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» Boston and Liszt’s Secon»
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» The Multicells HF Horns.
» Beware of the "dipo»
» CDs organisation methodo»
» Loudspeaker: Sound repro»
» Bruckner Sinfonie Nr.8, »
» The “Primary Frequencies»
» Moscode, Morecode, Moron»
» About the tweeters phase»
» Expectations in the conc»
» The DHOFT topology? Do n»
» Marantz MA-9S2 Monoblock»
» Music and WW3
» Problems with horns: mid»
» Crash course on horns an»
» How to switch moving coi»
» Bach's Cello Suites
» It takes balls to shop (»
» Wine, women, song.. and »
» Paul McGowan. tubes in p»
» An evening to remember -»
» Another interesting corr»
» It’s mad, mad, mad... e»
» How to select mid/upper »
» My Analog Playback: the »
» Wanted Vitavox S2 Origin»
» A Cardboard Effect.
» The Softer Side of a Har»
» The state of High-Effici»
» Conchita Supervia
» Big room vs small room
» And a Bruckner 8 the day»
» Electrovoice t350 repair»
» Bass impact on Turntable»
» Mercury Living Presence »
» Richard Wetz and Martin »
Bookmarked are red
Avie Records
Radio-Locator
The Tape Project
Polish GM70 Poject
ElecroVoice’s Vintage Pr»
Lockwood Audio
Piano Wizard
Exponential/Hyperbolic C»
GEMM catalog
RAAL ribbons
Norman Lebrecht's blog
John Lenard Burnett's si»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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APR 12 Magdalene Ho, pianis»
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Pacific Microsonics Mod»
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Kenwood L-02T FM Tuner
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