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» The path of simplificati»
» A Frankenstein Macondo -»
» Macondo 3.0
» Transition : Driver to t»
» Mahler VI - Barbirolli w»
» Long time due: Digital P»
» Conchita Supervia
» Film about Jacqueline du»
» Maria by Callas
» More about Vienna Philha»
» The new FM Classical sce»
» John Curl’s new phonosta»
» An ultimate horn profile?
» About the ownership of a»
» The "non-winner&quo»
» Audio cabinet of curiosi»
» SET and speakers: disreg»
» Recommendation Bruckner »
» New Beethoven cycle/Anim»
» The Hand Clapping by Fra»
» The tapped horns: cons, »
» A random neutralness
» Rakeshorns
» Something that a loudspe»
» Maria Callas’s Glory Day»
» Arsenic bacteria & G»
» Lamm’s new phonostage.
» Copper Mat on a Micro Se»
» The Opera Room
» EdgarHorn Speaker Project
» Kharma Speakers as pH-in»
» Audiophile Re-issues: Wh»
» Rachmaninoff, PC 3; Kond»
» A fundamentally faulty J»
» About the (secret) rules»
» Question on speakers
» More about the EdgarHorn»
» SPUnisation of Macondo: »
Bookmarked are red
Decca Classical discogra»
Tonal tests
Takashi Asahina Group
Tuners Stereo Surgeons
Radiotron Designers Hand»
DIY SET
Max Robinson’s “Fun With»
Tuner Information Center
Classical Composers
Musical Musings
Haenssler Classic
Rottenburger Museen
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APR 1 Zlata Chochieva, pia»
APR 1 Boston Conservatory »
APR 3 Dima Slobodeniouk, c»
APR 3 Lindsey Chapel Serie»
APR 4 Dima Slobodeniouk, c»
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APR 4 Les Arts Florissants»
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Altec 515B bass drivers
Purist Audio Design Pro»
Sansui TU-X1 Tuner
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Lamm ML-2 Single-Ended »
Musatex-TP Bidat 20-Bi»
Musatex’s Bidat Model "»
Ortofon Mono CG 25 Di c»
REL Precedent 646C tuner
Vitavox 330Hz Horn for »
Pacific Microsonics Mod»
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