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Melquiades SET Amplifier
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» The benefits of ultra hi»
» How playing an instrumen»
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» Wiring for box speakers?
» Chinese upperbass horn.
» Mitigating Undesired Hig»
» What drives good sound?
» Electrostatic Sub Horn
» Tritium Turntables
» Friedrich Kuhlau and his»
» Ophelie Gaillard renders»
» New Motor for an Old Sot»
» 12AX7 or?
» Mysterious Russian Tromb»
» EMIA Phonostage.
» If I were a High-End Aud»
» Magico: Robert Harley’s »
» Antenna Cable Connection
» An objective tool to tra»
» How to make a speaker dr»
» Bach's performing space.
» Tweeters for Altec 420y »
» Brahms 4th Symphony in i»
» How idiots destroy sound.
» Samuel Feinberg's Well-T»
» Audio industry metaphor
» Tschaikowsky, [Violin] C»
» Measuring reality: empir»
» Apple helped kill FM...a»
» Problems with horns: mid»
» Something that a loudspe»
» John Curl’s new phonosta»
» Klipsch Jubilee horn
» There is nothing subject»
» Music in the Sound: a mo»
» MBS Platinum ADC
» Mozart: "Cosi Fun T»
» Two-stages, hybrid, smal»
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Broadcast History
Exponential/Hyperbolic C»
DIY SET
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Polish GM70 Poject
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 26 Mosaics at Home in C»
AUG 15 Many Instruments, Ex»
AUG 15 Sophia Liu, piano in»
AUG 15 Sophia Liu, piano in»
AUG 15 Dima Slobodeniouk, c»
AUG 15 Nachtmusik in Newbur»
AUG 15 Xuefei Yang, guitari»
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Micro-Seiki Arm Board
Sansui TU-X1 Tuner
Tribute Output Amorphou»
Vitavox 330Hz Horn for »
Korvet “Egg” Tonearm
Musatex’s Bidat Model "»
Altec 515B bass drivers
Vitavox S2/S3 diaphragms
Micro-Seiki MAX-282 To»
Kenwood L-02T FM Tuner
LF Transformer for 6C33C
More Leftovers »»