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» High-end audio: Absolute»
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» FM and … cables…
» The “Inverted High End A»
» The 5th horns in stack o»
» The 60-inch LF driver.
» Tanglewood's 75th annive»
» Attempt of a playback sy»
» Tschaikowsky, [Violin] C»
» The Multicells HF Horns.
» A speaker set with JBL 2»
» 8" Goto Woofer for »
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» 3012, 312, M2-12 or ... ?
» The Site’s Forum Engine:»
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» A tale of two DACs
» The Krell’s cursed Sound»
» The dynamic range of our»
» Those experiences. Early»
» Analogue to digital conv»
» Playing American Music o»
» The one-stage Melquiades.
» In Praise of Infidelity »
» Shi-Yeon Sung and BSO
» First order filtration a»
» Summer Refreshment; the »
» 1st Guitar Thread
» The Museatex Bidat pages.
» My new “New” listening r»
» Romy The Cat's new Liste»
» Phono stages with SU-1
» From bad Opera to good O»
» 2012 Decca records from »
Bookmarked are red
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Tchaikovsky's Compositio»
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IMSLP Music Library
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7131 
Selfdenial as Audio Tower of Babble? 7128 
Musical Messages 7128 
The Sound of Music by and for musicians 7128 
The Original Sound 7127 
Audio, visual art and Cesar salad. 7127 
Relative Contrast 7127 
aura of art 7127 
Why, why Abstract Audio? 7127 
Re: Relative Contrast 7127 
"Differences" versus "contrast" 7127 
I would shade some light about “abstract audio” 7126 
Color Theory 101 7126 
a healthy divide 7125 
Further musings on JD's ideas above. 7125 
not to be too picky, but it might be important 7122 
Let's put a positive, festive note to this 7122 
Sure why not! + optical ideas 7121 
Color hearing and foreign languages... 7121 
what's the problem. 7106 
one itsy bitsy clarification 7106 
Feline's consciousness.... 7106 
so 7106 
Repeatability is a key difference for music and SOUND 1918 
Changes With Consistency as a Backdrop 1918 
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