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» The Macondo’s Upper Bass»
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» Transfer: The reel-to-re»
» My Audio "Reviewing»
» Corner Speakers for a ne»
» Horn Speaker Leftovers f»
» Faberryman and the CES 2»
» RAAL Dipole Ribbon Tweet»
» Incorporating active cro»
» Riccardo Muti and Chicag»
» Audio and Politic: a sol»
» Romy The Cat's new Liste»
» A strange urge.
» There is Bruckner and th»
» Antenna attenuator – you»
» A revolution for Executi»
» RMAF06 Show Report
» Micro Seiki SX 111FV Pla»
» My reading for a “smalle»
» A tribune to Transient E»
» A quest for a better mon»
» Live vs. Recorded transc»
» Shaky tubes, echo testing
» Naked Sound and Whether.
» Stravinsky and Headphone»
» Tuners and digital noise»
» A great production of th»
» Audio Quality Matters in»
» Best recording I heard i»
» Playback and operation o»
» Schubert's Dancing Cats
» DeCompressor - Puncher P»
» I am thinking about anim»
» Horns and digital crosso»
» The cPlay software.
» SET and speakers: disreg»
» The decentralization and»
» The Rafael Kubelík'»
Bookmarked are red
Holger Klein's Soundpage»
Rachmanionoff's links
WGBH's “Keeping Score”
WHRB Radio Station
Nornan Lebrecht's blog
ClassicalNet
Dolmetsch Online
The Leonard Cohen Files
Tonal tests
Furtwängler's conserts
Stereopal
Audiofederation's Blog
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
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