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» A lucidly implemented di»
» Downloadable DSD.
» How to play Bruckner Sou»
» The New York Philharmoni»
» AMR PH-77: just another »
» Help with RF loop
» Dunlavy SC++ loudspeaker»
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» A Zen Audiophile Basemen»
» Dynamic range in histori»
» Open letter to WGBH.
» The "new" Shos»
» Signal variation, noise,»
» S2 Hissing Sound
» The BBC Proms 2009
» Chicago Lyric Opera on W»
» Dedicated horn loaded mi»
» World's Finest Sounding »
» Position your speakers a»
» Seven phases in the life»
» PS Audio's digital appro»
» The Saudi Arabia and Uni»
» Interesting use of Lunda»
» Dreams about Audio
» Two-stages, hybrid, smal»
» Anybody using vacuum hol»
» Joseph Haydn, Six Esterh»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7124 
Selfdenial as Audio Tower of Babble? 7121 
Musical Messages 7121 
The Sound of Music by and for musicians 7121 
The Original Sound 7120 
Audio, visual art and Cesar salad. 7120 
Relative Contrast 7120 
aura of art 7120 
Why, why Abstract Audio? 7120 
Re: Relative Contrast 7120 
"Differences" versus "contrast" 7120 
I would shade some light about “abstract audio” 7119 
Color Theory 101 7119 
a healthy divide 7118 
Further musings on JD's ideas above. 7118 
not to be too picky, but it might be important 7115 
Let's put a positive, festive note to this 7115 
Sure why not! + optical ideas 7114 
Color hearing and foreign languages... 7114 
what's the problem. 7099 
one itsy bitsy clarification 7099 
Feline's consciousness.... 7099 
so 7099 
Repeatability is a key difference for music and SOUND 1911 
Changes With Consistency as a Backdrop 1911 
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