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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Panel with Peter Qvortru»
» Macondo – Super Melquiad»
» William Kapell legacy an»
» The BEST bass cable?
» About Darwinism of Music»
» The Herbert von Karajan’»
» Mendelssohn, Cello Sonat»
» Antelope: might be an in»
» The Daniel Hertz M1 ultr»
» Alessandro Baricco's &qu»
» Watching conductors of t»
» A full-range driver = C»
» Conchita Supervia
» Don’t "use" VTA
» Very in depth considerat»
» Mstislav Rostropovich Di»
» Why I hate computer play»
» High End Munich 2023
» DBT - a signature of lis»
» Horns and digital crosso»
» Analog FM on a PCI cards?
» Mozart, Piano Concerto i»
» Romance, Food & Mahl»
» Incorporating active cro»
» Adding one more spherica»
» Playback evaluations mad»
» Michelin horns
» Beauty as I See It - Mus»
» The mystery of reversed »
» Placido Domingo... condu»
» A new CES 2010 loudspeak»
» Orphean horns of bd desi»
» The DHOFT topology? Do n»
» A very good horns system.
» Maxim Vengerov: Encore i»
» A perfect "High-End»
» Yarlung Records at 24 bi»
» Proximity of horn’s cros»
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Western Electric manuals
ElecroVoice’s Vintage Pr»
Dazy Web Labaratory
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Decca Classical discogra»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Incorporating active crossovers into DSET 6679 
How to make amplification without an unnecessary waste. 6679 
Thanks 6679 
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