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» Make your own horns?
» Okada’s installation.
» NOhorn channel for “the »
» First order filtration a»
» Horn Speaker Leftovers f»
» Resonating hi from overs»
» Looking for something di»
» An interesting Russian p»
» How to manage the digita»
» Beethoven PC 5 Surprise »
» A right midbass solution»
» What is wrong with the A»
» A subwoofer of death, no»
» Today’s SACD - music for»
» The DHOFT topology? Do n»
» About DSET-driven multi-»
» Curiosity about others. »
» Bruckner at 24bit.
» Miniumum sample rate for»
» 23Hz mono horn project.
» The single-ended pretens»
» The Museatex Bidat pages.
» My recent FM mystery
» What about 220V 50Hz?
» Tossy Spivakovsky and Tc»
» Van Cliburn Moscow 1958
» Melquiadising other amp?
» MF on AF2, and (perhaps)»
» The UnipheyeMusic and St»
» Benjamin Britten’s Violi»
» About the thoughtfulness»
» About destiny of “High-E»
» A dive to Auro 3D
» THe Audio Critic Magazine
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
APR 19 Cantus in Rockport o»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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leon fleisher, 92, dies; s»
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Composer's Anniversaries
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Lieberson, Peter (25 Octob»
My Audio Leftovers
Purist Audio Design Pro»
Micro-Seiki Arm Board
Lamm L2 Reference pream»
Sansui TU-X1 Tuner
Conscience of audio rev»
SME M2 - 12" Tonearm wi»
Kenwood L-02T FM Tuner
Vitavox S2 Compression »
Lamm Industries M1.1 Mo»
Altec 515B bass drivers
Vitavox S2/S3 diaphragms
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