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» Equalizer? Hm…
» The silence after coda
» The "anecdotal"»
» Beethoven IX and Fü»
» Use absolute polarity as»
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» Some kind of Grundig…
» I am not a Nostradamus, »
» EdgarHorn Speaker Project
» A Plasma Tweeter made in»
» What to read in audio?
» Tree motors from one sid»
» Claude Perrier and his t»
» 23Hz mono horn project.
» Thoughts on midbass horn»
» A very slow monolog abou»
» Rejection of non-natural»
» Subjective evaluation of»
» Macondo Frame modificati»
» 3012, 312, M2-12 or ... ?
» Why I do not like La-hor»
» JBL LE8
» Naked Sound and Whether.
» How to play Bruckner Sou»
» Small double bass horn f»
» RDH20 Frame double horn »
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» Afraid loudspeakers that»
» A quests for an ultimate»
» Romy, how does the origi»
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» LF Amplifier in biamping.
» In Praise of Infidelity »
» Streophile show 2007 and»
» Make Your Own Horns
» Sandisk Sansa Clip +
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

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Classical events in Boston
APR 15 Cello / Piano Loops:»
APR 16 Zlatomir Fung, cello»
APR 16 Tufts Chamber Music.»
APR 17 Andris Nelsons, cond»
APR 18 Andris Nelsons, cond»
APR 18 Benjamin Zander, con»
APR 18 Benjamin Zander, con»
APR 18 Meditations on the P»
NPR Classical Programs
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he wasn’t toscanini, but h»
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My Audio Leftovers
Musatex’s Bidat Model "»
Micro-Seiki Arm Board
Lamm L2 Reference pream»
Musatex-TP Bidat 20-Bi»
Micro-Seiki MAX-282 To»
Rohde & Schwarz EU-6201»
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Rohde & Schwarz MSDC Mu»
Hillock TV-2 tube tester
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