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» Focal-Jmlab – the Utopia»
» Is better than Kinetic S»
» Shaky tubes, echo testing
» Tree motors from one sid»
» My playback’s sound vs. »
» The power AC Outlets?
» 5 way system in the UK
» TU-X1 setup
» Soprano Sally Matthews.
» Auro, reverb injection, »
» How idiots destroy sound.
» Mystery of bass horn cal»
» High-End Audio "sec»
» About the audio Sources.
» Dick Burwens "low c»
» Bruckner Ninth and the W»
» Acoustic Treatments That»
» Why I do not like the &q»
» The silence after coda
» This new midbass horn di»
» "O Vitavox, Vitavox»
» The Remote System Manage»
» Beware of the Arkive Mus»
» Problems with horns: mid»
» The beauty of Cannibalis»
» The Dark Hope of Renee F»
» Mahler 3 and BPO.
» Horns with contra-profil»
» Tokyo Opera City Concert»
» Crossover or non-crossov»
» Bad orchestras shell not»
» The DSET perspective exa»
» To Rip or not to Rip.
» The Rachmaninoff's large»
» The Softer Side of a Har»
» The Estonian idiocy: Est»
» The irony of playback ph»
» How we "think"»
Bookmarked are red
Hughs Ominous Tubes
MetManiac Opera Archive
Tin Lee Electronics
Exotic Audio
Direct Heated Rob
Former Sirkorski Site
The Music Parlour
ElecroVoice’s Vintage Pr»
Classical Music Network
RAAL ribbons
Input Choke & Resonant C»
Audiomisc
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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ESS AMT-1A Heil Air Mot»
Rohde & Schwarz MSDC Mu»
Lamm L2 Reference pream»
Altec 515B bass drivers
Koetsu Onyx Platinum Ca»
Micro-Seiki Arm Board
Vitavox S2/S3 diaphragms
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REL Precedent 646C tuner
CEC TL-0 MK2 transport
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