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» The sound of Concert Hal»
» The unintended consequen»
» Steve Leung, Cartridge W»
» JBL Project Array
» The Krell’s cursed Sound»
» SF audio gurus?
» Two channels (tweeter an»
» A longer turntable belt.
» The centuries old strugg»
» Story of my discovery - »
» Tchaikovsky Symphony #4
» Lamm introduced LL1 Sign»
» Summary: my/your audio: »
» A minor Audio depression»
» Training amplifiers
» Hildegard von Bingen on »
» Transfer: The reel-to-re»
» Signal variation, noise,»
» Windows Based Transport:»
» Using chairs as phase ra»
» Hässler sonata: Gra»
» A good young conductor: »
» Wheel-Fi
» The 'nature' of said rea»
» Open letter to WGBH.
» 6 Channel Version of Sup»
» Horns and digital crosso»
» DIY multicellular horn
» TU-X1 setup
» Danley's optimised paral»
» "Not So Sweet Spot&»
» The EdgarHorns: the new »
» FM Acoustics: The most i»
» In interesting new compa»
» A new 'chic' foolishness»
» Dannoy and oxytocin...
» Recommendation Bruckner »
» The Remote System Manage»
Bookmarked are red
Ward Marston's "Marston"»
RAAL ribbons
Wolds Opera Broadcasts
Exponential/Hyperbolic C»
Lockwood Audio
THL Audio
GedLee loudspeakers
Stereopal
Greg Sando’s Site
Norman Lebrecht's blog
Russian Music in 20th Ce»
The Tape Project
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Pacific Microsonics Mod»
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Vitavox S2/S3 diaphragms
Musatex-TP Bidat 20-Bi»
ESS AMT-1A Heil Air Mot»
Kenwood L-02T FM Tuner
Altec 515B bass drivers
Electro-Voice T350 twee»
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