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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» The New Year Concerts wi»
» Which SME 3009?
» K2HD -yet, another CD fo»
» October surprise. NY, NY»
» Romy stalked me on the f»
» The best audio product o»
» Harmonies for Bosch’s Ga»
» Good midbass is complica»
» Rare Onkyo HM-300 MK2 Ho»
» The Sakuma's Show
» “They either adore me or»
» Small SET’s bass, beside»
» RAAL “Water Drop” tweete»
» The FM Stereo and Multi»
» Saying goodbye to the di»
» Gould's Piano
» Recording options: Pacif»
» Midbass Horns and Real E»
» Adding one more non-sphe»
» Benz Gullwing and Hi all
» The Audio of 21 century:»
» Always check power-line »
» Valve Preamplifier for M»
» Midbass injection channel
» Short midbass horns
» The 'Side's End Ceremony»
» Single Driver speakers
» If you’re multiamping th»
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» THe Audio Critic Magazine
» A Frankenstein Macondo -»
» 5-ways from Speedysteve7
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7169 
Selfdenial as Audio Tower of Babble? 7166 
Musical Messages 7166 
The Sound of Music by and for musicians 7166 
The Original Sound 7165 
Audio, visual art and Cesar salad. 7165 
Relative Contrast 7165 
aura of art 7165 
Why, why Abstract Audio? 7165 
Re: Relative Contrast 7165 
"Differences" versus "contrast" 7165 
I would shade some light about “abstract audio” 7164 
Color Theory 101 7164 
a healthy divide 7163 
Further musings on JD's ideas above. 7163 
not to be too picky, but it might be important 7160 
Let's put a positive, festive note to this 7160 
Sure why not! + optical ideas 7159 
Color hearing and foreign languages... 7159 
what's the problem. 7144 
one itsy bitsy clarification 7144 
Feline's consciousness.... 7144 
so 7144 
Repeatability is a key difference for music and SOUND 1956 
Changes With Consistency as a Backdrop 1956 
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