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» November to remember… an»
» New Sonus Faber
» Lamm L1 vs. L2 preamp
» Audiotism: cable elevato»
» Instrumental music vs. o»
» Why I hate HornResp.
» What is the buzz: the V-»
» Boston and Liszt’s Secon»
» My CES
» Maria by Callas
» MacondoLite
» A magnetic hybrid driver.
» Arsenic bacteria & G»
» A longer turntable belt.
» Incorporating active cro»
» Magico: Robert Harley’s »
» Rach’s Prelude in C-shar»
» Zebra horns painting?
» Thoughts from Clark John»
» How to build the best au»
» A stunning contra-Bruckn»
» Dvorak/"Dumky"»
» DAC Recommendations
» Mozart Concertos; Clarin»
» Vintage JBL products lin»
» The "mystery&am»
» An air compressor and TT.
» Omni-directional 'horny'»
» Coral x-viii
» Yamaha ns1000m speaker p»
» Audio Covid and some hom»
» 'Ideal' ceiling height? »
» Benz Gullwing and Hi all
» Yamamura's 6 ways
» What constitutes a great»
» The Classical Music Caf&»
» To play my 88/24 files o»
» Something that a loudspe»
Bookmarked are red
Glenn Gould Audio Archiv»
Recording Technology His»
ElecroVoice’s Vintage Pr»
33+45=78
Wood Horn Speakers
Koussevitzky & BSO
Value of Records Tool
The Leonard Cohen Files
Great Hong Kong Blog
Boom's Dungeon
Twogoodears' Blog
Musical Musings
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro-Seiki Arm Board
Kenwood L-02T FM Tuner
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Musatex-TP Bidat 20-Bi»
Korvet “Egg” Tonearm
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Tribute Output Amorphou»
Pacific Microsonics Mod»
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