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» The state of High-Effici»
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» RIP Oscar Peterson
» The Museatex Bidat pages.
» Get, or made up a tube t»
» Corresponding With Carlo»
» The Evolution of Honk.
» What is wrong with Dipol»
» Transition : Driver to t»
» The single-ended pretens»
» LF Amplifier in biamping.
» Bach Piano Concertos, 1,»
» The CD players must read»
» Steve Leung, Cartridge W»
» Archimago's Musings talk»
» Yamaha tuners
» Are Any Powerful Amps Wo»
» A slightly crazy idea fo»
» Tannoy Red 1960s: some s»
» The most promising “best»
» A response to David Hurv»
» The stunning “The Magic »
» Tchaikovsky: Symphony No»
» Chinese upperbass horn.
» Oppo DVD player as a tra»
» Beware of PurePower Part»
» Strings reinforced sound»
» Fun with transformers?
» Dubbing LP to digital.
» Tonearms criterias??
» What is the best or rule»
» Midbass injection channel
» Tolga Kashif's “The Quee»
» To move audio equipment »
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Orchestra of the Age of »
Lenard's Opals monitor
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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