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» About DSET-driven multi-»
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» Metropolitan Opera 2009-»
» CATS Purring tempo, slid»
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» An Acquired Taste
» New paradigm - what an &»
» Satisfying result: the R»
» The Dvorák’s Tone P»
» Goodbye to EMI?
» Claude Perrier and his t»
» So sad that did not see »
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» Bass impact on Turntable»
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» DAC Recommendations
» Music and Arts' Spring.»
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» Sounds of Science
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» A new kid in the block: »
» The Thomas Blumenhofer’s»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7026 
Selfdenial as Audio Tower of Babble? 7023 
Musical Messages 7023 
The Sound of Music by and for musicians 7023 
The Original Sound 7022 
Audio, visual art and Cesar salad. 7022 
Relative Contrast 7022 
aura of art 7022 
Why, why Abstract Audio? 7022 
Re: Relative Contrast 7022 
"Differences" versus "contrast" 7022 
I would shade some light about “abstract audio” 7021 
Color Theory 101 7021 
a healthy divide 7020 
Further musings on JD's ideas above. 7020 
not to be too picky, but it might be important 7017 
Let's put a positive, festive note to this 7017 
Sure why not! + optical ideas 7016 
Color hearing and foreign languages... 7016 
what's the problem. 7001 
one itsy bitsy clarification 7001 
Feline's consciousness.... 7001 
so 7001 
Repeatability is a key difference for music and SOUND 1813 
Changes With Consistency as a Backdrop 1813 
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Vitavox S2/S3 diaphragms
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CEC TL-0 MK2 transport
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Micro-Seiki MAX-282 To»
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