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» Mozart, Piano Concerto i»
» Berlioz Requiem / Pavaro»
» Barn Conversion - James'»
» My Analog Playback: the »
» In Praise of Infidelity »
» ELROG tubes sinked but s»
» Understanding Line Array»
» I good spot-light for a »
» Not all audio equipment »
» Pham Thanh Cuong's playb»
» SME M2-12 tonearm
» New Shalin Liu Performan»
» Midbass injection channel
» My new favorite "Ne»
» RDH20 Frame double horn »
» Bach by Ormandy’s Philad»
» The Estonian idiocy: Est»
» Used car salesman as a d»
» Revisiting DSP
» List of top 20 conductor»
» Another problem in my ne»
» Live vs. Recorded transc»
» Neumann Dummy Head.
» Where is the real Russia»
» Macondo copying: Horns t»
» 2012 Decca records from »
» THe Audio Critic Magazine
» Macondo’s lowest channel.
» Scientific vs. audio act»
» Panel with Peter Qvortru»
» "SOTA Technology&qu»
» Woofers cone repair – a »
» Some kinky goodies from »
» VMPS RM V60 – kill me, b»
» About DSET-driven multi-»
» The Tenor amplifier and »
» Software for collection »
» The High Resolution PCM »
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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it’s (almost) business as »
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Vitavox S2/S3 diaphragms
Electro-Voice T350 twee»
“Tree Blind Mice” colle»
Purist Audio Design Pro»
Hillock TV-2 tube tester
Lamm Industries M1.1 Mo»
SME M2 - 12" Tonearm wi»
Micro-Seiki Arm Board
Rohde & Schwarz EU-6201»
Ortofon Mono CG 25 Di c»
Korvet “Egg” Tonearm
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