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» Altec Lansing model 19 c»
» A truly cool solution fo»
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» Hideous American operas.
» New superlative horn bui»
» Vasily Petrenko in Bosto»
» The ULF cannel for my ne»
» Impressions from High En»
» Big mama 1.5" horns»
» Wagner and loudness.
» My playback’s sound vs. »
» Windows Based Transport:»
» Shaky tubes, echo testing
» Who makes good L-Pads?
» Joseph Haydn, Six Esterh»
» It takes balls to shop (»
» A playback and wrong not»
» Acoustics of Avery Fishe»
» The Lieberson’s Neruda S»
» The absolutely “best” ma»
» About the undeveloped au»
» Celibidache / bruckner
» Compression driver phase»
» The DSET perspective exa»
» A big subwoofer vs. an a»
» Mendelssohn, Cello Sonat»
» SME M2
» Real-time free and publi»
» Burn any single-driver s»
» Romy's Horns
» Cats and hifi
» High-End Audio Bass: wha»
» Buzz/Kill, and The Most »
» Meyer X-10
» “Zarathustra” amplifier:»
» Crane Radio CCE2
» The Museatex Bidat pages.
» The “Right of Spring” – »
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Wolds Opera Broadcasts
Elliott Sound Products
Graeme's Speaker DIY Pag»
Hughs Ominous Tubes
Spinning Dog Records
BachTrack
Recording Technology His»
Musical Instrument Jokes
Twogoodears' Blog
Doremi CD label
Linkwitz's "Laboratory"
33+45=78
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Tribute Output Amorphou»
Micro-Seiki MAX-282 To»
Lamm L2 Reference pream»
Vitavox 330Hz Horn for »
LF Transformer for 6C33C
Vitavox S2/S3 diaphragms
Kenwood L-02T FM Tuner
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