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» Kenwood L-02T and the hy»
» Why I do not love Mahler?
» Equalizer? Hm…
» Impossibility of commerc»
» Reel-to-Reel Tape vs. Ra»
» Bruckner, Wind and the w»
» BSO and 192kps
» If I start High-End Audi»
» Another problem in my ne»
» Brahms [piano] Concerto »
» About speakers Imbedded »
» A quest for a better SET.
» Berlin, Bruckner 8 in Ma»
» An amplifier for Tweeters
» The new FM Classical sce»
» A better way of approach»
» The “sounds” that I am l»
» The inflatable speakers »
» Kalinnikov’s First Symph»
» Weber’s "Andante e »
» Better organization/desi»
» Deficiency of sensible a»
» Khachaturian anyone?
» My CES
» High-End Audio: buy vs. »
» Today’s SACD - music for»
» Dc10audio.
» New Shalin Liu Performan»
» Floor reflections
» Barn Conversion - James'»
» First Bruckner listening»
» The need for a balanced »
» Alternative driver for W»
» Building “Zarathustra II»
» Macondo – Super Melquiad»
» Mozart, Piano Concerto i»
» Amplification and Consci»
» In interesting new compa»
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Loudspeaker Designer's G»
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Music & Arts
Tin Lee Electronics
Tchaikovsky-Research.
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Takashi Asahina Group
Graeme's Speaker DIY Pag»
GEMM catalog
Tube World
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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