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Macondo Acoustic System
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» Who makes good L-Pads?
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» Archimago's Musings talk»
» Shostakovich‘s "Suite on»
» A great conductor - but »
» Vitavox corner horn
» Audio-tekne's "Tone»
» The benefits of ultra hi»
» Perspective?
» The Truly High-End Ampli»
» Clean and polish gunmeta»
» Playback as an expressiv»
» About Moronism in Audio
» Playback evaluations mad»
» Polish Chamber Choir - S»
» Wasted Time and "be»
» A longer CD-Rom cable.
» Tweeters for Altec 420y »
» Tokyo Opera City Concert»
» A good PF articles about»
» Joaquin Rodrigo’s “Conci»
» The 5th horns in stack o»
» Write your own ploy of t»
» Don't evaluate audio by »
» A contemporary great CD »
» Transfer: The reel-to-re»
» High-End Audio as going »
» Macondo: new horizons. A»
» The DSET perspective exa»
» Signal variation, noise,»
» Altec A2
» Thoughts from Clark John»
» Rebel++ first blood, Amp»
» Nikolaj Znaider's play a»
» A quest for a better mon»
» Khachaturian anyone?
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7083 
Selfdenial as Audio Tower of Babble? 7080 
Musical Messages 7080 
The Sound of Music by and for musicians 7080 
The Original Sound 7079 
Audio, visual art and Cesar salad. 7079 
Relative Contrast 7079 
aura of art 7079 
Why, why Abstract Audio? 7079 
Re: Relative Contrast 7079 
"Differences" versus "contrast" 7079 
I would shade some light about “abstract audio” 7078 
Color Theory 101 7078 
a healthy divide 7077 
Further musings on JD's ideas above. 7077 
not to be too picky, but it might be important 7074 
Let's put a positive, festive note to this 7074 
Sure why not! + optical ideas 7073 
Color hearing and foreign languages... 7073 
what's the problem. 7058 
one itsy bitsy clarification 7058 
Feline's consciousness.... 7058 
so 7058 
Repeatability is a key difference for music and SOUND 1870 
Changes With Consistency as a Backdrop 1870 
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