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Audio Demoronizator AD-1
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» Where is the real Russia»
» A full-range quality-tri»
» The new CEC TL1 transpor»
» Very interesting
» The WHRB’s Orgies period.
» Vitavox S2 driver made i»
» Romy the Cat’s Audio Hom»
» Some Audiogon realty
» Romy Sells Out
» Sound Quality and “Elect»
» The “Right of Spring” – »
» Arsenic bacteria & G»
» The New Year Concerts wi»
» Some thoughts about bass»
» The global live televisi»
» Lamm’s new phonostage.
» How many channels does a»
» Practicality of paper ma»
» Mid Bass horns help with»
» Mystery of bass horn cal»
» Suggested target curves »
» I need a “second-type” p»
» Bach and kids…
» The “theories” about the»
» Loit Eagle Player – the »
» Trading cable elevators »
» TAS article: start of th»
» Direct radiation in the »
» The path of simplificati»
» Cessaro Gamma II and Ome»
» Getting Started with Mya»
» Push pull compound compr»
» Listening playback with »
» Lamm ML2.2 and Mark the »
» Brian Cheney of VMPS
» Omni-directional 'horny'»
» High-end audio: Absolute»
» Glorious HDMI Cable.
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7144 
Selfdenial as Audio Tower of Babble? 7141 
Musical Messages 7141 
The Sound of Music by and for musicians 7141 
The Original Sound 7140 
Audio, visual art and Cesar salad. 7140 
Relative Contrast 7140 
aura of art 7140 
Why, why Abstract Audio? 7140 
Re: Relative Contrast 7140 
"Differences" versus "contrast" 7140 
I would shade some light about “abstract audio” 7139 
Color Theory 101 7139 
a healthy divide 7138 
Further musings on JD's ideas above. 7138 
not to be too picky, but it might be important 7135 
Let's put a positive, festive note to this 7135 
Sure why not! + optical ideas 7134 
Color hearing and foreign languages... 7134 
what's the problem. 7119 
one itsy bitsy clarification 7119 
Feline's consciousness.... 7119 
so 7119 
Repeatability is a key difference for music and SOUND 1931 
Changes With Consistency as a Backdrop 1931 
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