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» Analog vs. Digital... wi»
» Expectations in the conc»
» Gould's Goldberg Variati»
» A great OPT resource page
» Dynamic viscose stabiliz»
» I think my Dynavector 10»
» Romy the Cat’s Audio Hom»
» Micro RX5000: is that be»
» The WHRB Wagner’s Ring C»
» Those little headphones…
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» Creative listening
» Melquiades For Dummies™ »
» “Hearing Modernity” at H»
» Do not touch that used t»
» The beauty of Cannibalis»
» Sound of line level filt»
» Problems with horns: mid»
» More about Vienna Philha»
» The corrupted listening »
» How to build the best au»
» New paradigm - what an &»
» Sound from behind a wind»
» High-End Audio Bass: wha»
» Midbass impedance bumps »
» Stands for Super Melquia»
» My Audio Philosophy
» A lucidly implemented di»
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» The “Right of Spring” – »
» Explain TAD ET-703 drive»
» The contemporary pressin»
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Hughs Ominous Tubes
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Silent Running Audio
Austria's Musical Exiles
Piano Wizard
THL Audio
The National Valve Museum
MusicStack
Opera America
Orchestra of the Age of »
Musical Musings
Adnan Arduman's site.
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
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