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» Andre Previn in Boston.
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» Platine Verdier Magnum
» The state of High-Effici»
» Danley's Hyperion
» It is imposable to “hear»
» Turntable Design
» What to do in office?
» A speaker set with JBL 2»
» Audio industry metaphor
» Alternative driver for W»
» CES – constant but fortu»
» Klipsch Jubilee horn
» Macondo – Super Melquiad»
» Low output MC?
» Speaker hunting
» Riccardo Muti and Chicag»
» The Nimbus' Prima Voce b»
» Absolutely the best audi»
» The Brain Inertia.
» Micro Seiki RX-5000 Reco»
» The WHRB’s Rimsky-Korsak»
» How playing an instrumen»
» Maxim Vengerov: Encore i»
» Understanding Line Array»
» Levels of High End Audio»
» How to build the best au»
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» Good commercial speakers
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» Where the Horns Light is»
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Irvington Music
George Szell discography
Wiener Philharmoniker Di»
The Leonard Cohen Files
Dolmetsch Online
Find-a-Concert
Japanese Translator
Jogis Röhrenbude's Site
Stereopal
Avie Records
Haenssler Classic
Archives of Canada
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 1 Zlata Chochieva, pia»
APR 1 Boston Conservatory »
APR 3 Dima Slobodeniouk, c»
APR 3 Lindsey Chapel Serie»
APR 4 Dima Slobodeniouk, c»
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APR 4 Les Arts Florissants»
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Kenwood L-02T FM Tuner
SME M2 - 12" Tonearm wi»
“Tree Blind Mice” colle»
Lamm ML-2 Single-Ended »
Mid-range tantrix round»
CEC TL-0 MK2 transport
REL Precedent 646C tuner
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Koetsu Onyx Platinum Ca»
Fane Studio 8 dual conc»
Micro-Seiki Arm Board
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