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» How Well Shall a CD Tran»
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» The ultimate cancer of a»
» Micro Seiki SZ-1T
» How to make money in Aud»
» The 500-megawatt FM stat»
» The DSET perspective exa»
» Corresponding With Carlo»
» New superlative horn bui»
» The optimum Sampling Rat»
» Shelter 901 on SME 309 t»
» Two-stages, hybrid, smal»
» Upper-Sound of Upper-Imp»
» First order filtration a»
» Compression driver phase»
» BSO and 192kps
» I do not even know where»
» Benjamin Britten’s Violi»
» Cogent+Electronluv+Acape»
» DVD for pop, SACD for cl»
» An angry engineer...
» Idler Drive - Rumbling I»
» My Multi-way Horns
» About my listening habit»
» Impressions from High En»
» FM and live real-time br»
» Horn Enclosures & &q»
» How difficult is it to a»
» Tschaikowsky, [Violin] C»
» Digital recorders: what »
» Plaishner 3-way speaker.
» Goto SG-370DX measurement
» Trading cable elevators »
» The Audio of 21 century:»
» Tonality versus Frequenc»
» To play my 88/24 files o»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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