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» The most emblematic reco»
» Melquiades: too early fo»
» Celibidache / bruckner
» The Rachmaninoff's large»
» Brahms [piano] Concerto »
» Deep End DIY - Austral»
» Dynamic range in histori»
» Bach Cello Suites
» 3012, 312, M2-12 or ... ?
» Hungarian folded horn
» Input choke for Low Curr»
» About the life-expectanc»
» Some nice horns from Gre»
» The ultimate cancer of a»
» Spivakov, NPoR Orchestra»
» Munich 2017, Avantgarde »
» A discussion about the a»
» World's Finest Sounding »
» Phoenix
» Altec Model 19 in Boston.
» The 5th horns in stack o»
» Fake Vitavox S2 diaphrag»
» A quest for a better SET.
» The Real Total Horn
» Single-stage Melquiades »
» How High-End Audio can b»
» Auro, reverb injection, »
» Eventually - a reasonabl»
» We don’t necessarily kno»
» Bravo Brahms, Bravo Wand»
» The Full (fuller) Range »
» Crash course on horns an»
» Shostakovich‘s "Suite on»
» The today’s take on Rach»
» Lamm ML2.2 and Mark the »
» The RCA’s 6C33C sockets?
» LF for use with Vitavox »
» Anyone experimented with»
Bookmarked are red
Lenard's Opals monitor
Boston Philharmonic Orch»
The AHRC Research Centre
Tuner Information Center
RAAL ribbons
Hughs Ominous Tubes
Decca Classical discogra»
Musical Instrument Jokes
Hi-Fi Speakers Design
IMSLP Music Library
Recording Technology His»
JBL Products
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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AUG 1 Chamber Music in Bru»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 2 Mahler’s Symphony No»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
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