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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Truly a new use of high-»
» Where the FM quality com»
» Macondo – Super Melquiad»
» SME M2
» Brahms [piano] Concerto »
» Use absolute polarity as»
» Audiotism: cable elevato»
» Some Orchestra on Demand»
» The evil of low sensitiv»
» The realty of UHF and LF»
» Bruckner 8, WDR and Manf»
» Bad orchestras shell not»
» Tube outputted CDP's and»
» The 60-inch LF driver.
» Superior electric bindin»
» The Hand Clapping by Fra»
» If you are in Bruckner: »
» Turntable speed analysis.
» Danley's optimised paral»
» Kharma Loudspeakers reac»
» Sound of Ehernet cables?
» Buying a last cartridge.
» JMLC horns profile?
» Weber’s "Andante e »
» Future of high-end audio
» Vendors’ Egos.
» The Sound and How We Hea»
» Contact-free volume cont»
» The DSET perspective exa»
» BSO and 192kps
» Re-set Martha Argerich!
» Beethoven's Triple Conce»
» Problems with horns: upp»
» 5 Channel Version of Mel»
» RIP Henryk Mikolaj G»
» 1st Guitar Thread
» It looks like a simple q»
» Pono & Meridian - an»
Bookmarked are red
GedLee loudspeakers
Linkwitz's "Laboratory"
NPR's SymphonyCast
Classic Artc Showcase
Technical books online
The Thiele-Small Loudspe»
Classical Music Streams
Marston Records
Input Choke & Resonant C»
Robert Greene’s "Reg on »
The National Valve Museum
Pjay's Speaker building »
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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