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» LeCleach vs. tratrix and»
» The “sounds” that I am l»
» Entry level DSET Melq?
» Who owns what in FM
» Levels of High End Audio»
» Klipsch Jubilee horn
» Loudspeaker: Sound repro»
» The Saudi Arabia and Uni»
» Pacific Microsonics Mode»
» Conductor Herbert Kegel
» Multi-amping crossoverin»
» About beauty and uglines»
» The CD players must read»
» Who builds horns?
» The Mercury "Rigole»
» An air compressor and TT.
» The LCR RIAA correctors
» AMR PH-77: just another »
» Impressions from High En»
» Boston Philharmonic Mahl»
» Superbly interesting eff»
» Munich High End 2011
» Cobbett
» My recent FM mystery
» Auro, reverb injection, »
» Bad orchestras shell not»
» New source for old tuners
» The European Triode Fest»
» Some Horns propaganda
» Outdoor horns
» The Sakuma's Show
» Charles Schlueter’s inte»
» My playback can’t play l»
» Another 2005 CES standou»
» Audio Enigma Variation
» Earl Geddes: Horny Book
» The African compression »
» Copland/BSO/Copland
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Adnan Arduman's site.
Club Abbadiani Itineranti
Vintage EV speakers
Subito-Cantabile
The Bruckner Discography
33+45=78
Musical Musings
Valves Collection
Classical Music Streams
Phono EQ
WGBH's “Keeping Score”
NPR's SymphonyCast
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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