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» What is the buzz: the V-»
» Do the Filament Transfor»
» It is possible to elimin»
» A quote from a Japanese »
» Vinyl Ceremonies: Repeat»
» Super Melquiades Amplifi»
» Some thoughts about bass»
» FM Acoustics: The most i»
» Preamplifiers: keys to m»
» The Melquiades bass chan»
» Joël Durand Intervi»
» A stunning Beethoven’s “»
» About bass horns by Joha»
» The John Barbirolli’s wi»
» Conclusions on my Home a»
» Input choke for Low Curr»
» ULF: where is the border»
» The “Dead Points of Live»
» A quest for a better mon»
» The jump-start of loudsp»
» Vertical Axis Midbass Ho»
» Dc10audio.
» MF on AF2, and (perhaps)»
» About High-End Audio for»
» Evaluation of tractrix c»
» George Orwell and loudsp»
» Van Cliburn Moscow 1958
» 47 Lab Digital
» Vitavox 12 cell Horns + »
» We don’t necessarily kno»
» How to get a LOT of SET »
» Why the tubes shall be t»
» The “theories” about the»
» "Master Quality Aut»
» A good young conductor: »
» 2011 Brucknerathon
» Sonic consequences of re»
» The Patrick Flanagan’s N»
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