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» Big mama 1.5" horns»
» Preamplifiers: keys to m»
» A new European productio»
» What to do in office?
» If you were to start fro»
» 3012 silicon dumping
» Le Poeme Harmonique
» What drives good sound?
» Horn-Kultur 5-Way from G»
» Relief from micro-arcing»
» Beethoven PC 5 Surprise »
» Compression driver phase»
» Tritium Turntables
» Long time due: Digital P»
» Conchita Supervia
» Copper Mat on a Micro Se»
» Drama vs. Chic
» Tape Machines
» Vendors’ Egos.
» Philosophical approach t»
» Bose audio and industry »
» Wharfedale Super 12/RS/D»
» Real-time free and publi»
» Another "Top five t»
» Looking at the pictures »
» Education vs Magic
» Macondo's Axioms: Horn-l»
» Time Alignment : Live Pe»
» The absolutely “best” ma»
» "Consensus in audio»
» Fostex tweeters, Lowther»
» Interesting non horn spe»
» Richard Wetz and Martin »
» Sonic consequences of re»
» Midrange driver suggesti»
» I wish I could speak Ger»
» Why horn-loaded loudspea»
» Interview with Daniel We»
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Polish GM70 Poject
Arbiter Records
High-End Audio
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American Broadcasting
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Female Composers Site
Exponential/Hyperbolic C»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It is all about hard surface. 5509 
Magnetic tape 5508 
There are no potentials in magnetic tape. 5508 
Tape Project 5508 
No tape anymore..... 5508 
Pity 5508 
Unobtainium 5508 
Deterioration over time 5507 
I wish im wrong 5507 
Higher and higher 5505 
The biggest problem is that digital can’t edit. 5505 
Great point 5504 
Digitalized Vinyl 5504 
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