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» The Mozart’s Dorabella a»
» The Trout - Perlman, Ba»
» The IDEAL horn system
» Two-stages, hybrid, smal»
» Reallocation of efforts:»
» The Melquiades bass chan»
» MDTunes™ from SoundLab l»
» A CD playing audio perso»
» Abbado + Lucerne Festiva»
» Better DAW by a “second”»
» Measuring reality: empir»
» Stravinsky and Headphone»
» Making musical instrumen»
» Help FM Broadcast
» Pacific Microsonics Mode»
» Better organization/desi»
» Shindo Latour
» The low-power SET and de»
» About speakers Imbedded »
» How to make musicians to»
» Our Fuzzy Pussies, Audio»
» Audio and Music: four le»
» TU-X1 setup
» Janine Jansen
» The road to less dummine»
» Vitavox 12 cell Horns + »
» "SOTA Technology&qu»
» Orion Phono Preamplifier
» Wheel-Fi
» Macondo listening experi»
» Preamp/linestage recomme»
» Sometimes surface noise »
» Herbie's Hal-O Tube Damp»
» High End 2012 in Germany
» Wywires – “Custom” desig»
» Van den Hul famous FAQ c»
» A cutoff horn loudspeake»
» The Macondo’s Upper Bass»
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Daniels Audio
Phono EQ
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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