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» The beauty of Cannibalis»
» High-End Audio and.... &»
» Think ahead how to measu»
» A tube tuner? REL Preced»
» Atkinson vs. Tektronix: »
» Reel-to-Reel Tape vs. Ra»
» I hate, hate, hate, hate»
» It takes balls to shop (»
» The exaggerated boots un»
» K-Stereo Ambience Recove»
» Bid Midbass Asian Horns
» Expressive Technologies »
» The Verklarte Nacht with»
» Dreams about Audio
» Tchaikovsky’ Death
» How to manage audio powe»
» The tales of two phonost»
» Recommend me works to ge»
» I think it is the end.
» Tonality versus Frequenc»
» FM and … cables…
» About DSET-driven multi-»
» Vitavox S2 with Electrom»
» A true nature of audioph»
» Chasing utopian better p»
» The realty of UHF and LF»
» Omni-directional 'horny'»
» Available Blenders and S»
» Fostex tweeters, Lowther»
» Impressions from High En»
» How to play Bruckner Sou»
» Micro RX5000: is that be»
» How to make musicians to»
» Gould's Goldberg Variati»
» Anything wrong with wide»
» Mahler 3 and BPO.
» CEC TL0-X: by no means a»
» Audiophile Re-issues: Wh»
Bookmarked are red
ECC99 - 6C33C SET
George Szell discography
Input Choke & Resonant C»
Phono EQ
Bruce Edgar's Edgarhorn »
Value of Records Tool
Pjay's Speaker building »
Lenard's Opals monitor
Irvington Music
IMSLP Music Library
Audiofederation's Blog
ElecroVoice’s Vintage Pr»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro-Seiki air-suspend»
Lamm L2 Reference pream»
Lamm ML-2 Single-Ended »
LF Transformer for 6C33C
Korvet “Egg” Tonearm
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