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End of Life Phonostage
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» Horns and digital crosso»
» DIY Void acoustics Air m»
» The Second stereo arm pr»
» The best musical event o»
» Rudolf Barshai conducts »
» Rightsizing from extreme»
» Sensible record cleaning»
» Amazing Altec 288 ++
» The iHorn - a passive a»
» Mercury Living Presence »
» The IDEAL horn system
» Why I do not like La-hor»
» The Edgarhorn RTA respon»
» The Mozart’s Dorabella a»
» Some nice horns from Gre»
» Vitavox ak151 in klipsch»
» The Verklarte Nacht with»
» Some Observations about »
» FM and live real-time br»
» Tosca, Aida, Madama Butt»
» Horn length/expansion/gr»
» Practicality of paper ma»
» Do not reproduce extreme»
» Phono stages with SU-1
» It is all about hard sur»
» Stravinsky and Headphone»
» Custom enclosure?
» Floor reflections
» Hässler sonata: Gra»
» “A” sound from “B” syste»
» DAW drives configuration»
» Macondo listening experi»
» Crossover Design
» DAC Recommendations
» The cut or not to cut, t»
» Recording options: Pacif»
» New show in US, some new»
» A quest for a better mon»
Bookmarked are red
Rachmaninoff Society
Turner Audio
Great Plains Audio
Adnan Arduman's site.
Alexander Karpov’s “Next»
Opera Collector Guide
Hermann Scherchen discog»
Dolmetsch Online
VIP Records
JPC CD Store
Input Choke Calculator
John Lenard Burnett's si»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 1 Zlata Chochieva, pia»
APR 1 Boston Conservatory »
APR 3 Dima Slobodeniouk, c»
APR 3 Lindsey Chapel Serie»
APR 4 Dima Slobodeniouk, c»
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APR 4 Les Arts Florissants»
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classical music attracts o»
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Micro-Seiki MAX-282 To»
CEC TL-0 MK2 transport
Vitavox S2/S3 diaphragms
Koetsu Onyx Platinum Ca»
Musatex’s Bidat Model "»
Altec 808A compression »
Lamm ML-2 Single-Ended »
“Tree Blind Mice” colle»
Vitavox AK151 15" bass »
Vitavox AK-15/40 15" ba»
Vitavox 330Hz Horn for »
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