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Site News: 16 Mar 2025
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» It was seventy years ago»
» The corrupted listening »
» Oliver Sacks' "Musi»
» What I am doing?
» The ultimate buffer – li»
» Thoughts on midbass horn»
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» A new amplifier from Aud»
» Weinberg String Quartet »
» Used car salesman as a d»
» Ludwig van Beethoven &qu»
» A request to all posters»
» The ultimate buffer #2..»
» In appreciation of Koshka
» How the things are getti»
» Klangfilm: actual knowle»
» The Avicenna's failure i»
» VoES
» Which SME 3009?
» How would you handle it?
» Bruckner 8, the document»
» MET Broadcast, season 20»
» Dynamic viscose stabiliz»
» A playback and wrong not»
» How to make a speaker dr»
» Classic Artc Showcase St»
» The Foolishness of Analo»
» The ridicules naming of »
» The best picture of audi»
» Sometimes surface noise »
» Updated view: The Optima»
» Miniumum sample rate for»
» Tokyo (Akihabra) Audio a»
» A CD player of today… 20»
» Making it sing...
» 47 Lab new turntable and»
» To play my 88/24 files o»
» Gould's Goldberg Variati»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Classical events in Boston
APR 20 Bach Cantata Series »
APR 20 Bach Cantata Series »
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Composer's Anniversaries
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My Audio Leftovers
Altec 808A compression »
Micro-Seiki air-suspend»
Micro-Seiki MAX-282 To»
CEC TL-0 MK2 transport
REL Precedent 646C tuner
Rohde & Schwarz EU-6201»
Ortofon Mono CG 25 Di c»
Vitavox S2/S3 diaphragms
Micro Seiki RX-5000
Musatex-TP Bidat 20-Bi»
Electro-Voice T350 twee»
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