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Random Site's Threads
» What is the difference b»
» A response to David Hurv»
» Loudspeaker: Sound repro»
» Orphean horns of bd desi»
» Making musical instrumen»
» Amazon and MP3
» Surprising: the most int»
» Good commercial speakers
» Story of my discovery - »
» Recording/Playback softw»
» Stravinsky and Headphone»
» New nanotube speaker tec»
» Thoughs about “My Playba»
» Koshka gets a beautiful »
» Altec cabinet: 815a
» An ultimate transformer »
» Gaussmeter wanted.
» Preamplifiers: keys to m»
» Big room vs small room
» Marantz MA-9S2 Monoblock»
» Are You On the Road to A»
» Outdoor horns
» Beware of PurePower Part»
» The elusive “absolute to»
» Interview with Daniel We»
» Tchaikovsky: Symphony No»
» Active Tonearm Monitorin»
» First Bruckner listening»
» Beware of the "dipo»
» Macondo and ALE drivers,»
» The unintended consequen»
» The Museatex Bidat pages.
» Audio cabinet of curiosi»
» Custom enclosure?
» The new G.I.P speakers.
» Yarlung Records at 24 bi»
» The experiments with rem»
» The inflatable speakers »
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Classical events in Boston
APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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he wasn’t toscanini, but h»
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My Audio Leftovers
Vitavox 330Hz Horn for »
Musatex’s Bidat Model "»
Vitavox AK-15/40 15" ba»
Micro-Seiki Arm Board
Micro-Seiki MAX-282 To»
Musatex-TP Bidat 20-Bi»
Electro-Voice T350 twee»
Lamm L2 Reference pream»
Rohde & Schwarz MSDC Mu»
Conscience of audio rev»
ESS AMT-1A Heil Air Mot»
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