|
|
| Romy the Cat's
personal site dedicated to advanced audio and evolved music reproduction
techniques
|
|
 |
|
|
|
|
|
Kerry, from what you have said so far, I am not surprised that you have gone whole-hog digital. I see that yours is an HT system. The first thing anyone here would say is, physically time-align your HF, although I suppose you "could" do that with DEQ...
|
|
The whole notion of the de Charlus’ quest I find to be very interesting. Charlus feels that only use horn topology and compression drivers is able to deliver “superior” audio result, at least it was his experience. I do not feel that horn topolog...
|
|
Of course we do not defend or support a given topology itself but we only wrestle with the results we are able to get from it. Right? But perhaps there are some basics we can agree on? Basically, if it's Tone you are after, you are swimming upstre...
|
|
"Given" correct pitch, timbre, weight and scale, the crux seems to be balancing available color saturation, color range, articulation and "force". Getting this "right" is what I have referred to as the "matrix", and when the "critical mass" is a...
|
|
Hi Amir,your english is just fine.I think that there is an additional factor that your formula needs. Sense of pitch is not determined acoustically by "Q" unless we are talking about pure sine waves. When we add the overtones found on real musical in...
|
|
Romy's comments in blue :"...Interesting, as all my drivers, the AK151 and K15/40 are high impedance (15R-16R, DCR around 12R). I do not see a lot of difference between AK151 and K15/40..."Apart from the color the baskets were painted (silver Hammeri...
|
|
Paul, I am no expert on tapped horns but I think the main (40 year old) principle is that you join the back wave of the driver with the front wave, now in order to have the 2 wave fronts meet, the back wave should travel a certain distance depending ...
|
|
nope. i truly believe it to be one of the best and definitely without argument most innovative speaker designs ever made. sorry if you don't see that.you need to learn more about them tho, because you didn't even realize what drivers they used from t...
|
|
The closest to date I overlapped cones and horns myself was waaaay back in my time with Altec A7s. But I have since then and up to now heard many fine "hand-offs" from cone to horn, and my current project speakers hand-off cone to (very fast/short) h...
|
|
In our experiments, the more power we threw at the A7s, the better they worked. I heard some of the original "theater" version Altecs playing with their original "dedicated" Altec amps, and these sounded considerably better; but I never got ahol...
|
|
Hi Cat,The more and more I listen to reproduced music, the more I realize dynamics and tonal respect are key to start any reasonable installation. This kind of crosses over into some driver discussions so bear with me...My Tannoy 10" ...
|
|
[quote user="Jorge"]I tend to like drivers with plastic suspension. Radian makes retrofit diaphragms for JBL with plastic suspension, maybe they will help you achieve the tone you are looking for.
Extensions are easy to machine out of aluminum, eve...
|
|
There are a couple ways to look at it.The project could be taken from the same sort of perspective as Great Plains, id est, simply new manufacture as a replacement for a 'historic' piece of a equipment. If it can sound close enough to the original th...
|
|
I have had similar impressions to other speakers using these drivers. For example I found the top of the line Avalon Eidolon diamond to be similarly colorless and lifeless. Also a pair of Vaic speakers (designed by the guy from Lumenwhite...
|
|
"Vitriolic" is certainly the wrong word to apply to my "attitude"/post(s), Dominic. "Amused" is more like it. I am amused by claims that ANY 4" driver makes a stand-alone "Full-Range" speaker able to "presen...
|
|
Ok, I ordered this a day before making the thread, and got them yesterday. These are overall the best headphones I've used, having neutrality, details, and natural sound. What's important to note is that when you touch the back or inside, you don't r...
|
|
ok here is my first post about anything sound but i rather go straight on it :because i didnt find anything online about it but find something more precious( romy cat web )ok romy here its:after many years of listening to various simple 3way or 4way...
|
|
Your point about relative levels is well taken. Still, the typical concert grand piano, for instance, does about a 27 Hz fundamental, as I recall (and certain pianos go rather lower), and some other instruments are not far behind. If to simply low p...
|
|
[quote user="Paul S"]Your point about relative levels is well taken. Still, the typical concert grand piano, for instance, does about a 27 Hz fundamental, as I recall (and certain pianos go rather lower), and some other instruments are not far behind...
|
|
Paul S wrote:"typical "stereo" L and R separation is mostly an engineering hodge-podge". I do not disagree with that statement. I do feel the major advantage of stereo is not "stereo", but the separation of parts of the information in the signal ...
|
|
Herman, I agree with the root idea about "dissimilar" materials for drivers being a problem with respect to "pitch" as this applies over the audio bandwidth, and here are some more thoughts about this subject.With Robin's explications, it is easy to ...
|
|
Normal
0
21
false
false
false
MicrosoftInternetExplorer4
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowb...
|
|
If to compose oneself, the Reality is a restless, moving awareness that does not stay satisfied. How much is "improvement" and how much is change-for-itself is not so easy to judge at any given time. Horns or direct drivers, we want to create and r...
|
|
Have been playing with the Dannoy’s for four weeks now and they have significantly improved. Using my Trinnov pre-pro to see and adjust the parameters, i can answer Rom'y points.1. Frequency response: combined with a JL f113 subwoofer crossed over at...
|
|
Jarek, don't worry about me spending too much time trying to figure out the Dannoys. For one thing, I've already spent several decades charting vintage and newer "special" drivers and sound. For another, I am already years into my own speaker project...
|
|
Sounds like you have your system in your room the way you want it. I am looking for a ULF solution that has some flexibility, something I can use in a different room later without starting over. I've been thinking for some time about DSP for ULF. ...
|
|
I must be missing something - or not be ready for this yet. Here are my understanding problems:1) he starts with the "left" speaker and searches for the best bass. I would think that one should search individually with the left and right and pick the...
|
|
[quote user="msaudio"]49Hz To 52Hz will be your peak, so the best you could hope for would be 3 hz below that flat with a perfect tuning of your length of your horn and back chamber of your box housing your woofers. If you shoot for the free air low ...
|
|
[quote user="noviygera"] I think clearing this up this may be of benefit to other users who are building multi-way horns.Let's say I've got two horns mounted on a frame. There's a high horn above and a mid horn below and they are physically time alig...
|
|
I appreciated a couple of things, probably for different reasons than Q put them forward, I think. For one thing, I more or less discount his timelines, and also the idea that certain audio components reached a high-water mark as "complete" achievem...
|
|
|
|
|
All context of this site except the Forum's posts
Copyright © Roman Bessnow 2004-2024
All messages within the Site’s Forum Copyright © by
authors of the posts
|
|
Last 24-hours posts: |
1 |
|
 |
|
|
Total human visitors: |
43,015,911 |
|
|
|
|
|
|