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» My subject of envy to au»
» A longer turntable belt.
» When the stars aligned.
» Musique Concrete horns
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» The “Primary Frequencies»
» Lamm ML2.2 and Mark the »
» 47 Lab new turntable and»
» Non-classical genius (st»
» Bass drivers inquiry
» Additive capacitance: mi»
» Analogue to digital conv»
» About DSET-driven multi-»
» Vintage JBL products lin»
» Tidal’s Music Streaming »
» Smyth Research Realiser »
» Macondo + Milq… very nic»
» Constant directivity = c»
» The pianist Yuja Wang … »
» My reading for a “smalle»
» Dynamic range in histori»
» What is it all about? De»
» Tchaikovsky: Symphony No»
» It looks like a simple q»
» Has anyone built the DIY»
» Zanden 2500S CD player +»
» The nature of "soun»
» Cooperation for the comm»
» The benefits of ultra hi»
» Convergent Legend Preamp»
» Audio Enigma Variation
» DIY LCR phono
» Hungarian folded horn
» Wilson Audio and the Moo»
» Sony Blu-spec CD audio f»
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» Another interesting corr»
» About my listening habit»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Lamm L2 Reference pream»
Altec 515B bass drivers
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Musatex’s Bidat Model "»
Purist Audio Design Pro»
SME M2 - 12" Tonearm wi»
Koetsu Onyx Platinum Ca»
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CEC TL-0 MK2 transport
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