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» CATS Purring tempo, slid»
» Van den Hul famous FAQ c»
» A Simple Question (or 3)»
» DAW drives configuration»
» Dukane 5A540 Compression»
» Tanglewood's 75th annive»
» Horn placements - horns »
» Bravo, Stereophile: Adve»
» Always check power-line »
» Some evidence for the ch»
» Dunlavy SC++ loudspeaker»
» About dymick sparkling.
» High-End Audio as going »
» The 68 dipoles imitation»
» Oistrakh(s) on Monitor M»
» Compression drivers saga
» Electrostatic tweeter fo»
» DIY multicellular horn
» Opera “Boris Godunov”
» Nikolaj Znaider's play a»
» The “new” ways for initi»
» How to start Classical M»
» Playback and operation o»
» Smyth Research Realiser »
» About destiny of “High-E»
» How the things are getti»
» Instrumental music vs. o»
» The SACD and the Windows»
» Cobbett
» If I start High-End Audi»
» Buzz/Kill, and The Most »
» Analog Transfer: the fir»
» Tannoy Red 1960s: some s»
» “Harmonic Speed”- friend»
» The road to less dummine»
» Aporia - Silbatone Acous»
» The single-ended pretens»
» The high-end audio, as i»
Bookmarked are red
Vincent Brient's Sit
Virtuosos Discographies
Stereopal
Thunderstone Audio Websi»
Orchestra on Demand
Martha Argerich Site
Thomas Dunker's Site
DIY SET
Input Choke & Resonant C»
The Opera Critic
Phil Mundi Audio Pro Med»
Find-a-Concert
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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