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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» High End 2012 in Germany
» His Master Voice’s Shade»
» DIY Firefly Horns
» Null-set dipole butterfl»
» The evenings with Greate»
» Horn length/expansion/gr»
» PCM63 DAC with Transform»
» Big room vs small room
» Copland/BSO/Copland
» Transfer: The reel-to-re»
» New Lynx A/D and D/A pro»
» First Bruckner listening»
» The concrete midbass hor»
» A slightly crazy idea fo»
» Bias help
» The benefits of ultra hi»
» Synergy Horn
» The CES 2005
» The experiments with rem»
» An objective tool to tra»
» Macondo copying: Horns t»
» The Expressive Technolog»
» A random neutralness
» Melquiades: too early fo»
» De-stress not decompress»
» Lamm L1 vs. L2 preamp
» First order filtration a»
» Weber’s "Andante e »
» World's First Concrete R»
» The Yevgeny Mravinsky Fi»
» Direct to Disc: The Brah»
» The mystery of AmpX
» Records Box Stuffing
» Off-the-wall playback or»
» Yep, Bach would do it….
» The Andrew Rose’s “Prist»
» Yet another Gould box se»
» Joseph Haydn, Six Esterh»
Bookmarked are red
WGBH's “Keeping Score”
American Broadcasting
BachTrack
Orchestra on Demand
Exponential/Hyperbolic C»
Paul's Antenna Attic
Aria Database
OboinaThor
Opera Collector Guide
Hermann Scherchen discog»
Solid State Electronics
Holger Klein's Soundpage»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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More or less pleasure: wider implication 4702 
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Do we count intentions? 2380 
Just some directions... 2380 
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