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» Use absolute polarity as»
» Tonality versus Frequenc»
» The Melquiades' "Re»
» Micro Seiki RX-5000 Reco»
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» Next week in Metropolita»
» High-End Audio, DPoLS -»
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» Plaishner 3-way speaker.
» Patricia Kopatchinskaja »
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» About rationalism of twi»
» “Get Better Sound” by Ji»
» The WHRB’s Orgies period.
» An air compressor and TT.
» Ravel's String Quartet; »
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» Interview with Daniel We»
» Yet another Gould box se»
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» Medici TV, interesting…
» Etheraudio's some BS….
» Audio treasure find
» Some nice horns from Gre»
» THE book on intonation
» The 5-ways from Germany.
» The LCR RIAA correctors
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7131 
Selfdenial as Audio Tower of Babble? 7128 
Musical Messages 7128 
The Sound of Music by and for musicians 7128 
The Original Sound 7127 
Audio, visual art and Cesar salad. 7127 
Relative Contrast 7127 
aura of art 7127 
Why, why Abstract Audio? 7127 
Re: Relative Contrast 7127 
"Differences" versus "contrast" 7127 
I would shade some light about “abstract audio” 7126 
Color Theory 101 7126 
a healthy divide 7125 
Further musings on JD's ideas above. 7125 
not to be too picky, but it might be important 7122 
Let's put a positive, festive note to this 7122 
Sure why not! + optical ideas 7121 
Color hearing and foreign languages... 7121 
what's the problem. 7106 
one itsy bitsy clarification 7106 
Feline's consciousness.... 7106 
so 7106 
Repeatability is a key difference for music and SOUND 1918 
Changes With Consistency as a Backdrop 1918 
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