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» Vitavox S2 coupling
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» Getting more from MF cha»
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» Boston and Bruckner
» Who inherit Mocondo or a»
» Hmmm... the sad truth ab»
» The commercial music ser»
» Why I hate computer play»
» Polish Autotech steps up»
» K-Stereo Ambience Recove»
» Playlists and patience
» “They either adore me or»
» Recording options: Pacif»
» 2010 Classical Grammy No»
» About bass horns by Joha»
» Using chairs as phase ra»
» RCA’s Sound And The Story
» Another light for the LS»
» Compression drivers and »
» Dynamic range in histori»
» PCM63 DAC with Transform»
» Tannoy Red or Gold monit»
» Here is my new tonearm.
» Stands for Super Melquia»
» High End 2012 in Germany
» Integrated sound field o»
» Wanted Vitavox S2 Origin»
» Adding one more spherica»
» What a week in Boston!
» Dvorak Piano Quintet
» To Rip or not to Rip.
» Wasted Time and "be»
» Dual channel SET
» Koshka gets a beautiful »
» Seven hours of live musi»
» Is better than Kinetic S»
Bookmarked are red
Wiener Philharmoniker Di»
NPR's SymphonyCast
Jong Woo's Site
Audio Spot Kamani
All Tube Testers
Rottenburger Museen
Exponential/Hyperbolic C»
Seen and Heard
Vintage Audio Trader
Appian Publications & Re»
Rachmaninoff Photos
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Micro-Seiki Arm Board
Stage Acompany SA8535 d»
Koetsu Onyx Platinum Ca»
Vitavox S2 Compression »
Sansui TU-X1 Tuner
Kenwood L-02T FM Tuner
Vitavox S2/S3 diaphragms
Hillock TV-2 tube tester
Micro-Seiki MAX-282 To»
Musatex’s Bidat Model "»
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