|
Romy the Cat's
personal site dedicated to advanced audio and evolved music reproduction
techniques
|
|
|
|
|
I was referring to the audiences and music buyers who acquire the above artists recordings, not the reviewer's opinions. I assume the audience didn't walk out or fail to applaud. ...
|
[Quote] would you accept a photograph from a camera if it didn't do "blacks" and "extreme darks"?
[/Quote]CRITICAL POINT 1VISUAL PERCEPTION AND AESTHETICS ARE NOT VALID MODELING SYSTEMS FOR MUSICThis is why imaging is a screwed up way to talk about ...
|
If the idea was to demonstrate the unbelievable fidelity of these speakers why wouldn't they use an instrument everyone had heard live or barring that bring in a set of taiko drums and let some taiko player have at it? It's hard to tell from an MP3 f...
|
What Romy has done up until now is very similar to what a conductor of an orchestra does:Search for music to performBuild the ensemble to play itDecide on the venue to perform inTrain all of the forces involved to play in accordIn real time, guide th...
|
What the hell is it? I truly do not interested what it is all about. It is more or less new company
http://www.audience-av.com/conditioners/
… that for the last 2-3 year made a lot of good noise in the industry. The fun part is that they never made...
|
To be more specific about the Audience units, I initially thought they worked better in the audio chain than others at clearing up and clarifying sonic textures without slowing or hardening sounds.. But I started to notice that low level harmonic inf...
|
DGG CD, 449 816-2Argerich, Abbado and the BPO waste no time in "putting it out there" for the wonderful, live audience, but it does take a little while for the audience and all the performers to totally connect. Once they are hooked up, the spac...
|
Recordings are listed by year of release:
"The Lord's Prayer" and "Twinkle Twinkle Little Star." Emile Berliner. (ca. 1888)
Emile Berliner, the inventor of the microphone and founder of the first disc record company, lived and worked in Washi...
|
What the hell is it? I truly do not interested what it is all about. It is more or less new company
http://www.audience-av.com/conditioners/
… that for the last 2-3 year made a lot of good noise in the industry. The fun part is that they never made...
|
[quote user="steverino"] If the units are to be placed between the wall and the PP then I think that would be a safe way to use it. I do not recommend connecting audio equipment directly through them though.[/quote] That is kind of puzzling to me. Wh...
|
Being a trumpeter, I certainly have an opinion about this - on many levels.I believe one of the major benefits of a trumpet (horn) is the ability to completely melt into the orchestral fabric or with ease move outside when MY voice in my opinion has ...
|
That's always been known in my circle as the one with the tubercular audience.Many find the Schubert and Liszt pieces even finer.clark...
|
[quote user="rowuk"]Germans still define music as "E"-Musik or "U"-Musik. E is for "Ernst" or serious/ernest and U is for "Unterhaltung" or entertainment. Funny enough Jazz falls und "E".[/quote]Although Jazz didn't start out serious there is no ques...
|
Perhaps if the "critics" did a better job these days, the artists would rise to the occasion. Good examples of poor "critical analysis" may be heard daily on innumerable NPR stations across the country, with "well-educated" "music critics" inventing...
|
I think most people, as audience find fascination in unusually capable performance of the performers, as in a live music event. So if there is no performer there is nothing to give homage to, really. Other than good reproductive properties of a sound...
|
Today Joe Whipple have posted a message in the Intelligencer board:
http://classical-scene.com/2009/12/10/wgbh-to-discontinue-bso-friday-afternoon-broadcasts/
I would like to re-print the Joe’s post:
Somehow, I had missed...
|
Just saw these on the Stereophile cheap ads page.http://www.audience-av.com/capacitors/t_description.phpI have used the AuriCap and it is OK, if you have to have a cap.I have not tried these new Teflons, and I did not try to find the not-plainly-post...
|
I did not see the affair but listened on my car radio. I liked the enthusiasm of the playing a lot and the very appreciative audience that, I think, got more out of the orchestra.It certainly seemed like the musicians felt real compassion...
|
[quote user="Paul S"]Well, you can count me among those who are perennially frustrated by all the unnessary stupidy that goes into most recordings, that's for sure, although I have several hundred records that I would like to keep for the p...
|
A new WCRB, and a shrinking classical dialBy Jeremy Eichler, Boston Globe Staff December 18, 2009
In a city passionate about classical music, a lot of listeners get their fill by catching the Boston Symphony Orchestra and other progr...
|
The issue here is that quality and enjoyment are 2 different things. The former is absolute and the latter relative. Quality is a parameter, that in this case belongs to the orchestra. It can be defined by using measuring units of intonation, synchro...
|
I think that I can relate to both sides.When we speak about recordings that come from "live" events, the musicians interact with the audience at hand. Generally that means a statistically significant mix of "music lovers", "music analysers", and disi...
|
I have mentioned more than once, and I think it should be obvious to fellow tweaks, that I instituted a sort of cost/benefit "go/no-go" policy some time back. Oddly enough, the ML2s fit comfortably within my parameters, as do the "value" pieces...
|
I've been an avid original soundtracks and film music collector for most of my life, and still I didn't find the PERFECT music for a movie... the classic, Alfred Newman's, Rozsa's, Hermann's, Williams', Horner's... them all did a superb job combined ...
|
The post sounds like the 500 word synonym for "analytical". In my experience most changes from a satisfactory prior model means it gets more analytical rather than more like live music. Your description is very close to what I would have written abou...
|
[quote user="noviygera"]I think most people, as audience find fascination in unusually capable performance of the performers, as in a live music event. So if there is no performer there is nothing to give homage to, really. Other than good reproducti...
|
It was the dismal failure of conventional playback to reproduce Wagner that first drew me in this direction; had I listened only to chamber music I might not have made the effort. Which is I suspect partly why other amplifiers are not like this: ther...
|
I do not want to dive seriously into discussion about Continuum turntable. I have not reasons or interest, not to mention that this thread is not about the Continuum turntable but rather about the primitivism and idiocy of the “gantseh makher” Fremer...
|
It looked like they had "only" about 300-350 people on stage in Tanglewood. I think the original score called for about 750, at least that is how many Jascha Horenstein had on stage in the Royal Albert Hall in 1959. He also had about 6000 people in...
|
As I was not present during the magic moment of the Dunnoys (or Dannoys), I can not assume anything but considering the initial aftermath documented here, perhaps that "moment" had more to do with stars/sun/moon lining up, DPOLS for a week or a speci...
|
|
|
|
All context of this site except the Forum's posts
Copyright © Roman Bessnow 2004-2024
All messages within the Site’s Forum Copyright © by
authors of the posts
|
Last 24-hours posts: |
3 |
|
|
|
Total human visitors: |
43,285,191 |
|
|
|
|
|
|
|
|
|
Capricornus, Samuel Friedr»
|
Gade, Niels Vilhelm (22 Fe»
|
Fibich, Zdenek (21 Decembe»
|
Coates, Eric (27 August 18»
|
Champagne, Claude (27 May »
|
Nassi, Thomas (2 March 189»
|
Zappa, Frank (21 December »
|
Henneman, Ig (21 December »
|
Camilleri, William (21 Dec»
|
Zagar, Peter (21 December »
|
|
|
|
|