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» Sansui AU-X1 bomb...
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» Digital Volume Control s»
» Remembering Sound…
» Vitavox corner horn
» 3 ways how I listen to m»
» Sony Blu-spec CD audio f»
» Hideous American operas.
» Anything wrong with wide»
» In defense of Mikhail Pl»
» If you were to start fro»
» To hear Haydn for a firs»
» Oppo DVD player as a tra»
» Tomorrow in Boston: Yout»
» Stay home with Bruckner
» About rationalism of twi»
» Baseline measurements an»
» Something that a loudspe»
» The Truly High-End Ampli»
» Small double bass horn f»
» Taking the mystery out o»
» Paul McGowan. tubes in p»
» Tweeters: the most misus»
» A Very Nice "Eroica»
» A new amplifier from Aud»
» Where is "Good enou»
» Rejection of non-natural»
» Superbly interesting eff»
» About moronity of DIY Au»
» Eq for 78's
» A request to all posters»
» Anyone know this horn fl»
» The Best Of Wiener Philh»
» National Youth Orchestra»
» Hammond?
» The CD players must read»
Bookmarked are red
Thomas Dunker's Site
ClassicalNet
Seen and Heard
Sibelius Academy music l»
Austria's Musical Exiles
THL Audio
Rradiomuseum
DaVinciAudio Labs
Wood Horn Speakers
Valves Collection
Soviet Composers
NPR's SymphonyCast
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Ortofon Mono CG 25 Di c»
Pacific Microsonics Mod»
Purist Audio Design Pro»
Lamm L2 Reference pream»
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Fane Studio 8 dual conc»
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CEC TL-0 MK2 transport
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