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» Boston and Bruckner
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» What drives good sound?
» Tedeska Cartridges.
» The best “Die Fledermaus»
» About Harry Pearson lega»
» Horn placements - horns »
» The low-power SET and de»
» New Horn Speaker Manufac»
» New show in US, some new»
» A contemporary great CD »
» New Motor for an Old Sot»
» Phase plug for midbass
» Not all audio equipment »
» RIP Henryk Mikolaj G»
» Some Horns propaganda
» SET and speakers: disreg»
» Advanced-Transition Horn»
» Kharma Loudspeakers reac»
» Audio and Politic: a sol»
» My first audio show. Hmm»
» A[nother] Cautionary Tal»
» How to play Mahler 7 at »
» DVD for pop, SACD for cl»
» Digi Redux; Drive 1 tran»
» Lamm L1 vs. L2 preamp
» The Ridiculous Japa-Braz»
» Gestalt
» 3 ways how I listen to m»
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» What is the best or rule»
» Wet/Dry ™ configuration »
» A great production of th»
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Bookmarked are red
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Koussevitzky & BSO
Russian Music in 20th Ce»
John Lenard Burnett's si»
VIP Records
The Soul of Sound
Olson Acoustical Book
Duntech Audio loudspeake»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7089 
Selfdenial as Audio Tower of Babble? 7086 
Musical Messages 7086 
The Sound of Music by and for musicians 7086 
The Original Sound 7085 
Audio, visual art and Cesar salad. 7085 
Relative Contrast 7085 
aura of art 7085 
Why, why Abstract Audio? 7085 
Re: Relative Contrast 7085 
"Differences" versus "contrast" 7085 
I would shade some light about “abstract audio” 7084 
Color Theory 101 7084 
a healthy divide 7083 
Further musings on JD's ideas above. 7083 
not to be too picky, but it might be important 7080 
Let's put a positive, festive note to this 7080 
Sure why not! + optical ideas 7079 
Color hearing and foreign languages... 7079 
what's the problem. 7064 
one itsy bitsy clarification 7064 
Feline's consciousness.... 7064 
so 7064 
Repeatability is a key difference for music and SOUND 1876 
Changes With Consistency as a Backdrop 1876 
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