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» I wish I could speak Ger»
» Macondo’s Midbass Projec»
» A tale of two DACs
» About moronity of DIY Au»
» What are the effects of »
» An ultimate horn profile?
» An amplifier for Tweeters
» The single-ended pretens»
» Vertical Axis Midbass Ho»
» Replacing 802 G and 811 »
» Long time due: Digital P»
» Tanglewood 2010
» The best 20 hz bass horn
» Mahler VI - Barbirolli w»
» Speakers: a hi-fi disast»
» Panel with Peter Qvortru»
» New sample 24/96 downloa»
» Emmerich Kalman (1882-19»
» Designing and building a»
» New Lynx A/D and D/A pro»
» Celebrating Anton Bruckn»
» Oistrakh(s) on Monitor M»
» About DSET-driven multi-»
» The “Melquíades” d&»
» Wilson Audio Setup Proce»
» Who has best sound in Hi»
» Bartok piano works
» Playback evaluations mad»
» The Dvorák’s Tone P»
» Any good sounding AES/EB»
» CD Is Dead. CD Is Dead?
» A good young conductor: »
» EAR Yoshino DAC 4 by Tim»
» My playback can’t play l»
» The Melquiades bass chan»
» About digital files and »
» My playback’s sound vs. »
» Maria by Callas
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Classical Collections
Archives of Canada
Former Sirkorski Site
Radiotron Designers Hand»
IMSLP Music Library
Radios for Sale
Input Choke & Resonant C»
The Leonard Cohen Files
Sibelius Academy music l»
Pjay's Speaker building »
Rottenburger Museen
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro-Seiki Arm Board
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Lamm ML-2 Single-Ended »
Mid-range tantrix round»
ESS AMT-1A Heil Air Mot»
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Korvet “Egg” Tonearm
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