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» Some nice horns from Gre»
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» Rachmaninoff’s Symphony »
» SET and speakers: disreg»
» Berlioz Requiem / Pavaro»
» The Deutsches Requiem of»
» Mahler 3 and BPO.
» Boston and Liszt’s Secon»
» “Harmonic Speed”- friend»
» Audio and Music: four le»
» Expressive Technologies »
» Turntable speed analysis.
» The Softer Side of a Har»
» Coral x-viii
» Live memories of Live br»
» Double enclosure or usin»
» Film in Boston: "An»
» The "non-winner&quo»
» High-end audio: Absolute»
» Macondo 3.0
» Micro Seiki MAX 282 User»
» Hans Vonk Legacy
» Getting more from MF cha»
» Thank you, Sir! May I ha»
» About rationalism of twi»
» The mystery of Koetsu On»
» What is High-End Audio?
» Purist Audio Design vs. »
» Lamm Industries: a speci»
» Faberryman and the CES 2»
» Midbass Horns and Real E»
» Weiss Engineering DAC202
» Winter storm & Casals
» The most interesting hor»
» Chord QBD76 - the new dac
» Editing your own posts
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Spinning Dog Records
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ElecroVoice’s Vintage Pr»
Cedille Chicago
Japanese's HiFiDo
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Lamm Industries M1.1 Mo»
Tribute Output Amorphou»
REL Precedent 646C tuner
Hillock TV-2 tube tester
Musatex-TP Bidat 20-Bi»
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Altec 515B bass drivers
Rohde & Schwarz MSDC Mu»
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