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» Brahms PC #1, Philharmon»
» About the audio Sources.
» Making musical instrumen»
» Deep-cryogenically treat»
» Small double bass horn f»
» Big room vs small room
» The wonderful Alisa Weil»
» Where are our good Tuner»
» Micro Seiki MAX 282 Ques»
» I am not a Nostradamus, »
» Gould's Piano
» 6E6P-DR in triode mode
» Vitavox S2 with Electrom»
» JBL Project Array
» The 3rd music revolution»
» Bose audio and industry »
» How difficult is it to a»
» The "new" Shos»
» Truly a new use of high-»
» Where are the full-funct»
» The "artificially&q»
» The Abington Something =»
» High End Munich 2014 imp»
» What a trip 30 years bac»
» ESS Connoisseur: a sensi»
» Zander's new Masterclass
» William Kapell legacy an»
» The one-stage Melquiades.
» Two-stages, hybrid, smal»
» High-End Audio Topologie»
» WE15a plans
» Use absolute polarity as»
» New here
» Macondo copying: Horns t»
» Resonating hi from overs»
» What you folks got for B»
» What I am doing?
» A single worst thing in »
Bookmarked are red
The Handelmania Podcast
Eugene Ormandy Pages
Thunderstone Audio Websi»
Greg Sando’s Site
Hub Arts
Recording Technology His»
Linkwitz's "Laboratory"
Jogis Röhrenbude's Site
Tchaikovsky-Research.
High-Tech Hi-Fi
Alexander Karpov’s “Next»
Direct Drive TT
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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REL Precedent 646C tuner
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