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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
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End of Life Phonostage
Audio Demoronizator AD-1
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» New paradigm - what an &»
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» Should I low pass the mi»
» Audiophiles are Happy or»
» How to switch moving coi»
» Richard Wetz and Martin »
» Bravo, Stereophile: Adve»
» How to play Mahler 7 at »
» How playing an instrumen»
» Jonathan Weiss Introduce»
» Suggested target curves »
» (Whose) classical music.»
» What constitutes a great»
» About bass horns by Joha»
» High-end audio: Absolute»
» A CD player of today… 20»
» The pianist Yuja Wang … »
» Are You On the Road to A»
» Some evidence for the ch»
» The Milq’s power supplie»
» About destiny of “High-E»
» Getting more from MF cha»
» About High-End Audio for»
» Brian Cheney of VMPS
» Tonearms criterias??
» Excerpt: Beethoven Cello»
» Tree motors from one sid»
» The 500-megawatt FM stat»
» Reinforced live sound in»
» Dream Hi-Eff Speakers fo»
» Amplification and Consci»
» Tolga Kashif's “The Quee»
» Hypex for ULF?
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Perer Gulmann's Classica»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7154 
Selfdenial as Audio Tower of Babble? 7151 
Musical Messages 7151 
The Sound of Music by and for musicians 7151 
The Original Sound 7150 
Audio, visual art and Cesar salad. 7150 
Relative Contrast 7150 
aura of art 7150 
Why, why Abstract Audio? 7150 
Re: Relative Contrast 7150 
"Differences" versus "contrast" 7150 
I would shade some light about “abstract audio” 7149 
Color Theory 101 7149 
a healthy divide 7148 
Further musings on JD's ideas above. 7148 
not to be too picky, but it might be important 7145 
Let's put a positive, festive note to this 7145 
Sure why not! + optical ideas 7144 
Color hearing and foreign languages... 7144 
what's the problem. 7129 
one itsy bitsy clarification 7129 
Feline's consciousness.... 7129 
so 7129 
Repeatability is a key difference for music and SOUND 1941 
Changes With Consistency as a Backdrop 1941 
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