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» Help with Math needed.
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» My today’s views on LP c»
» Kristian Zimerman BBC in»
» A dive to Auro 3D
» I'm omnivorous... am I i»
» Canadian Speaker Proposal
» Graphene for Audio
» New nanotube speaker tec»
» Vitavox corner horn
» If you've never heard th»
» Dannoy and oxytocin...
» How to build the best au»
» Film in Boston: "An»
» Dvorak Cello Concerto in»
» About speakers Imbedded »
» Eighteen Sound ND1460A c»
» About the pre-warming of»
» Nothing Is Perfect
» CD horn and JBL: Crossov»
» Optical Cartridge: groun»
» The iHorn - a passive a»
» Depicting and Visualizin»
» A phenomenal find: Garvi»
» Vinyl Ceremonies: Repeat»
» Hans Deutsch active acou»
» THe Audio Critic Magazine
» First Bruckner listening»
» My Multi-way Horns
» Greek Arcadian Audio new»
» Mahler: Symphony No. 2 i»
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» An idea of Individual Re»
» Any recommendations?... »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7148 
Selfdenial as Audio Tower of Babble? 7145 
Musical Messages 7145 
The Sound of Music by and for musicians 7145 
The Original Sound 7144 
Audio, visual art and Cesar salad. 7144 
Relative Contrast 7144 
aura of art 7144 
Why, why Abstract Audio? 7144 
Re: Relative Contrast 7144 
"Differences" versus "contrast" 7144 
I would shade some light about “abstract audio” 7143 
Color Theory 101 7143 
a healthy divide 7142 
Further musings on JD's ideas above. 7142 
not to be too picky, but it might be important 7139 
Let's put a positive, festive note to this 7139 
Sure why not! + optical ideas 7138 
Color hearing and foreign languages... 7138 
what's the problem. 7123 
one itsy bitsy clarification 7123 
Feline's consciousness.... 7123 
so 7123 
Repeatability is a key difference for music and SOUND 1935 
Changes With Consistency as a Backdrop 1935 
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