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» The Sound and How We Hea»
» Pacific Microsonics Mode»
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» The Hannes Kastner’ Tocc»
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» Some kinky goodies from »
» Schroder Tonearms
» Those experiences. Early»
» Garg wants more horns.
» Targeted Audio Listening»
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» About DSET-driven multi-»
» Mid-bass Hornresp (V51.3»
» Good commercial speakers
» Maxim Vengerov: Encore i»
» The “Dead Points of Live»
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» What is better then Wagn»
» Macondo 2.0?
» Eventually - a reasonabl»
» Zander's new Masterclass
» Open letter to WGBH.
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» Magico Mini or Jonathan »
» Not new, but VERY intere»
» Speakers: a hi-fi disast»
» The CD players must read»
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» Time Alignment : Live Pe»
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Classical events in Boston
APR 20 Mozart’s La clemenza»
APR 20 Animal Banter in Jam»
APR 20 Animal Banter in Jam»
APR 20 Britten’s A Midsumme»
APR 20 Elias Miller, conduc»
APR 20 Keila Wakao, violin »
APR 20 MIT Wind Ensemble 25»
APR 20 Shadows, Canons, Vei»
NPR Classical Programs
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Classical Music News
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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it’s (almost) business as »
the lost pianos of siberia»
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Composer's Anniversaries
Loewe, Carl (30 November 1»
Dresden, Sem (20 April 188»
Miaskovsky, Nikolai Yakovl»
Myaskovsky, Nikolai Yakovl»
Guevara y Vazquez, Alvaro »
My Audio Leftovers
Vitavox S2 Compression »
LF Transformer for 6C33C
CEC TL-0 MK2 transport
Rohde & Schwarz EU-6201»
Lamm Industries M1.1 Mo»
Koetsu Onyx Platinum Ca»
Ortofon Mono CG 25 Di c»
Fane Studio 8 dual conc»
Micro-Seiki Arm Board
Tribute Output Amorphou»
Rohde & Schwarz MSDC Mu»
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