne»
» Stravinsky and Headphone»
» Film in Boston: "An»
» MacondoLite
» Horn-Kultur 5-Way from G»
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» Time Alignment : Live Pe»
» Bruckner 8, the document»
» Gould's Piano
» Beware of "Higher F»
» Danley's Hyperion
» To be or not to be.
» Brian Cheney of VMPS
» Hickok Tube Testers: Qui»
» A car with vacuum tube..»
» LeCleach vs. tratrix and»
» The "mystery&am»
» It is life....
» Trading cable elevators »
» Help: Building a Melquia»
» The funny Internet audio»
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» The DSET perspective exa»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7164 
Selfdenial as Audio Tower of Babble? 7161 
Musical Messages 7161 
The Sound of Music by and for musicians 7161 
The Original Sound 7160 
Audio, visual art and Cesar salad. 7160 
Relative Contrast 7160 
aura of art 7160 
Why, why Abstract Audio? 7160 
Re: Relative Contrast 7160 
"Differences" versus "contrast" 7160 
I would shade some light about “abstract audio” 7159 
Color Theory 101 7159 
a healthy divide 7158 
Further musings on JD's ideas above. 7158 
not to be too picky, but it might be important 7155 
Let's put a positive, festive note to this 7155 
Sure why not! + optical ideas 7154 
Color hearing and foreign languages... 7154 
what's the problem. 7139 
one itsy bitsy clarification 7139 
Feline's consciousness.... 7139 
so 7139 
Repeatability is a key difference for music and SOUND 1951 
Changes With Consistency as a Backdrop 1951 
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